Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.1894 |
Prevalence of Second Most Common Vertical Interval |
0.1834 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9684 |
Vertical Unisons |
0.02053 |
Vertical Minor Seconds |
0.002659 |
Vertical Thirds |
0.3159 |
Vertical Tritones |
0.012 |
Vertical Perfect Fourths |
0.09572 |
Vertical Perfect Fifths |
0.172 |
Vertical Sixths |
0.1606 |
Vertical Sevenths |
0.03291 |
Vertical Octaves |
0.1689 |
Perfect Vertical Intervals |
0.4571 |
Vertical Dissonance Ratio |
0.0711 |
Vertical Minor Third Prevalence |
0.4665 |
Vertical Major Third Prevalence |
0.3506 |
Chord Duration |
2.136 |
Partial Chords |
0.4796 |
Standard Triads |
0.3639 |
Diminished and Augmented Triads |
0.006803 |
Dominant Seventh Chords |
0.0102 |
Seventh Chords |
0.04082 |
Non-Standard Chords |
0.1156 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
2.567 |
Average Number of Simultaneous Pitch Classes |
2.433 |
Variability of Number of Simultaneous Pitch Classes |
0.7701 |
Average Number of Simultaneous Pitches |
2.951 |
Variability of Number of Simultaneous Pitches |
0.916 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.279 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
18.28 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1864 |
Stepwise Motion |
0.5567 |
Melodic Thirds |
0.09068 |
Melodic Perfect Fourths |
0.02015 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03526 |
Melodic Sixths |
0.005038 |
Melodic Sevenths |
0.002519 |
Melodic Octaves |
0.005038 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.273 |
Melodic Embellishments |
0.004988 |
Direction of Melodic Motion |
0.4507 |
Average Length of Melodic Arcs |
1.832 |
Average Interval Spanned by Melodic Arcs |
4.277 |
Melodic Pitch Variety |
3.846 |
Mean Melodic Interval |
1.703 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3703 |
Relative Prevalence of Most Common Melodic Intervals |
0.7687 |
Amount of Arpeggiation |
0.4181 |
Repeated Notes |
0.2846 |
Importance of Middle Register |
0.818 |
Importance of High Register |
0.004988 |
Dominant Spread |
3.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.09 |
Mean Pitch Class |
5.813 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1446 |
Prevalence of Most Common Pitch Class |
0.2045 |
Relative Prevalence of Top Pitches |
0.8103 |
Relative Prevalence of Top Pitch Classes |
0.9878 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.934 |
Pitch Class Variability |
3.268 |
Pitch Class Variability After Folding |
4.052 |
Pitch Skewness |
-0.5254 |
Pitch Class Skewness |
-1.09 |
Pitch Class Skewness After Folding |
1.119 |
Pitch Kurtosis |
5.231 |
Pitch Class Kurtosis |
4.789 |
Pitch Class Kurtosis After Folding |
4.729 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
2.0 |
Range |
31.0 |
Importance of Bass Register |
0.1771 |
Note Density per Quarter Note |
1.219 |
Note Density per Quarter Note per Voice |
0.3047 |
Note Density per Quarter Note Variability |
0.6113 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
6.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.7182 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8254 |
Prevalence of Very Long Rhythmic Values |
0.02494 |
Prevalence of Dotted Notes |
0.03741 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.464 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5436 |
Relative Prevalence of Most Common Rhythmic Values |
0.4083 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.394 |
Rhythmic Value Skewness |
0.9979 |
Rhythmic Value Kurtosis |
14.81 |
Mean Rhythmic Value Run Length |
2.401 |
Median Rhythmic Value Run Length |
2.0 |
Variability in Rhythmic Value Run Lengths |
1.994 |
Mean Rhythmic Value Offset |
0.009975 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1998 |
Complete Rests Fraction |
0.003014 |
Partial Rests Fraction |
0.5866 |
Average Rest Fraction Across Voices |
0.2462 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
54.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
8.525 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
10.8 |
Variability Across Voices of Combined Rests |
16.41 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6684 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1668 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.006 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8352 |
Rhythmic Variability - Tempo Standardized |
0.05565 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
401.0 |
Initial Tempo |
288.0 |
Average Variability of Time Between Attacks for Each Voice |
1.011 |
Minimum Note Duration |
0.2083 |
Maximum Note Duration |
3.333 |
Average Note Duration |
0.5154 |
Variability of Note Durations |
0.3072 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
288.0 |
Strongest Rhythmic Pulse |
72.0 |
Second Strongest Rhythmic Pulse |
144.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.2759 |
Strength of Second Strongest Rhythmic Pulse |
0.2643 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.044 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5402 |
Rhythmic Variability |
0.03709 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0000000002224 |
Duration in Seconds |
68.54 |
Note Density |
5.851 |
Note Density Variability |
1.884 |
Average Time Between Attacks |
0.3626 |
Average Time Between Attacks for Each Voice |
0.6687 |
Variability of Time Between Attacks |
0.1452 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.3871 |
Relative Range Isolation of Loudest Voice |
0.672 |
Relative Range of Highest Line |
0.3871 |
Relative Note Density of Highest Line |
0.6783 |
Relative Note Durations of Lowest Line |
1.134 |
Relative Size of Melodic Intervals in Lowest Line |
0.8 |
Voice Overlap |
0.7631 |
Voice Separation |
5.667 |
Variability of Voice Separation |
3.215 |
Parallel Motion |
0.06069 |
Average Number of Independent Voices |
3.024 |
Similar Motion |
0.1329 |
Contrary Motion |
0.237 |
Oblique Motion |
0.5694 |
Parallel Fifths |
0.00289 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.9302 |
Voice Equality - Number of Notes |
18.28 |
Voice Equality - Note Duration |
3.419 |
Voice Equality - Dynamics |
8.66 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
1.0 |
Importance of Loudest Voice |
10.0 |