| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.209 |
| Prevalence of Second Most Common Vertical Interval |
0.1833 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8769 |
| Vertical Unisons |
0.03189 |
| Vertical Minor Seconds |
0.004827 |
| Vertical Thirds |
0.3191 |
| Vertical Tritones |
0.009965 |
| Vertical Perfect Fourths |
0.09642 |
| Vertical Perfect Fifths |
0.1833 |
| Vertical Sixths |
0.1376 |
| Vertical Sevenths |
0.01983 |
| Vertical Octaves |
0.1772 |
| Perfect Vertical Intervals |
0.4888 |
| Vertical Dissonance Ratio |
0.0576 |
| Vertical Minor Third Prevalence |
0.6002 |
| Vertical Major Third Prevalence |
0.5916 |
| Chord Duration |
2.355 |
| Partial Chords |
0.2428 |
| Standard Triads |
0.5786 |
| Diminished and Augmented Triads |
0.02189 |
| Dominant Seventh Chords |
0.00398 |
| Seventh Chords |
0.02836 |
| Non-Standard Chords |
0.1502 |
| Complex Chords |
0.00398 |
| Minor Major Triad Ratio |
0.8229 |
| Average Number of Simultaneous Pitch Classes |
2.76 |
| Variability of Number of Simultaneous Pitch Classes |
0.6495 |
| Average Number of Simultaneous Pitches |
3.673 |
| Variability of Number of Simultaneous Pitches |
1.051 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.153 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
72.85 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2038 |
| Stepwise Motion |
0.6626 |
| Melodic Thirds |
0.1344 |
| Melodic Perfect Fourths |
0.05464 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0451 |
| Melodic Sixths |
0.001735 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003469 |
| Melodic Large Intervals |
0.0008673 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.583 |
| Melodic Embellishments |
0.01123 |
| Direction of Melodic Motion |
0.4524 |
| Average Length of Melodic Arcs |
1.814 |
| Average Interval Spanned by Melodic Arcs |
4.443 |
| Melodic Pitch Variety |
4.814 |
| Mean Melodic Interval |
2.234 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4588 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4442 |
| Amount of Arpeggiation |
0.281 |
| Repeated Notes |
0.09714 |
| Importance of Middle Register |
0.7824 |
| Importance of High Register |
0.05613 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.34 |
| Mean Pitch Class |
5.142 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.09067 |
| Prevalence of Most Common Pitch Class |
0.1658 |
| Relative Prevalence of Top Pitches |
0.9714 |
| Relative Prevalence of Top Pitch Classes |
0.9583 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.074 |
| Pitch Class Variability |
3.384 |
| Pitch Class Variability After Folding |
4.083 |
| Pitch Skewness |
-0.1659 |
| Pitch Class Skewness |
0.1263 |
| Pitch Class Skewness After Folding |
1.022 |
| Pitch Kurtosis |
5.324 |
| Pitch Class Kurtosis |
4.745 |
| Pitch Class Kurtosis After Folding |
4.834 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1615 |
| Note Density per Quarter Note |
1.104 |
| Note Density per Quarter Note per Voice |
0.2208 |
| Note Density per Quarter Note Variability |
0.5015 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001727 |
| Prevalence of Medium Rhythmic Values |
0.5 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7927 |
| Prevalence of Very Long Rhythmic Values |
0.1382 |
| Prevalence of Dotted Notes |
0.12 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.38 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2988 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9798 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.525 |
| Rhythmic Value Skewness |
0.4514 |
| Rhythmic Value Kurtosis |
8.977 |
| Mean Rhythmic Value Run Length |
1.542 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.025 |
| Mean Rhythmic Value Offset |
0.1174 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.122 |
| Complete Rests Fraction |
0.0008616 |
| Partial Rests Fraction |
0.6334 |
| Average Rest Fraction Across Voices |
0.225 |
| Longest Complete Rest |
0.9038 |
| Longest Partial Rest |
82.02 |
| Mean Complete Rest Duration |
0.9038 |
| Mean Partial Rest Duration |
13.41 |
| Median Complete Rest Duration |
0.9038 |
| Median Partial Rest Duration |
7.291 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
16.71 |
| Variability Across Voices of Combined Rests |
28.05 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5591 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2246 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.489 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7837 |
| Rhythmic Variability - Tempo Standardized |
0.0502 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1158.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.483 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.7969 |
| Variability of Note Durations |
0.7182 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
267.4 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3163 |
| Strength of Second Strongest Rhythmic Pulse |
0.2617 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.209 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.578 |
| Rhythmic Variability |
0.03837 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
28.28 |
| Duration in Seconds |
238.1 |
| Note Density |
4.863 |
| Note Density Variability |
1.378 |
| Average Time Between Attacks |
0.4215 |
| Average Time Between Attacks for Each Voice |
1.026 |
| Variability of Time Between Attacks |
0.2452 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.4116 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.3022 |
| Relative Note Durations of Lowest Line |
1.094 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.8653 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
1.291 |
| Parallel Motion |
0.05471 |
| Average Number of Independent Voices |
3.865 |
| Similar Motion |
0.1338 |
| Contrary Motion |
0.1481 |
| Oblique Motion |
0.6633 |
| Parallel Fifths |
0.001684 |
| Parallel Octaves |
0.005892 |
| Variability of Number of Independent Voices |
1.094 |
| Voice Equality - Number of Notes |
56.61 |
| Voice Equality - Note Duration |
6.367 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
2.608 |
| Importance of Loudest Voice |
12.5 |