| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2036 |
| Prevalence of Second Most Common Vertical Interval |
0.188 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9236 |
| Vertical Unisons |
0.0206 |
| Vertical Minor Seconds |
0.003166 |
| Vertical Thirds |
0.358 |
| Vertical Tritones |
0.009491 |
| Vertical Perfect Fourths |
0.06531 |
| Vertical Perfect Fifths |
0.1837 |
| Vertical Sixths |
0.14 |
| Vertical Sevenths |
0.0228 |
| Vertical Octaves |
0.183 |
| Perfect Vertical Intervals |
0.4526 |
| Vertical Dissonance Ratio |
0.05203 |
| Vertical Minor Third Prevalence |
0.5469 |
| Vertical Major Third Prevalence |
0.4952 |
| Chord Duration |
2.359 |
| Partial Chords |
0.3876 |
| Standard Triads |
0.4869 |
| Diminished and Augmented Triads |
0.02209 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01004 |
| Non-Standard Chords |
0.1155 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7766 |
| Average Number of Simultaneous Pitch Classes |
2.567 |
| Variability of Number of Simultaneous Pitch Classes |
0.6284 |
| Average Number of Simultaneous Pitches |
3.296 |
| Variability of Number of Simultaneous Pitches |
0.8279 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.746 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
63.11 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1509 |
| Stepwise Motion |
0.483 |
| Melodic Thirds |
0.1545 |
| Melodic Perfect Fourths |
0.05982 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05 |
| Melodic Sixths |
0.00625 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01071 |
| Melodic Large Intervals |
0.001786 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.276 |
| Melodic Embellishments |
0.01601 |
| Direction of Melodic Motion |
0.4569 |
| Average Length of Melodic Arcs |
1.709 |
| Average Interval Spanned by Melodic Arcs |
4.867 |
| Melodic Pitch Variety |
4.302 |
| Mean Melodic Interval |
2.203 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3321 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7043 |
| Amount of Arpeggiation |
0.4509 |
| Repeated Notes |
0.2339 |
| Importance of Middle Register |
0.6681 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.78 |
| Mean Pitch Class |
5.294 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1094 |
| Prevalence of Most Common Pitch Class |
0.1957 |
| Relative Prevalence of Top Pitches |
0.9593 |
| Relative Prevalence of Top Pitch Classes |
0.8909 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
7.533 |
| Pitch Class Variability |
3.601 |
| Pitch Class Variability After Folding |
3.332 |
| Pitch Skewness |
0.1396 |
| Pitch Class Skewness |
0.2446 |
| Pitch Class Skewness After Folding |
0.4117 |
| Pitch Kurtosis |
5.304 |
| Pitch Class Kurtosis |
4.779 |
| Pitch Class Kurtosis After Folding |
6.684 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3319 |
| Note Density per Quarter Note |
1.072 |
| Note Density per Quarter Note per Voice |
0.2679 |
| Note Density per Quarter Note Variability |
0.4372 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001779 |
| Prevalence of Medium Rhythmic Values |
0.5605 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.887 |
| Prevalence of Very Long Rhythmic Values |
0.07651 |
| Prevalence of Dotted Notes |
0.05605 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.055 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4475 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7396 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.879 |
| Rhythmic Value Skewness |
1.684 |
| Rhythmic Value Kurtosis |
11.37 |
| Mean Rhythmic Value Run Length |
1.861 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.588 |
| Mean Rhythmic Value Offset |
0.08897 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.084 |
| Complete Rests Fraction |
0.004759 |
| Partial Rests Fraction |
0.4223 |
| Average Rest Fraction Across Voices |
0.1578 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
68.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
6.687 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
10.79 |
| Variability Across Voices of Combined Rests |
57.35 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7676 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1253 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.128 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8929 |
| Rhythmic Variability - Tempo Standardized |
0.06175 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1124.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.979 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.6505 |
| Variability of Note Durations |
0.5193 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.3129 |
| Strength of Second Strongest Rhythmic Pulse |
0.2853 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.096 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5982 |
| Rhythmic Variability |
0.03983 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004523 |
| Duration in Seconds |
217.0 |
| Note Density |
5.179 |
| Note Density Variability |
1.491 |
| Average Time Between Attacks |
0.4081 |
| Average Time Between Attacks for Each Voice |
0.7799 |
| Variability of Time Between Attacks |
0.1941 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.4693 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.2313 |
| Relative Note Durations of Lowest Line |
1.014 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7527 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
4.359 |
| Parallel Motion |
0.05382 |
| Average Number of Independent Voices |
3.385 |
| Similar Motion |
0.1458 |
| Contrary Motion |
0.229 |
| Oblique Motion |
0.5714 |
| Parallel Fifths |
0.002935 |
| Parallel Octaves |
0.0009785 |
| Variability of Number of Independent Voices |
0.816 |
| Voice Equality - Number of Notes |
63.11 |
| Voice Equality - Note Duration |
11.87 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.291 |
| Importance of Loudest Voice |
10.0 |