| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2165 |
| Prevalence of Second Most Common Vertical Interval |
0.1786 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8248 |
| Vertical Unisons |
0.03297 |
| Vertical Minor Seconds |
0.001105 |
| Vertical Thirds |
0.3198 |
| Vertical Tritones |
0.005896 |
| Vertical Perfect Fourths |
0.1219 |
| Vertical Perfect Fifths |
0.1786 |
| Vertical Sixths |
0.1353 |
| Vertical Sevenths |
0.01229 |
| Vertical Octaves |
0.1836 |
| Perfect Vertical Intervals |
0.517 |
| Vertical Dissonance Ratio |
0.02875 |
| Vertical Minor Third Prevalence |
0.5906 |
| Vertical Major Third Prevalence |
0.5417 |
| Chord Duration |
4.687 |
| Partial Chords |
0.2628 |
| Standard Triads |
0.6298 |
| Diminished and Augmented Triads |
0.01915 |
| Dominant Seventh Chords |
0.004255 |
| Seventh Chords |
0.02553 |
| Non-Standard Chords |
0.08191 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.176 |
| Average Number of Simultaneous Pitch Classes |
2.745 |
| Variability of Number of Simultaneous Pitch Classes |
0.565 |
| Average Number of Simultaneous Pitches |
3.612 |
| Variability of Number of Simultaneous Pitches |
0.9376 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.016 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
43.47 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2011 |
| Stepwise Motion |
0.5344 |
| Melodic Thirds |
0.1848 |
| Melodic Perfect Fourths |
0.06884 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03623 |
| Melodic Sixths |
0.007246 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007246 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.615 |
| Melodic Embellishments |
0.01613 |
| Direction of Melodic Motion |
0.4687 |
| Average Length of Melodic Arcs |
1.69 |
| Average Interval Spanned by Melodic Arcs |
4.482 |
| Melodic Pitch Variety |
4.464 |
| Mean Melodic Interval |
2.241 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3333 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6033 |
| Amount of Arpeggiation |
0.3895 |
| Repeated Notes |
0.1612 |
| Importance of Middle Register |
0.5161 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.78 |
| Mean Pitch Class |
5.271 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1075 |
| Prevalence of Most Common Pitch Class |
0.1971 |
| Relative Prevalence of Top Pitches |
0.7833 |
| Relative Prevalence of Top Pitch Classes |
0.7909 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
7.144 |
| Pitch Class Variability |
3.578 |
| Pitch Class Variability After Folding |
3.204 |
| Pitch Skewness |
-0.2657 |
| Pitch Class Skewness |
0.2269 |
| Pitch Class Skewness After Folding |
0.4446 |
| Pitch Kurtosis |
5.39 |
| Pitch Class Kurtosis |
4.777 |
| Pitch Class Kurtosis After Folding |
6.912 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.4839 |
| Note Density per Quarter Note |
0.5807 |
| Note Density per Quarter Note per Voice |
0.1161 |
| Note Density per Quarter Note Variability |
0.4518 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.181 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9892 |
| Prevalence of Very Long Rhythmic Values |
0.4373 |
| Prevalence of Dotted Notes |
0.2204 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.817 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.371 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6135 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
3.27 |
| Rhythmic Value Skewness |
1.667 |
| Rhythmic Value Kurtosis |
5.353 |
| Mean Rhythmic Value Run Length |
1.529 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9958 |
| Mean Rhythmic Value Offset |
0.7168 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
3.311 |
| Complete Rests Fraction |
0.0009426 |
| Partial Rests Fraction |
0.7342 |
| Average Rest Fraction Across Voices |
0.2327 |
| Longest Complete Rest |
0.9059 |
| Longest Partial Rest |
274.9 |
| Mean Complete Rest Duration |
0.9059 |
| Mean Partial Rest Duration |
19.62 |
| Median Complete Rest Duration |
0.9059 |
| Median Partial Rest Duration |
4.52 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
48.36 |
| Variability Across Voices of Combined Rests |
115.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8855 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.06988 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
12.67 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9554 |
| Rhythmic Variability - Tempo Standardized |
0.07004 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
558.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.796 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
15.52 |
| Average Note Duration |
1.517 |
| Variability of Note Durations |
1.337 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
265.0 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4448 |
| Strength of Second Strongest Rhythmic Pulse |
0.2923 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.522 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7371 |
| Rhythmic Variability |
0.04562 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
26.94 |
| Duration in Seconds |
219.9 |
| Note Density |
2.537 |
| Note Density Variability |
1.045 |
| Average Time Between Attacks |
0.8466 |
| Average Time Between Attacks for Each Voice |
1.896 |
| Variability of Time Between Attacks |
0.5093 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.2476 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.5645 |
| Relative Note Durations of Lowest Line |
1.093 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.9158 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
1.258 |
| Parallel Motion |
0.05243 |
| Average Number of Independent Voices |
3.785 |
| Similar Motion |
0.1386 |
| Contrary Motion |
0.1199 |
| Oblique Motion |
0.6891 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.007491 |
| Variability of Number of Independent Voices |
0.9562 |
| Voice Equality - Number of Notes |
28.18 |
| Voice Equality - Note Duration |
26.53 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.225 |
| Importance of Loudest Voice |
12.5 |