| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2416 |
| Prevalence of Second Most Common Vertical Interval |
0.1763 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7297 |
| Vertical Unisons |
0.02667 |
| Vertical Minor Seconds |
0.006496 |
| Vertical Thirds |
0.2706 |
| Vertical Tritones |
0.01084 |
| Vertical Perfect Fourths |
0.1064 |
| Vertical Perfect Fifths |
0.1763 |
| Vertical Sixths |
0.1427 |
| Vertical Sevenths |
0.02578 |
| Vertical Octaves |
0.2149 |
| Perfect Vertical Intervals |
0.5243 |
| Vertical Dissonance Ratio |
0.0665 |
| Vertical Minor Third Prevalence |
0.3828 |
| Vertical Major Third Prevalence |
0.3797 |
| Chord Duration |
2.057 |
| Partial Chords |
0.4625 |
| Standard Triads |
0.3805 |
| Diminished and Augmented Triads |
0.01745 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01047 |
| Non-Standard Chords |
0.1466 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.691 |
| Average Number of Simultaneous Pitch Classes |
2.423 |
| Variability of Number of Simultaneous Pitch Classes |
0.7398 |
| Average Number of Simultaneous Pitches |
3.175 |
| Variability of Number of Simultaneous Pitches |
0.9653 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.325 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
27.44 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1891 |
| Stepwise Motion |
0.6012 |
| Melodic Thirds |
0.1492 |
| Melodic Perfect Fourths |
0.1078 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05022 |
| Melodic Sixths |
0.005908 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.001477 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.607 |
| Melodic Embellishments |
0.02928 |
| Direction of Melodic Motion |
0.4968 |
| Average Length of Melodic Arcs |
1.766 |
| Average Interval Spanned by Melodic Arcs |
4.709 |
| Melodic Pitch Variety |
4.732 |
| Mean Melodic Interval |
2.461 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4121 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4588 |
| Amount of Arpeggiation |
0.2851 |
| Repeated Notes |
0.08419 |
| Importance of Middle Register |
0.7745 |
| Importance of High Register |
0.101 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
62.31 |
| Mean Pitch Class |
5.262 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.0937 |
| Prevalence of Most Common Pitch Class |
0.1816 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.369 |
| Pitch Class Variability |
3.617 |
| Pitch Class Variability After Folding |
3.094 |
| Pitch Skewness |
0.4411 |
| Pitch Class Skewness |
0.2174 |
| Pitch Class Skewness After Folding |
0.4897 |
| Pitch Kurtosis |
5.157 |
| Pitch Class Kurtosis |
4.772 |
| Pitch Class Kurtosis After Folding |
7.189 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1245 |
| Note Density per Quarter Note |
1.066 |
| Note Density per Quarter Note per Voice |
0.2664 |
| Note Density per Quarter Note Variability |
0.6423 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5534 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8126 |
| Prevalence of Very Long Rhythmic Values |
0.09224 |
| Prevalence of Dotted Notes |
0.09956 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.04 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.366 |
| Relative Prevalence of Most Common Rhythmic Values |
0.76 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.094 |
| Rhythmic Value Skewness |
1.489 |
| Rhythmic Value Kurtosis |
10.41 |
| Mean Rhythmic Value Run Length |
1.622 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.054 |
| Mean Rhythmic Value Offset |
0.041 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4032 |
| Complete Rests Fraction |
0.001663 |
| Partial Rests Fraction |
0.4559 |
| Average Rest Fraction Across Voices |
0.1877 |
| Longest Complete Rest |
1.066 |
| Longest Partial Rest |
77.41 |
| Mean Complete Rest Duration |
1.066 |
| Mean Partial Rest Duration |
7.888 |
| Median Complete Rest Duration |
1.066 |
| Median Partial Rest Duration |
2.15 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.85 |
| Variability Across Voices of Combined Rests |
55.79 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5848 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2116 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.763 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7965 |
| Rhythmic Variability - Tempo Standardized |
0.05136 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
683.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.001 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7408 |
| Variability of Note Durations |
0.5212 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.3 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2764 |
| Strength of Second Strongest Rhythmic Pulse |
0.2718 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.017 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5481 |
| Rhythmic Variability |
0.03797 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.65 |
| Duration in Seconds |
154.2 |
| Note Density |
4.43 |
| Note Density Variability |
1.807 |
| Average Time Between Attacks |
0.4394 |
| Average Time Between Attacks for Each Voice |
0.8524 |
| Variability of Time Between Attacks |
0.2416 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4062 |
| Relative Range Isolation of Loudest Voice |
0.5517 |
| Relative Range of Highest Line |
0.4062 |
| Relative Note Density of Highest Line |
0.4158 |
| Relative Note Durations of Lowest Line |
1.125 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7877 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.03776 |
| Average Number of Independent Voices |
3.25 |
| Similar Motion |
0.1105 |
| Contrary Motion |
0.1636 |
| Oblique Motion |
0.6881 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002797 |
| Variability of Number of Independent Voices |
0.9454 |
| Voice Equality - Number of Notes |
27.44 |
| Voice Equality - Note Duration |
13.42 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.775 |
| Importance of Loudest Voice |
10.0 |