| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2212 |
| Prevalence of Second Most Common Vertical Interval |
0.1853 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8377 |
| Vertical Unisons |
0.03277 |
| Vertical Minor Seconds |
0.004507 |
| Vertical Thirds |
0.2805 |
| Vertical Tritones |
0.01292 |
| Vertical Perfect Fourths |
0.09726 |
| Vertical Perfect Fifths |
0.1853 |
| Vertical Sixths |
0.1507 |
| Vertical Sevenths |
0.03024 |
| Vertical Octaves |
0.1884 |
| Perfect Vertical Intervals |
0.5038 |
| Vertical Dissonance Ratio |
0.06957 |
| Vertical Minor Third Prevalence |
0.2808 |
| Vertical Major Third Prevalence |
0.4043 |
| Chord Duration |
2.473 |
| Partial Chords |
0.5492 |
| Standard Triads |
0.3307 |
| Diminished and Augmented Triads |
0.0127 |
| Dominant Seventh Chords |
0.004233 |
| Seventh Chords |
0.01534 |
| Non-Standard Chords |
0.1048 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.414 |
| Average Number of Simultaneous Pitch Classes |
2.352 |
| Variability of Number of Simultaneous Pitch Classes |
0.6922 |
| Average Number of Simultaneous Pitches |
2.936 |
| Variability of Number of Simultaneous Pitches |
0.926 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.354 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
43.93 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2071 |
| Stepwise Motion |
0.605 |
| Melodic Thirds |
0.134 |
| Melodic Perfect Fourths |
0.05536 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02274 |
| Melodic Sixths |
0.0004943 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006426 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.737 |
| Melodic Embellishments |
0.01579 |
| Direction of Melodic Motion |
0.4877 |
| Average Length of Melodic Arcs |
1.806 |
| Average Interval Spanned by Melodic Arcs |
4.3 |
| Melodic Pitch Variety |
4.37 |
| Mean Melodic Interval |
1.971 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3979 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5205 |
| Amount of Arpeggiation |
0.3391 |
| Repeated Notes |
0.176 |
| Importance of Middle Register |
0.8046 |
| Importance of High Register |
0.04835 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.34 |
| Mean Pitch Class |
4.878 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1061 |
| Prevalence of Most Common Pitch Class |
0.185 |
| Relative Prevalence of Top Pitches |
0.9535 |
| Relative Prevalence of Top Pitch Classes |
0.9147 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.849 |
| Pitch Class Variability |
3.443 |
| Pitch Class Variability After Folding |
3.748 |
| Pitch Skewness |
0.03674 |
| Pitch Class Skewness |
-0.1062 |
| Pitch Class Skewness After Folding |
0.6267 |
| Pitch Kurtosis |
5.415 |
| Pitch Class Kurtosis |
4.966 |
| Pitch Class Kurtosis After Folding |
5.727 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.147 |
| Note Density per Quarter Note |
0.9722 |
| Note Density per Quarter Note per Voice |
0.243 |
| Note Density per Quarter Note Variability |
0.5176 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5407 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7928 |
| Prevalence of Very Long Rhythmic Values |
0.1135 |
| Prevalence of Dotted Notes |
0.1164 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.078 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3335 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8743 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.096 |
| Rhythmic Value Skewness |
1.544 |
| Rhythmic Value Kurtosis |
10.02 |
| Mean Rhythmic Value Run Length |
1.703 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.178 |
| Mean Rhythmic Value Offset |
0.05328 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7881 |
| Complete Rests Fraction |
0.002173 |
| Partial Rests Fraction |
0.5514 |
| Average Rest Fraction Across Voices |
0.2427 |
| Longest Complete Rest |
3.625 |
| Longest Partial Rest |
83.82 |
| Mean Complete Rest Duration |
2.265 |
| Mean Partial Rest Duration |
13.14 |
| Median Complete Rest Duration |
3.625 |
| Median Partial Rest Duration |
6.797 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.923 |
| Variability of Partial Rest Durations |
16.29 |
| Variability Across Voices of Combined Rests |
54.23 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5671 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2182 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.599 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7853 |
| Rhythmic Variability - Tempo Standardized |
0.05057 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2027.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.543 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
7.448 |
| Average Note Duration |
0.7114 |
| Variability of Note Durations |
0.5348 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
265.9 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3087 |
| Strength of Second Strongest Rhythmic Pulse |
0.2568 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.202 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5655 |
| Rhythmic Variability |
0.03812 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
28.33 |
| Duration in Seconds |
476.0 |
| Note Density |
4.258 |
| Note Density Variability |
1.521 |
| Average Time Between Attacks |
0.4571 |
| Average Time Between Attacks for Each Voice |
0.9298 |
| Variability of Time Between Attacks |
0.2483 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.4759 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.1362 |
| Relative Note Durations of Lowest Line |
1.051 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8081 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.04892 |
| Average Number of Independent Voices |
3.052 |
| Similar Motion |
0.1328 |
| Contrary Motion |
0.1904 |
| Oblique Motion |
0.6278 |
| Parallel Fifths |
0.001165 |
| Parallel Octaves |
0.0005824 |
| Variability of Number of Independent Voices |
0.9584 |
| Voice Equality - Number of Notes |
43.93 |
| Voice Equality - Note Duration |
12.38 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.517 |
| Importance of Loudest Voice |
10.0 |