| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2122 |
| Prevalence of Second Most Common Vertical Interval |
0.1896 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8932 |
| Vertical Unisons |
0.02539 |
| Vertical Minor Seconds |
0.006385 |
| Vertical Thirds |
0.3082 |
| Vertical Tritones |
0.01161 |
| Vertical Perfect Fourths |
0.08158 |
| Vertical Perfect Fifths |
0.1896 |
| Vertical Sixths |
0.1337 |
| Vertical Sevenths |
0.03187 |
| Vertical Octaves |
0.1868 |
| Perfect Vertical Intervals |
0.4834 |
| Vertical Dissonance Ratio |
0.08079 |
| Vertical Minor Third Prevalence |
0.3645 |
| Vertical Major Third Prevalence |
0.4135 |
| Chord Duration |
2.129 |
| Partial Chords |
0.5337 |
| Standard Triads |
0.3166 |
| Diminished and Augmented Triads |
0.01804 |
| Dominant Seventh Chords |
0.004811 |
| Seventh Chords |
0.01503 |
| Non-Standard Chords |
0.1347 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.404 |
| Average Number of Simultaneous Pitch Classes |
2.402 |
| Variability of Number of Simultaneous Pitch Classes |
0.6719 |
| Average Number of Simultaneous Pitches |
2.978 |
| Variability of Number of Simultaneous Pitches |
0.8638 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.428 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
50.27 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1947 |
| Stepwise Motion |
0.6288 |
| Melodic Thirds |
0.1264 |
| Melodic Perfect Fourths |
0.04533 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0384 |
| Melodic Sixths |
0.004267 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005867 |
| Melodic Large Intervals |
0.0005333 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.279 |
| Melodic Embellishments |
0.0149 |
| Direction of Melodic Motion |
0.4733 |
| Average Length of Melodic Arcs |
1.896 |
| Average Interval Spanned by Melodic Arcs |
4.695 |
| Melodic Pitch Variety |
4.606 |
| Mean Melodic Interval |
2.11 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4341 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4484 |
| Amount of Arpeggiation |
0.3211 |
| Repeated Notes |
0.1504 |
| Importance of Middle Register |
0.7823 |
| Importance of High Register |
0.1187 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.68 |
| Mean Pitch Class |
4.99 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1102 |
| Prevalence of Most Common Pitch Class |
0.1841 |
| Relative Prevalence of Top Pitches |
0.8454 |
| Relative Prevalence of Top Pitch Classes |
0.8988 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.214 |
| Pitch Class Variability |
3.397 |
| Pitch Class Variability After Folding |
3.253 |
| Pitch Skewness |
-0.3253 |
| Pitch Class Skewness |
-0.00846 |
| Pitch Class Skewness After Folding |
1.265 |
| Pitch Kurtosis |
5.375 |
| Pitch Class Kurtosis |
5.022 |
| Pitch Class Kurtosis After Folding |
6.959 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.09899 |
| Note Density per Quarter Note |
1.05 |
| Note Density per Quarter Note per Voice |
0.2626 |
| Note Density per Quarter Note Variability |
0.4603 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003193 |
| Prevalence of Medium Rhythmic Values |
0.6115 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7935 |
| Prevalence of Very Long Rhythmic Values |
0.08143 |
| Prevalence of Dotted Notes |
0.07983 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.86 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.405 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6465 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.981 |
| Rhythmic Value Skewness |
1.303 |
| Rhythmic Value Kurtosis |
11.54 |
| Mean Rhythmic Value Run Length |
1.746 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.204 |
| Mean Rhythmic Value Offset |
0.05748 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6695 |
| Complete Rests Fraction |
0.001522 |
| Partial Rests Fraction |
0.6318 |
| Average Rest Fraction Across Voices |
0.241 |
| Longest Complete Rest |
2.158 |
| Longest Partial Rest |
77.67 |
| Mean Complete Rest Duration |
1.361 |
| Mean Partial Rest Duration |
11.42 |
| Median Complete Rest Duration |
2.158 |
| Median Partial Rest Duration |
4.315 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.126 |
| Variability of Partial Rest Durations |
16.51 |
| Variability Across Voices of Combined Rests |
50.37 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6054 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2035 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.975 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.809 |
| Rhythmic Variability - Tempo Standardized |
0.05227 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1879.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.64 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.693 |
| Variability of Note Durations |
0.5606 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
264.1 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3005 |
| Strength of Second Strongest Rhythmic Pulse |
0.2715 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.107 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.572 |
| Rhythmic Variability |
0.03865 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
74.88 |
| Duration in Seconds |
428.9 |
| Note Density |
4.381 |
| Note Density Variability |
1.531 |
| Average Time Between Attacks |
0.4311 |
| Average Time Between Attacks for Each Voice |
0.9079 |
| Variability of Time Between Attacks |
0.2242 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.249 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.1533 |
| Relative Note Durations of Lowest Line |
1.091 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8675 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.05024 |
| Average Number of Independent Voices |
3.069 |
| Similar Motion |
0.1423 |
| Contrary Motion |
0.1651 |
| Oblique Motion |
0.6423 |
| Parallel Fifths |
0.003589 |
| Parallel Octaves |
0.001196 |
| Variability of Number of Independent Voices |
0.8543 |
| Voice Equality - Number of Notes |
50.27 |
| Voice Equality - Note Duration |
12.08 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
10.0 |