| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2316 |
| Prevalence of Second Most Common Vertical Interval |
0.2085 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9 |
| Vertical Unisons |
0.02417 |
| Vertical Minor Seconds |
0.005224 |
| Vertical Thirds |
0.2506 |
| Vertical Tritones |
0.01583 |
| Vertical Perfect Fourths |
0.09093 |
| Vertical Perfect Fifths |
0.2085 |
| Vertical Sixths |
0.1513 |
| Vertical Sevenths |
0.02934 |
| Vertical Octaves |
0.2074 |
| Perfect Vertical Intervals |
0.531 |
| Vertical Dissonance Ratio |
0.0719 |
| Vertical Minor Third Prevalence |
0.3254 |
| Vertical Major Third Prevalence |
0.2791 |
| Chord Duration |
1.804 |
| Partial Chords |
0.6005 |
| Standard Triads |
0.2896 |
| Diminished and Augmented Triads |
0.02837 |
| Dominant Seventh Chords |
0.002364 |
| Seventh Chords |
0.007092 |
| Non-Standard Chords |
0.1028 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.112 |
| Average Number of Simultaneous Pitch Classes |
2.289 |
| Variability of Number of Simultaneous Pitch Classes |
0.6387 |
| Average Number of Simultaneous Pitches |
2.897 |
| Variability of Number of Simultaneous Pitches |
0.9038 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.158 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
16.09 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2094 |
| Stepwise Motion |
0.5955 |
| Melodic Thirds |
0.115 |
| Melodic Perfect Fourths |
0.05749 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0616 |
| Melodic Sixths |
0.00616 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004107 |
| Melodic Large Intervals |
0.002053 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.947 |
| Melodic Embellishments |
0.01629 |
| Direction of Melodic Motion |
0.4512 |
| Average Length of Melodic Arcs |
1.673 |
| Average Interval Spanned by Melodic Arcs |
4.335 |
| Melodic Pitch Variety |
4.66 |
| Mean Melodic Interval |
2.216 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.386 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5426 |
| Amount of Arpeggiation |
0.3409 |
| Repeated Notes |
0.1581 |
| Importance of Middle Register |
0.7658 |
| Importance of High Register |
0.03055 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.46 |
| Mean Pitch Class |
5.442 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1161 |
| Prevalence of Most Common Pitch Class |
0.1996 |
| Relative Prevalence of Top Pitches |
0.8421 |
| Relative Prevalence of Top Pitch Classes |
0.9694 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.288 |
| Pitch Class Variability |
3.235 |
| Pitch Class Variability After Folding |
4.033 |
| Pitch Skewness |
0.006707 |
| Pitch Class Skewness |
0.4099 |
| Pitch Class Skewness After Folding |
0.9802 |
| Pitch Kurtosis |
5.641 |
| Pitch Class Kurtosis |
4.821 |
| Pitch Class Kurtosis After Folding |
4.933 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2037 |
| Note Density per Quarter Note |
1.056 |
| Note Density per Quarter Note per Voice |
0.264 |
| Note Density per Quarter Note Variability |
0.3959 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004073 |
| Prevalence of Medium Rhythmic Values |
0.6049 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7923 |
| Prevalence of Very Long Rhythmic Values |
0.06314 |
| Prevalence of Dotted Notes |
0.05092 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.798 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3971 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7282 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.798 |
| Rhythmic Value Skewness |
1.332 |
| Rhythmic Value Kurtosis |
10.09 |
| Mean Rhythmic Value Run Length |
1.98 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.692 |
| Mean Rhythmic Value Offset |
0.01629 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.255 |
| Complete Rests Fraction |
0.002133 |
| Partial Rests Fraction |
0.6344 |
| Average Rest Fraction Across Voices |
0.257 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
46.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.958 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.09 |
| Variability Across Voices of Combined Rests |
21.81 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6544 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1776 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.685 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.832 |
| Rhythmic Variability - Tempo Standardized |
0.05486 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
491.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9577 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5864 |
| Variability of Note Durations |
0.3952 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2781 |
| Strength of Second Strongest Rhythmic Pulse |
0.2595 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.072 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5376 |
| Rhythmic Variability |
0.03683 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004231 |
| Duration in Seconds |
96.87 |
| Note Density |
5.068 |
| Note Density Variability |
1.427 |
| Average Time Between Attacks |
0.3527 |
| Average Time Between Attacks for Each Voice |
0.751 |
| Variability of Time Between Attacks |
0.1474 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.6148 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.554 |
| Relative Note Durations of Lowest Line |
1.104 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7882 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.03103 |
| Average Number of Independent Voices |
2.978 |
| Similar Motion |
0.148 |
| Contrary Motion |
0.1647 |
| Oblique Motion |
0.6563 |
| Parallel Fifths |
0.002387 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9023 |
| Voice Equality - Number of Notes |
16.09 |
| Voice Equality - Note Duration |
4.544 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.948 |
| Importance of Loudest Voice |
10.0 |