| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1997 |
| Prevalence of Second Most Common Vertical Interval |
0.1902 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9521 |
| Vertical Unisons |
0.02959 |
| Vertical Minor Seconds |
0.005095 |
| Vertical Thirds |
0.3403 |
| Vertical Tritones |
0.009905 |
| Vertical Perfect Fourths |
0.08268 |
| Vertical Perfect Fifths |
0.1781 |
| Vertical Sixths |
0.1354 |
| Vertical Sevenths |
0.02615 |
| Vertical Octaves |
0.1702 |
| Perfect Vertical Intervals |
0.4605 |
| Vertical Dissonance Ratio |
0.0681 |
| Vertical Minor Third Prevalence |
0.549 |
| Vertical Major Third Prevalence |
0.4742 |
| Chord Duration |
1.903 |
| Partial Chords |
0.3353 |
| Standard Triads |
0.4745 |
| Diminished and Augmented Triads |
0.01747 |
| Dominant Seventh Chords |
0.002688 |
| Seventh Chords |
0.01747 |
| Non-Standard Chords |
0.1727 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.017 |
| Average Number of Simultaneous Pitch Classes |
2.631 |
| Variability of Number of Simultaneous Pitch Classes |
0.6204 |
| Average Number of Simultaneous Pitches |
3.322 |
| Variability of Number of Simultaneous Pitches |
0.7368 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.854 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
48.52 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2142 |
| Stepwise Motion |
0.6438 |
| Melodic Thirds |
0.1252 |
| Melodic Perfect Fourths |
0.05776 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04693 |
| Melodic Sixths |
0.008424 |
| Melodic Sevenths |
0.001203 |
| Melodic Octaves |
0.02046 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.811 |
| Melodic Embellishments |
0.01198 |
| Direction of Melodic Motion |
0.4208 |
| Average Length of Melodic Arcs |
1.887 |
| Average Interval Spanned by Melodic Arcs |
5.063 |
| Melodic Pitch Variety |
5.202 |
| Mean Melodic Interval |
2.439 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4296 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4986 |
| Amount of Arpeggiation |
0.29 |
| Repeated Notes |
0.09627 |
| Importance of Middle Register |
0.6539 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.25 |
| Mean Pitch Class |
5.472 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09581 |
| Prevalence of Most Common Pitch Class |
0.1988 |
| Relative Prevalence of Top Pitches |
0.8625 |
| Relative Prevalence of Top Pitch Classes |
0.7289 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.502 |
| Pitch Class Variability |
3.487 |
| Pitch Class Variability After Folding |
3.463 |
| Pitch Skewness |
0.3017 |
| Pitch Class Skewness |
0.406 |
| Pitch Class Skewness After Folding |
0.7035 |
| Pitch Kurtosis |
5.228 |
| Pitch Class Kurtosis |
4.872 |
| Pitch Class Kurtosis After Folding |
6.168 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3461 |
| Note Density per Quarter Note |
1.075 |
| Note Density per Quarter Note per Voice |
0.2687 |
| Note Density per Quarter Note Variability |
0.4494 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002395 |
| Prevalence of Medium Rhythmic Values |
0.5784 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7713 |
| Prevalence of Very Long Rhythmic Values |
0.1186 |
| Prevalence of Dotted Notes |
0.09222 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.066 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3497 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7089 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.277 |
| Rhythmic Value Skewness |
1.404 |
| Rhythmic Value Kurtosis |
9.354 |
| Mean Rhythmic Value Run Length |
1.773 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.31 |
| Mean Rhythmic Value Offset |
0.1437 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.779 |
| Complete Rests Fraction |
0.001276 |
| Partial Rests Fraction |
0.4234 |
| Average Rest Fraction Across Voices |
0.1377 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.028 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.746 |
| Variability Across Voices of Combined Rests |
40.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6131 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2048 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.993 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8179 |
| Rhythmic Variability - Tempo Standardized |
0.05269 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
835.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9316 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
11.59 |
| Average Note Duration |
0.6641 |
| Variability of Note Durations |
0.6836 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.269 |
| Strength of Second Strongest Rhythmic Pulse |
0.2519 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.068 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5209 |
| Rhythmic Variability |
0.03617 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004687 |
| Duration in Seconds |
160.8 |
| Note Density |
5.194 |
| Note Density Variability |
1.805 |
| Average Time Between Attacks |
0.3669 |
| Average Time Between Attacks for Each Voice |
0.7731 |
| Variability of Time Between Attacks |
0.2138 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.5542 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.3162 |
| Relative Note Durations of Lowest Line |
1.048 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7521 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.04398 |
| Average Number of Independent Voices |
3.454 |
| Similar Motion |
0.1257 |
| Contrary Motion |
0.1686 |
| Oblique Motion |
0.6618 |
| Parallel Fifths |
0.004188 |
| Parallel Octaves |
0.001047 |
| Variability of Number of Independent Voices |
0.7325 |
| Voice Equality - Number of Notes |
48.52 |
| Voice Equality - Note Duration |
8.338 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.291 |
| Importance of Loudest Voice |
10.0 |