| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2478 |
| Prevalence of Second Most Common Vertical Interval |
0.1894 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7642 |
| Vertical Unisons |
0.04894 |
| Vertical Minor Seconds |
0.005097 |
| Vertical Thirds |
0.3081 |
| Vertical Tritones |
0.003816 |
| Vertical Perfect Fourths |
0.07604 |
| Vertical Perfect Fifths |
0.1894 |
| Vertical Sixths |
0.1282 |
| Vertical Sevenths |
0.01872 |
| Vertical Octaves |
0.1989 |
| Perfect Vertical Intervals |
0.5132 |
| Vertical Dissonance Ratio |
0.05315 |
| Vertical Minor Third Prevalence |
0.4061 |
| Vertical Major Third Prevalence |
0.4732 |
| Chord Duration |
2.205 |
| Partial Chords |
0.4737 |
| Standard Triads |
0.4039 |
| Diminished and Augmented Triads |
0.008299 |
| Dominant Seventh Chords |
0.002075 |
| Seventh Chords |
0.01193 |
| Non-Standard Chords |
0.1105 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7026 |
| Average Number of Simultaneous Pitch Classes |
2.471 |
| Variability of Number of Simultaneous Pitch Classes |
0.6664 |
| Average Number of Simultaneous Pitches |
3.132 |
| Variability of Number of Simultaneous Pitches |
0.7618 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.511 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
86.13 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1314 |
| Stepwise Motion |
0.4728 |
| Melodic Thirds |
0.1799 |
| Melodic Perfect Fourths |
0.06192 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06611 |
| Melodic Sixths |
0.005021 |
| Melodic Sevenths |
0.0008368 |
| Melodic Octaves |
0.0159 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.839 |
| Melodic Embellishments |
0.01501 |
| Direction of Melodic Motion |
0.4473 |
| Average Length of Melodic Arcs |
1.744 |
| Average Interval Spanned by Melodic Arcs |
5.216 |
| Melodic Pitch Variety |
4.375 |
| Mean Melodic Interval |
2.415 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3414 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5784 |
| Amount of Arpeggiation |
0.4603 |
| Repeated Notes |
0.1975 |
| Importance of Middle Register |
0.7948 |
| Importance of High Register |
0.01585 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.93 |
| Mean Pitch Class |
5.227 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1334 |
| Prevalence of Most Common Pitch Class |
0.2285 |
| Relative Prevalence of Top Pitches |
0.9062 |
| Relative Prevalence of Top Pitch Classes |
0.8394 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.287 |
| Pitch Class Variability |
3.546 |
| Pitch Class Variability After Folding |
2.935 |
| Pitch Skewness |
-0.6328 |
| Pitch Class Skewness |
0.1919 |
| Pitch Class Skewness After Folding |
0.9916 |
| Pitch Kurtosis |
5.368 |
| Pitch Class Kurtosis |
4.85 |
| Pitch Class Kurtosis After Folding |
8.087 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1893 |
| Note Density per Quarter Note |
1.165 |
| Note Density per Quarter Note per Voice |
0.2913 |
| Note Density per Quarter Note Variability |
0.4717 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005004 |
| Prevalence of Medium Rhythmic Values |
0.5872 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7965 |
| Prevalence of Very Long Rhythmic Values |
0.06589 |
| Prevalence of Dotted Notes |
0.1485 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.829 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3837 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6217 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.964 |
| Rhythmic Value Skewness |
1.267 |
| Rhythmic Value Kurtosis |
13.48 |
| Mean Rhythmic Value Run Length |
1.636 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.229 |
| Mean Rhythmic Value Offset |
0.03503 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4477 |
| Complete Rests Fraction |
0.002568 |
| Partial Rests Fraction |
0.5015 |
| Average Rest Fraction Across Voices |
0.1655 |
| Longest Complete Rest |
1.766 |
| Longest Partial Rest |
39.47 |
| Mean Complete Rest Duration |
1.321 |
| Mean Partial Rest Duration |
6.027 |
| Median Complete Rest Duration |
1.766 |
| Median Partial Rest Duration |
2.193 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.6297 |
| Variability of Partial Rest Durations |
7.295 |
| Variability Across Voices of Combined Rests |
57.01 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5523 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2183 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.531 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7706 |
| Rhythmic Variability - Tempo Standardized |
0.04896 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1199.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9717 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.6758 |
| Variability of Note Durations |
0.5199 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
257.3 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.2713 |
| Strength of Second Strongest Rhythmic Pulse |
0.2615 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.037 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5327 |
| Rhythmic Variability |
0.0367 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.87 |
| Duration in Seconds |
242.7 |
| Note Density |
4.94 |
| Note Density Variability |
1.447 |
| Average Time Between Attacks |
0.4063 |
| Average Time Between Attacks for Each Voice |
0.8755 |
| Variability of Time Between Attacks |
0.1943 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.5673 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.2269 |
| Relative Note Durations of Lowest Line |
0.9583 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8023 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.933 |
| Parallel Motion |
0.05397 |
| Average Number of Independent Voices |
3.335 |
| Similar Motion |
0.1548 |
| Contrary Motion |
0.1823 |
| Oblique Motion |
0.609 |
| Parallel Fifths |
0.008147 |
| Parallel Octaves |
0.001018 |
| Variability of Number of Independent Voices |
0.7419 |
| Voice Equality - Number of Notes |
86.13 |
| Voice Equality - Note Duration |
13.45 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.5 |
| Importance of Loudest Voice |
11.67 |