| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2407 |
| Prevalence of Second Most Common Vertical Interval |
0.1584 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6584 |
| Vertical Unisons |
0.05056 |
| Vertical Minor Seconds |
0.002966 |
| Vertical Thirds |
0.2974 |
| Vertical Tritones |
0.01507 |
| Vertical Perfect Fourths |
0.1008 |
| Vertical Perfect Fifths |
0.1584 |
| Vertical Sixths |
0.1379 |
| Vertical Sevenths |
0.02757 |
| Vertical Octaves |
0.1901 |
| Perfect Vertical Intervals |
0.4999 |
| Vertical Dissonance Ratio |
0.06936 |
| Vertical Minor Third Prevalence |
0.4774 |
| Vertical Major Third Prevalence |
0.4483 |
| Chord Duration |
2.115 |
| Partial Chords |
0.4216 |
| Standard Triads |
0.3876 |
| Diminished and Augmented Triads |
0.04375 |
| Dominant Seventh Chords |
0.002051 |
| Seventh Chords |
0.0123 |
| Non-Standard Chords |
0.1785 |
| Complex Chords |
0.002051 |
| Minor Major Triad Ratio |
0.4639 |
| Average Number of Simultaneous Pitch Classes |
2.558 |
| Variability of Number of Simultaneous Pitch Classes |
0.6645 |
| Average Number of Simultaneous Pitches |
3.334 |
| Variability of Number of Simultaneous Pitches |
0.9609 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.241 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
51.35 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.183 |
| Stepwise Motion |
0.5668 |
| Melodic Thirds |
0.1589 |
| Melodic Perfect Fourths |
0.06196 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03959 |
| Melodic Sixths |
0.005737 |
| Melodic Sevenths |
0.0005737 |
| Melodic Octaves |
0.008032 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.473 |
| Melodic Embellishments |
0.02117 |
| Direction of Melodic Motion |
0.4751 |
| Average Length of Melodic Arcs |
1.778 |
| Average Interval Spanned by Melodic Arcs |
4.673 |
| Melodic Pitch Variety |
4.935 |
| Mean Melodic Interval |
2.228 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3838 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4768 |
| Amount of Arpeggiation |
0.3655 |
| Repeated Notes |
0.1583 |
| Importance of Middle Register |
0.7408 |
| Importance of High Register |
0.01144 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.61 |
| Mean Pitch Class |
5.011 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1178 |
| Prevalence of Most Common Pitch Class |
0.2031 |
| Relative Prevalence of Top Pitches |
0.8447 |
| Relative Prevalence of Top Pitch Classes |
0.831 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.776 |
| Pitch Class Variability |
3.47 |
| Pitch Class Variability After Folding |
3.324 |
| Pitch Skewness |
0.08105 |
| Pitch Class Skewness |
0.009892 |
| Pitch Class Skewness After Folding |
1.163 |
| Pitch Kurtosis |
5.31 |
| Pitch Class Kurtosis |
4.93 |
| Pitch Class Kurtosis After Folding |
6.84 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2477 |
| Note Density per Quarter Note |
1.14 |
| Note Density per Quarter Note per Voice |
0.2281 |
| Note Density per Quarter Note Variability |
0.543 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003432 |
| Prevalence of Medium Rhythmic Values |
0.5635 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8095 |
| Prevalence of Very Long Rhythmic Values |
0.09954 |
| Prevalence of Dotted Notes |
0.1201 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.053 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.373 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7209 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.183 |
| Rhythmic Value Skewness |
1.447 |
| Rhythmic Value Kurtosis |
11.11 |
| Mean Rhythmic Value Run Length |
1.665 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.197 |
| Mean Rhythmic Value Offset |
0.09268 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.112 |
| Complete Rests Fraction |
0.0006794 |
| Partial Rests Fraction |
0.7847 |
| Average Rest Fraction Across Voices |
0.2893 |
| Longest Complete Rest |
1.042 |
| Longest Partial Rest |
116.3 |
| Mean Complete Rest Duration |
1.042 |
| Mean Partial Rest Duration |
14.78 |
| Median Complete Rest Duration |
1.042 |
| Median Partial Rest Duration |
8.461 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.0 |
| Variability Across Voices of Combined Rests |
165.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.583 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2057 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.834 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7887 |
| Rhythmic Variability - Tempo Standardized |
0.05106 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1748.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.48 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
4.92 |
| Average Note Duration |
0.6139 |
| Variability of Note Durations |
0.4879 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
311.4 |
| Strongest Rhythmic Pulse |
76.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2728 |
| Strength of Second Strongest Rhythmic Pulse |
0.2472 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.103 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.52 |
| Rhythmic Variability |
0.03552 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
53.34 |
| Duration in Seconds |
302.0 |
| Note Density |
5.788 |
| Note Density Variability |
1.661 |
| Average Time Between Attacks |
0.3522 |
| Average Time Between Attacks for Each Voice |
0.8679 |
| Variability of Time Between Attacks |
0.17 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.4327 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.1916 |
| Relative Note Durations of Lowest Line |
1.142 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.8799 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
1.826 |
| Parallel Motion |
0.05144 |
| Average Number of Independent Voices |
3.587 |
| Similar Motion |
0.1372 |
| Contrary Motion |
0.1568 |
| Oblique Motion |
0.6546 |
| Parallel Fifths |
0.001837 |
| Parallel Octaves |
0.003062 |
| Variability of Number of Independent Voices |
1.022 |
| Voice Equality - Number of Notes |
85.33 |
| Voice Equality - Note Duration |
32.6 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
2.191 |
| Importance of Loudest Voice |
8.75 |