| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2344 |
| Prevalence of Second Most Common Vertical Interval |
0.1635 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6974 |
| Vertical Unisons |
0.03404 |
| Vertical Minor Seconds |
0.004335 |
| Vertical Thirds |
0.2873 |
| Vertical Tritones |
0.01389 |
| Vertical Perfect Fourths |
0.1064 |
| Vertical Perfect Fifths |
0.1635 |
| Vertical Sixths |
0.1273 |
| Vertical Sevenths |
0.03606 |
| Vertical Octaves |
0.2003 |
| Perfect Vertical Intervals |
0.5042 |
| Vertical Dissonance Ratio |
0.08846 |
| Vertical Minor Third Prevalence |
0.4547 |
| Vertical Major Third Prevalence |
0.4002 |
| Chord Duration |
2.161 |
| Partial Chords |
0.3918 |
| Standard Triads |
0.3971 |
| Diminished and Augmented Triads |
0.02862 |
| Dominant Seventh Chords |
0.001789 |
| Seventh Chords |
0.02683 |
| Non-Standard Chords |
0.1843 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9646 |
| Average Number of Simultaneous Pitch Classes |
2.567 |
| Variability of Number of Simultaneous Pitch Classes |
0.6979 |
| Average Number of Simultaneous Pitches |
3.295 |
| Variability of Number of Simultaneous Pitches |
0.7464 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.319 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
49.59 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2281 |
| Stepwise Motion |
0.6871 |
| Melodic Thirds |
0.09942 |
| Melodic Perfect Fourths |
0.05702 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04825 |
| Melodic Sixths |
0.002924 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004386 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.533 |
| Melodic Embellishments |
0.03628 |
| Direction of Melodic Motion |
0.4732 |
| Average Length of Melodic Arcs |
1.959 |
| Average Interval Spanned by Melodic Arcs |
4.662 |
| Melodic Pitch Variety |
4.589 |
| Mean Melodic Interval |
2.165 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4591 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4968 |
| Amount of Arpeggiation |
0.2529 |
| Repeated Notes |
0.1009 |
| Importance of Middle Register |
0.7692 |
| Importance of High Register |
0.02758 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
60.37 |
| Mean Pitch Class |
4.971 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09869 |
| Prevalence of Most Common Pitch Class |
0.1713 |
| Relative Prevalence of Top Pitches |
0.8824 |
| Relative Prevalence of Top Pitch Classes |
0.9576 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.146 |
| Pitch Class Variability |
3.383 |
| Pitch Class Variability After Folding |
4.054 |
| Pitch Skewness |
-0.4271 |
| Pitch Class Skewness |
-0.02574 |
| Pitch Class Skewness After Folding |
0.872 |
| Pitch Kurtosis |
5.107 |
| Pitch Class Kurtosis |
4.783 |
| Pitch Class Kurtosis After Folding |
4.947 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2032 |
| Note Density per Quarter Note |
1.154 |
| Note Density per Quarter Note per Voice |
0.2885 |
| Note Density per Quarter Note Variability |
0.5347 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001451 |
| Prevalence of Medium Rhythmic Values |
0.5849 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6996 |
| Prevalence of Very Long Rhythmic Values |
0.1016 |
| Prevalence of Dotted Notes |
0.1466 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.926 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.2975 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9561 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.388 |
| Rhythmic Value Skewness |
1.164 |
| Rhythmic Value Kurtosis |
10.59 |
| Mean Rhythmic Value Run Length |
1.472 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.048 |
| Mean Rhythmic Value Offset |
0.05225 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5883 |
| Complete Rests Fraction |
0.001496 |
| Partial Rests Fraction |
0.4801 |
| Average Rest Fraction Across Voices |
0.1429 |
| Longest Complete Rest |
0.8931 |
| Longest Partial Rest |
56.64 |
| Mean Complete Rest Duration |
0.8931 |
| Mean Partial Rest Duration |
7.419 |
| Median Complete Rest Duration |
0.8931 |
| Median Partial Rest Duration |
2.36 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.0 |
| Variability Across Voices of Combined Rests |
46.03 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4797 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2591 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.851 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7388 |
| Rhythmic Variability - Tempo Standardized |
0.04731 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
689.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9434 |
| Minimum Note Duration |
0.09868 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6534 |
| Variability of Note Durations |
0.588 |
| Amount of Staccato |
0.001451 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
277.1 |
| Strongest Rhythmic Pulse |
46.0 |
| Second Strongest Rhythmic Pulse |
69.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2259 |
| Strength of Second Strongest Rhythmic Pulse |
0.221 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.022 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4469 |
| Rhythmic Variability |
0.03323 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
29.0 |
| Duration in Seconds |
130.8 |
| Note Density |
5.266 |
| Note Density Variability |
2.198 |
| Average Time Between Attacks |
0.3721 |
| Average Time Between Attacks for Each Voice |
0.785 |
| Variability of Time Between Attacks |
0.2971 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.25 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.3948 |
| Relative Note Durations of Lowest Line |
0.9919 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8229 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.05824 |
| Average Number of Independent Voices |
3.43 |
| Similar Motion |
0.1152 |
| Contrary Motion |
0.1735 |
| Oblique Motion |
0.653 |
| Parallel Fifths |
0.002478 |
| Parallel Octaves |
0.001239 |
| Variability of Number of Independent Voices |
0.6631 |
| Voice Equality - Number of Notes |
49.59 |
| Voice Equality - Note Duration |
10.09 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.826 |
| Importance of Loudest Voice |
10.0 |