| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2195 |
| Prevalence of Second Most Common Vertical Interval |
0.1762 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8027 |
| Vertical Unisons |
0.03025 |
| Vertical Minor Seconds |
0.006815 |
| Vertical Thirds |
0.28 |
| Vertical Tritones |
0.008266 |
| Vertical Perfect Fourths |
0.116 |
| Vertical Perfect Fifths |
0.1762 |
| Vertical Sixths |
0.1385 |
| Vertical Sevenths |
0.0291 |
| Vertical Octaves |
0.1892 |
| Perfect Vertical Intervals |
0.5116 |
| Vertical Dissonance Ratio |
0.07513 |
| Vertical Minor Third Prevalence |
0.4565 |
| Vertical Major Third Prevalence |
0.3979 |
| Chord Duration |
2.173 |
| Partial Chords |
0.4415 |
| Standard Triads |
0.3861 |
| Diminished and Augmented Triads |
0.007995 |
| Dominant Seventh Chords |
0.00514 |
| Seventh Chords |
0.02227 |
| Non-Standard Chords |
0.1502 |
| Complex Chords |
0.006282 |
| Minor Major Triad Ratio |
1.339 |
| Average Number of Simultaneous Pitch Classes |
2.491 |
| Variability of Number of Simultaneous Pitch Classes |
0.7589 |
| Average Number of Simultaneous Pitches |
3.265 |
| Variability of Number of Simultaneous Pitches |
1.218 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.996 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
120.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2118 |
| Stepwise Motion |
0.6234 |
| Melodic Thirds |
0.111 |
| Melodic Perfect Fourths |
0.04947 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0269 |
| Melodic Sixths |
0.003362 |
| Melodic Sevenths |
0.0004803 |
| Melodic Octaves |
0.004323 |
| Melodic Large Intervals |
0.0004803 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.039 |
| Melodic Embellishments |
0.01725 |
| Direction of Melodic Motion |
0.4332 |
| Average Length of Melodic Arcs |
2.019 |
| Average Interval Spanned by Melodic Arcs |
4.74 |
| Melodic Pitch Variety |
4.678 |
| Mean Melodic Interval |
1.931 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4116 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5146 |
| Amount of Arpeggiation |
0.3237 |
| Repeated Notes |
0.1806 |
| Importance of Middle Register |
0.4562 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
52.68 |
| Mean Pitch Class |
5.373 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09439 |
| Prevalence of Most Common Pitch Class |
0.1768 |
| Relative Prevalence of Top Pitches |
0.9086 |
| Relative Prevalence of Top Pitch Classes |
0.8808 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.349 |
| Pitch Class Variability |
3.327 |
| Pitch Class Variability After Folding |
3.536 |
| Pitch Skewness |
0.117 |
| Pitch Class Skewness |
0.3362 |
| Pitch Class Skewness After Folding |
0.796 |
| Pitch Kurtosis |
5.256 |
| Pitch Class Kurtosis |
4.939 |
| Pitch Class Kurtosis After Folding |
5.94 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.5438 |
| Note Density per Quarter Note |
1.086 |
| Note Density per Quarter Note per Voice |
0.2173 |
| Note Density per Quarter Note Variability |
0.5461 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003833 |
| Prevalence of Medium Rhythmic Values |
0.5788 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7623 |
| Prevalence of Very Long Rhythmic Values |
0.1054 |
| Prevalence of Dotted Notes |
0.1246 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.048 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3412 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7149 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.398 |
| Rhythmic Value Skewness |
1.311 |
| Rhythmic Value Kurtosis |
10.69 |
| Mean Rhythmic Value Run Length |
1.619 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.39 |
| Mean Rhythmic Value Offset |
0.092 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.138 |
| Complete Rests Fraction |
0.0004627 |
| Partial Rests Fraction |
0.7156 |
| Average Rest Fraction Across Voices |
0.3183 |
| Longest Complete Rest |
0.8889 |
| Longest Partial Rest |
282.4 |
| Mean Complete Rest Duration |
0.8889 |
| Mean Partial Rest Duration |
21.99 |
| Median Complete Rest Duration |
0.8889 |
| Median Partial Rest Duration |
4.482 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
38.95 |
| Variability Across Voices of Combined Rests |
144.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5618 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2199 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.555 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7818 |
| Rhythmic Variability - Tempo Standardized |
0.05025 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2087.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.426 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.7241 |
| Variability of Note Durations |
0.6887 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
263.2 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.285 |
| Strength of Second Strongest Rhythmic Pulse |
0.2644 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.078 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5494 |
| Rhythmic Variability |
0.03773 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
28.92 |
| Duration in Seconds |
443.4 |
| Note Density |
4.707 |
| Note Density Variability |
1.69 |
| Average Time Between Attacks |
0.3991 |
| Average Time Between Attacks for Each Voice |
1.139 |
| Variability of Time Between Attacks |
0.2186 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.55 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.1485 |
| Relative Note Durations of Lowest Line |
1.036 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.8395 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.217 |
| Parallel Motion |
0.05476 |
| Average Number of Independent Voices |
3.414 |
| Similar Motion |
0.1206 |
| Contrary Motion |
0.1446 |
| Oblique Motion |
0.6801 |
| Parallel Fifths |
0.001441 |
| Parallel Octaves |
0.0009606 |
| Variability of Number of Independent Voices |
1.258 |
| Voice Equality - Number of Notes |
148.4 |
| Voice Equality - Note Duration |
33.38 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
2.864 |
| Importance of Loudest Voice |
12.5 |