File

Last modified on: April 19, 2024, 5:19 p.m.

F164_53_Ninot_Et_la_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Et la la la la la la
File Type
Symbolic Music
File Format
midi
File Size
7.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.197
Prevalence of Second Most Common Vertical Interval 0.185
Prevalence Ratio of Two Most Common Vertical Intervals 0.9393
Vertical Unisons 0.02369
Vertical Minor Seconds 0.007793
Vertical Thirds 0.2967
Vertical Tritones 0.018
Vertical Perfect Fourths 0.1174
Vertical Perfect Fifths 0.185
Vertical Sixths 0.1322
Vertical Sevenths 0.03434
Vertical Octaves 0.1733
Perfect Vertical Intervals 0.4994
Vertical Dissonance Ratio 0.07724
Vertical Minor Third Prevalence 0.3747
Vertical Major Third Prevalence 0.4778
Chord Duration 2.01
Partial Chords 0.3757
Standard Triads 0.4277
Diminished and Augmented Triads 0.03692
Dominant Seventh Chords 0.0
Seventh Chords 0.03077
Non-Standard Chords 0.1658
Complex Chords 0.0
Minor Major Triad Ratio 0.716
Average Number of Simultaneous Pitch Classes 2.516
Variability of Number of Simultaneous Pitch Classes 0.7377
Average Number of Simultaneous Pitches 3.169
Variability of Number of Simultaneous Pitches 0.8957
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.752
Variation of Dynamics In Each Voice 1.756
Average Note to Note Change in Dynamics 1.929
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2004
Stepwise Motion 0.5317
Melodic Thirds 0.0873
Melodic Perfect Fourths 0.06151
Melodic Tritones 0.0
Melodic Perfect Fifths 0.01786
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.01587
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.385
Melodic Embellishments 0.009843
Direction of Melodic Motion 0.375
Average Length of Melodic Arcs 2.022
Average Interval Spanned by Melodic Arcs 4.938
Melodic Pitch Variety 4.177
Mean Melodic Interval 1.774
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3313
Relative Prevalence of Most Common Melodic Intervals 0.8623
Amount of Arpeggiation 0.4067
Repeated Notes 0.2857
Importance of Middle Register 0.7402
Importance of High Register 0.003937
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 58.78
Mean Pitch Class 4.711
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1122
Prevalence of Most Common Pitch Class 0.2382
Relative Prevalence of Top Pitches 0.9474
Relative Prevalence of Top Pitch Classes 0.7521
Interval Between Most Prevalent Pitches 4.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.062
Pitch Class Variability 3.6
Pitch Class Variability After Folding 3.402
Pitch Skewness -0.3069
Pitch Class Skewness -0.2411
Pitch Class Skewness After Folding 1.047
Pitch Kurtosis 5.168
Pitch Class Kurtosis 4.957
Pitch Class Kurtosis After Folding 6.797
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.2559
Note Density per Quarter Note 1.411
Note Density per Quarter Note per Voice 0.3528
Note Density per Quarter Note Variability 0.6372
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.007874
Prevalence of Medium Rhythmic Values 0.7657
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7992
Prevalence of Very Long Rhythmic Values 0.02756
Prevalence of Dotted Notes 0.1063
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.315
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.565
Relative Prevalence of Most Common Rhythmic Values 0.3415
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.497
Rhythmic Value Skewness 0.6311
Rhythmic Value Kurtosis 24.2
Mean Rhythmic Value Run Length 1.977
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.938
Mean Rhythmic Value Offset 0.0001989
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.004483
Complete Rests Fraction 0.000002894
Partial Rests Fraction 0.4667
Average Rest Fraction Across Voices 0.1834
Longest Complete Rest 0.0
Longest Partial Rest 36.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 11.48
Median Complete Rest Duration 0.0
Median Partial Rest Duration 10.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 8.654
Variability Across Voices of Combined Rests 4.927
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5912
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2174
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.72
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8086
Rhythmic Variability - Tempo Standardized 0.05157
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 508.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.6344
Minimum Note Duration 0.09375
Maximum Note Duration 2.25
Average Note Duration 0.434
Variability of Note Durations 0.2807
Amount of Staccato 0.007874
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2139
Strength of Second Strongest Rhythmic Pulse 0.21
Strength Ratio of Two Strongest Rhythmic Pulses 1.019
Combined Strength of Two Strongest Rhythmic Pulses 0.424
Rhythmic Variability 0.03228
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 0.0
Duration in Seconds 67.5
Note Density 7.526
Note Density Variability 2.506
Average Time Between Attacks 0.2964
Average Time Between Attacks for Each Voice 0.5047
Variability of Time Between Attacks 0.1192
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.3871
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.4839
Relative Note Density of Highest Line 0.5197
Relative Note Durations of Lowest Line 1.054
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.878
Voice Separation 5.333
Variability of Voice Separation 1.155
Parallel Motion 0.05365
Average Number of Independent Voices 3.266
Similar Motion 0.1803
Contrary Motion 0.1953
Oblique Motion 0.5708
Parallel Fifths 0.002146
Parallel Octaves 0.002146
Variability of Number of Independent Voices 0.8922
Voice Equality - Number of Notes 7.528
Voice Equality - Note Duration 0.9237
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.363
Importance of Loudest Voice 0.3333