| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2162 |
| Prevalence of Second Most Common Vertical Interval |
0.1849 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8552 |
| Vertical Unisons |
0.03511 |
| Vertical Minor Seconds |
0.006113 |
| Vertical Thirds |
0.3106 |
| Vertical Tritones |
0.007879 |
| Vertical Perfect Fourths |
0.08345 |
| Vertical Perfect Fifths |
0.1849 |
| Vertical Sixths |
0.1351 |
| Vertical Sevenths |
0.03 |
| Vertical Octaves |
0.1811 |
| Perfect Vertical Intervals |
0.4846 |
| Vertical Dissonance Ratio |
0.07488 |
| Vertical Minor Third Prevalence |
0.5219 |
| Vertical Major Third Prevalence |
0.458 |
| Chord Duration |
2.146 |
| Partial Chords |
0.4239 |
| Standard Triads |
0.4115 |
| Diminished and Augmented Triads |
0.01422 |
| Dominant Seventh Chords |
0.001835 |
| Seventh Chords |
0.01789 |
| Non-Standard Chords |
0.1468 |
| Complex Chords |
0.004587 |
| Minor Major Triad Ratio |
1.471 |
| Average Number of Simultaneous Pitch Classes |
2.555 |
| Variability of Number of Simultaneous Pitch Classes |
0.7065 |
| Average Number of Simultaneous Pitches |
3.31 |
| Variability of Number of Simultaneous Pitches |
1.073 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.322 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
171.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2063 |
| Stepwise Motion |
0.6354 |
| Melodic Thirds |
0.1176 |
| Melodic Perfect Fourths |
0.05051 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03396 |
| Melodic Sixths |
0.003396 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005093 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.716 |
| Melodic Embellishments |
0.01737 |
| Direction of Melodic Motion |
0.4777 |
| Average Length of Melodic Arcs |
1.975 |
| Average Interval Spanned by Melodic Arcs |
4.744 |
| Melodic Pitch Variety |
4.697 |
| Mean Melodic Interval |
2.04 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4291 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4807 |
| Amount of Arpeggiation |
0.3107 |
| Repeated Notes |
0.1541 |
| Importance of Middle Register |
0.6696 |
| Importance of High Register |
0.005506 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.84 |
| Mean Pitch Class |
5.241 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.08344 |
| Prevalence of Most Common Pitch Class |
0.1639 |
| Relative Prevalence of Top Pitches |
0.9797 |
| Relative Prevalence of Top Pitch Classes |
0.9664 |
| Interval Between Most Prevalent Pitches |
10.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.446 |
| Pitch Class Variability |
3.48 |
| Pitch Class Variability After Folding |
3.209 |
| Pitch Skewness |
-0.256 |
| Pitch Class Skewness |
0.2081 |
| Pitch Class Skewness After Folding |
0.506 |
| Pitch Kurtosis |
5.214 |
| Pitch Class Kurtosis |
4.897 |
| Pitch Class Kurtosis After Folding |
6.885 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.3249 |
| Note Density per Quarter Note |
1.023 |
| Note Density per Quarter Note per Voice |
0.2045 |
| Note Density per Quarter Note Variability |
0.4981 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001694 |
| Prevalence of Medium Rhythmic Values |
0.5307 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8064 |
| Prevalence of Very Long Rhythmic Values |
0.1427 |
| Prevalence of Dotted Notes |
0.1216 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.269 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3371 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8003 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.35 |
| Rhythmic Value Skewness |
1.619 |
| Rhythmic Value Kurtosis |
9.015 |
| Mean Rhythmic Value Run Length |
1.577 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.065 |
| Mean Rhythmic Value Offset |
0.134 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.364 |
| Complete Rests Fraction |
0.0002967 |
| Partial Rests Fraction |
0.7634 |
| Average Rest Fraction Across Voices |
0.3083 |
| Longest Complete Rest |
0.685 |
| Longest Partial Rest |
150.6 |
| Mean Complete Rest Duration |
0.685 |
| Mean Partial Rest Duration |
22.11 |
| Median Complete Rest Duration |
0.685 |
| Median Partial Rest Duration |
8.424 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
27.55 |
| Variability Across Voices of Combined Rests |
127.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5914 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2077 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.847 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7991 |
| Rhythmic Variability - Tempo Standardized |
0.0516 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2361.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.09 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.6692 |
| Variability of Note Durations |
0.5847 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
309.3 |
| Strongest Rhythmic Pulse |
76.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2856 |
| Strength of Second Strongest Rhythmic Pulse |
0.2508 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.139 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5363 |
| Rhythmic Variability |
0.03608 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
50.23 |
| Duration in Seconds |
456.8 |
| Note Density |
5.168 |
| Note Density Variability |
1.66 |
| Average Time Between Attacks |
0.3728 |
| Average Time Between Attacks for Each Voice |
0.9652 |
| Variability of Time Between Attacks |
0.2041 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4118 |
| Relative Range Isolation of Loudest Voice |
0.4564 |
| Relative Range of Highest Line |
0.4118 |
| Relative Note Density of Highest Line |
0.1419 |
| Relative Note Durations of Lowest Line |
1.039 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.8645 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
1.258 |
| Parallel Motion |
0.03276 |
| Average Number of Independent Voices |
3.48 |
| Similar Motion |
0.1075 |
| Contrary Motion |
0.1638 |
| Oblique Motion |
0.6959 |
| Parallel Fifths |
0.0021 |
| Parallel Octaves |
0.00042 |
| Variability of Number of Independent Voices |
1.112 |
| Voice Equality - Number of Notes |
79.21 |
| Voice Equality - Note Duration |
25.3 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.517 |
| Importance of Loudest Voice |
12.5 |