| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2437 |
| Prevalence of Second Most Common Vertical Interval |
0.1925 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7898 |
| Vertical Unisons |
0.00157 |
| Vertical Minor Seconds |
0.001705 |
| Vertical Thirds |
0.3936 |
| Vertical Tritones |
0.0 |
| Vertical Perfect Fourths |
0.08357 |
| Vertical Perfect Fifths |
0.1605 |
| Vertical Sixths |
0.1428 |
| Vertical Sevenths |
0.01494 |
| Vertical Octaves |
0.1909 |
| Perfect Vertical Intervals |
0.4366 |
| Vertical Dissonance Ratio |
0.02775 |
| Vertical Minor Third Prevalence |
0.4773 |
| Vertical Major Third Prevalence |
0.5682 |
| Chord Duration |
5.781 |
| Partial Chords |
0.3217 |
| Standard Triads |
0.6 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02609 |
| Non-Standard Chords |
0.05217 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3269 |
| Average Number of Simultaneous Pitch Classes |
2.5 |
| Variability of Number of Simultaneous Pitch Classes |
0.7638 |
| Average Number of Simultaneous Pitches |
3.356 |
| Variability of Number of Simultaneous Pitches |
1.088 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.866 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
8.981 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1618 |
| Stepwise Motion |
0.4706 |
| Melodic Thirds |
0.2059 |
| Melodic Perfect Fourths |
0.09559 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02206 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.007353 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.8 |
| Melodic Embellishments |
0.05 |
| Direction of Melodic Motion |
0.4404 |
| Average Length of Melodic Arcs |
1.603 |
| Average Interval Spanned by Melodic Arcs |
4.206 |
| Melodic Pitch Variety |
3.916 |
| Mean Melodic Interval |
2.176 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3088 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6429 |
| Amount of Arpeggiation |
0.4338 |
| Repeated Notes |
0.1985 |
| Importance of Middle Register |
0.7929 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.89 |
| Mean Pitch Class |
4.886 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1071 |
| Prevalence of Most Common Pitch Class |
0.2 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.8929 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.375 |
| Pitch Class Variability |
3.435 |
| Pitch Class Variability After Folding |
3.659 |
| Pitch Skewness |
-0.6043 |
| Pitch Class Skewness |
-0.09981 |
| Pitch Class Skewness After Folding |
0.4217 |
| Pitch Kurtosis |
5.838 |
| Pitch Class Kurtosis |
5.077 |
| Pitch Class Kurtosis After Folding |
6.319 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2071 |
| Note Density per Quarter Note |
0.5283 |
| Note Density per Quarter Note per Voice |
0.1321 |
| Note Density per Quarter Note Variability |
0.3737 |
| Range of Rhythmic Values |
5.0 |
| Number of Different Rhythmic Values Present |
5.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1643 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
1.0 |
| Prevalence of Very Long Rhythmic Values |
0.5571 |
| Prevalence of Dotted Notes |
0.1429 |
| Shortest Rhythmic Value |
2.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
6.0 |
| Most Common Rhythmic Value |
8.0 |
| Prevalence of Most Common Rhythmic Value |
0.4143 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6724 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.787 |
| Rhythmic Value Skewness |
0.0 |
| Rhythmic Value Kurtosis |
5.443 |
| Mean Rhythmic Value Run Length |
1.687 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.209 |
| Mean Rhythmic Value Offset |
0.3429 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.224 |
| Complete Rests Fraction |
0.004433 |
| Partial Rests Fraction |
0.2279 |
| Average Rest Fraction Across Voices |
0.1353 |
| Longest Complete Rest |
1.175 |
| Longest Partial Rest |
37.3 |
| Mean Complete Rest Duration |
1.175 |
| Mean Partial Rest Duration |
8.962 |
| Median Complete Rest Duration |
1.175 |
| Median Partial Rest Duration |
4.738 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.93 |
| Variability Across Voices of Combined Rests |
14.23 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
0.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
60.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
1.0 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.0 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.0 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.0 |
| Rhythmic Variability - Tempo Standardized |
0.07881 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
140.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.224 |
| Minimum Note Duration |
0.2733 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
1.151 |
| Variability of Note Durations |
0.8106 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
356.4 |
| Strongest Rhythmic Pulse |
43.0 |
| Second Strongest Rhythmic Pulse |
86.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4806 |
| Strength of Second Strongest Rhythmic Pulse |
0.2573 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.868 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7379 |
| Rhythmic Variability |
0.0451 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
75.16 |
| Duration in Seconds |
46.61 |
| Note Density |
3.004 |
| Note Density Variability |
0.754 |
| Average Time Between Attacks |
0.7567 |
| Average Time Between Attacks for Each Voice |
1.355 |
| Variability of Time Between Attacks |
0.4579 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4138 |
| Relative Range Isolation of Loudest Voice |
0.4545 |
| Relative Range of Highest Line |
0.4138 |
| Relative Note Density of Highest Line |
1.914 |
| Relative Note Durations of Lowest Line |
1.108 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7357 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.0443 |
| Average Number of Independent Voices |
3.364 |
| Similar Motion |
0.1646 |
| Contrary Motion |
0.1962 |
| Oblique Motion |
0.5949 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.089 |
| Voice Equality - Number of Notes |
8.981 |
| Voice Equality - Note Duration |
2.503 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
10.0 |