| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2253 |
| Prevalence of Second Most Common Vertical Interval |
0.1648 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7316 |
| Vertical Unisons |
0.04562 |
| Vertical Minor Seconds |
0.004132 |
| Vertical Thirds |
0.2831 |
| Vertical Tritones |
0.0138 |
| Vertical Perfect Fourths |
0.1157 |
| Vertical Perfect Fifths |
0.1648 |
| Vertical Sixths |
0.1393 |
| Vertical Sevenths |
0.02842 |
| Vertical Octaves |
0.1797 |
| Perfect Vertical Intervals |
0.5059 |
| Vertical Dissonance Ratio |
0.07723 |
| Vertical Minor Third Prevalence |
0.5994 |
| Vertical Major Third Prevalence |
0.544 |
| Chord Duration |
2.099 |
| Partial Chords |
0.2247 |
| Standard Triads |
0.5091 |
| Diminished and Augmented Triads |
0.04604 |
| Dominant Seventh Chords |
0.006989 |
| Seventh Chords |
0.0296 |
| Non-Standard Chords |
0.2366 |
| Complex Chords |
0.01028 |
| Minor Major Triad Ratio |
1.16 |
| Average Number of Simultaneous Pitch Classes |
2.845 |
| Variability of Number of Simultaneous Pitch Classes |
0.6294 |
| Average Number of Simultaneous Pitches |
3.812 |
| Variability of Number of Simultaneous Pitches |
0.9537 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.018 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
588.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1925 |
| Stepwise Motion |
0.6314 |
| Melodic Thirds |
0.1188 |
| Melodic Perfect Fourths |
0.06471 |
| Melodic Tritones |
0.000322 |
| Melodic Perfect Fifths |
0.03992 |
| Melodic Sixths |
0.000322 |
| Melodic Sevenths |
0.000322 |
| Melodic Octaves |
0.00322 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.481 |
| Melodic Embellishments |
0.01928 |
| Direction of Melodic Motion |
0.488 |
| Average Length of Melodic Arcs |
1.969 |
| Average Interval Spanned by Melodic Arcs |
4.819 |
| Melodic Pitch Variety |
5.032 |
| Mean Melodic Interval |
2.11 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4388 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4387 |
| Amount of Arpeggiation |
0.3033 |
| Repeated Notes |
0.141 |
| Importance of Middle Register |
0.6677 |
| Importance of High Register |
0.008355 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.34 |
| Mean Pitch Class |
5.248 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.09929 |
| Prevalence of Most Common Pitch Class |
0.1848 |
| Relative Prevalence of Top Pitches |
0.9935 |
| Relative Prevalence of Top Pitch Classes |
0.8939 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.024 |
| Pitch Class Variability |
3.439 |
| Pitch Class Variability After Folding |
3.169 |
| Pitch Skewness |
0.2503 |
| Pitch Class Skewness |
0.2164 |
| Pitch Class Skewness After Folding |
0.4088 |
| Pitch Kurtosis |
5.502 |
| Pitch Class Kurtosis |
4.853 |
| Pitch Class Kurtosis After Folding |
7.049 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3239 |
| Note Density per Quarter Note |
1.254 |
| Note Density per Quarter Note per Voice |
0.2091 |
| Note Density per Quarter Note Variability |
0.4469 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4939 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8487 |
| Prevalence of Very Long Rhythmic Values |
0.1189 |
| Prevalence of Dotted Notes |
0.1314 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.237 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3425 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9418 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.062 |
| Rhythmic Value Skewness |
0.3446 |
| Rhythmic Value Kurtosis |
9.932 |
| Mean Rhythmic Value Run Length |
1.594 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.034 |
| Mean Rhythmic Value Offset |
0.04756 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8231 |
| Complete Rests Fraction |
0.0003997 |
| Partial Rests Fraction |
0.8896 |
| Average Rest Fraction Across Voices |
0.3136 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
76.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
21.22 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
16.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
17.3 |
| Variability Across Voices of Combined Rests |
125.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6163 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2024 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.045 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8187 |
| Rhythmic Variability - Tempo Standardized |
0.05282 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
3112.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.664 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
7.448 |
| Average Note Duration |
0.6793 |
| Variability of Note Durations |
0.4957 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.3066 |
| Strength of Second Strongest Rhythmic Pulse |
0.2554 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.2 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5619 |
| Rhythmic Variability |
0.03699 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000006049 |
| Duration in Seconds |
513.3 |
| Note Density |
6.063 |
| Note Density Variability |
1.555 |
| Average Time Between Attacks |
0.3911 |
| Average Time Between Attacks for Each Voice |
0.9822 |
| Variability of Time Between Attacks |
0.2134 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3611 |
| Relative Range Isolation of Loudest Voice |
0.5269 |
| Relative Range of Highest Line |
0.3611 |
| Relative Note Density of Highest Line |
0.1311 |
| Relative Note Durations of Lowest Line |
1.022 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.8654 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
3.24 |
| Parallel Motion |
0.06426 |
| Average Number of Independent Voices |
4.12 |
| Similar Motion |
0.1461 |
| Contrary Motion |
0.153 |
| Oblique Motion |
0.6366 |
| Parallel Fifths |
0.002319 |
| Parallel Octaves |
0.002981 |
| Variability of Number of Independent Voices |
1.031 |
| Voice Equality - Number of Notes |
62.31 |
| Voice Equality - Note Duration |
25.93 |
| Voice Equality - Dynamics |
6.831 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
2.345 |
| Importance of Loudest Voice |
10.0 |