| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2179 |
| Prevalence of Second Most Common Vertical Interval |
0.1701 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7804 |
| Vertical Unisons |
0.02879 |
| Vertical Minor Seconds |
0.007285 |
| Vertical Thirds |
0.2868 |
| Vertical Tritones |
0.01146 |
| Vertical Perfect Fourths |
0.1122 |
| Vertical Perfect Fifths |
0.1597 |
| Vertical Sixths |
0.1447 |
| Vertical Sevenths |
0.03388 |
| Vertical Octaves |
0.1891 |
| Perfect Vertical Intervals |
0.4898 |
| Vertical Dissonance Ratio |
0.08534 |
| Vertical Minor Third Prevalence |
0.6175 |
| Vertical Major Third Prevalence |
0.485 |
| Chord Duration |
2.09 |
| Partial Chords |
0.3002 |
| Standard Triads |
0.4568 |
| Diminished and Augmented Triads |
0.01583 |
| Dominant Seventh Chords |
0.004317 |
| Seventh Chords |
0.03885 |
| Non-Standard Chords |
0.2041 |
| Complex Chords |
0.008633 |
| Minor Major Triad Ratio |
2.038 |
| Average Number of Simultaneous Pitch Classes |
2.74 |
| Variability of Number of Simultaneous Pitch Classes |
0.75 |
| Average Number of Simultaneous Pitches |
3.672 |
| Variability of Number of Simultaneous Pitches |
1.122 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.329 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
63.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2173 |
| Stepwise Motion |
0.6486 |
| Melodic Thirds |
0.1699 |
| Melodic Perfect Fourths |
0.05202 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04624 |
| Melodic Sixths |
0.008092 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006936 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.742 |
| Melodic Embellishments |
0.03333 |
| Direction of Melodic Motion |
0.4851 |
| Average Length of Melodic Arcs |
1.844 |
| Average Interval Spanned by Melodic Arcs |
4.638 |
| Melodic Pitch Variety |
5.078 |
| Mean Melodic Interval |
2.358 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4312 |
| Relative Prevalence of Most Common Melodic Intervals |
0.504 |
| Amount of Arpeggiation |
0.2913 |
| Repeated Notes |
0.06821 |
| Importance of Middle Register |
0.4425 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.06 |
| Mean Pitch Class |
5.117 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.09195 |
| Prevalence of Most Common Pitch Class |
0.1747 |
| Relative Prevalence of Top Pitches |
0.95 |
| Relative Prevalence of Top Pitch Classes |
0.9276 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.461 |
| Pitch Class Variability |
3.357 |
| Pitch Class Variability After Folding |
3.409 |
| Pitch Skewness |
0.1913 |
| Pitch Class Skewness |
0.1048 |
| Pitch Class Skewness After Folding |
0.6979 |
| Pitch Kurtosis |
5.248 |
| Pitch Class Kurtosis |
4.948 |
| Pitch Class Kurtosis After Folding |
6.283 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.5575 |
| Note Density per Quarter Note |
1.187 |
| Note Density per Quarter Note per Voice |
0.2374 |
| Note Density per Quarter Note Variability |
0.6734 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002299 |
| Prevalence of Medium Rhythmic Values |
0.531 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7322 |
| Prevalence of Very Long Rhythmic Values |
0.1379 |
| Prevalence of Dotted Notes |
0.1736 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.164 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2632 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9956 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.474 |
| Rhythmic Value Skewness |
1.411 |
| Rhythmic Value Kurtosis |
8.896 |
| Mean Rhythmic Value Run Length |
1.492 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9894 |
| Mean Rhythmic Value Offset |
0.07414 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.855 |
| Complete Rests Fraction |
0.00122 |
| Partial Rests Fraction |
0.6146 |
| Average Rest Fraction Across Voices |
0.2275 |
| Longest Complete Rest |
0.8943 |
| Longest Partial Rest |
70.9 |
| Mean Complete Rest Duration |
0.8943 |
| Mean Partial Rest Duration |
15.44 |
| Median Complete Rest Duration |
0.8943 |
| Median Partial Rest Duration |
9.454 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.05 |
| Variability Across Voices of Combined Rests |
26.63 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4854 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2639 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.839 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7494 |
| Rhythmic Variability - Tempo Standardized |
0.04729 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
870.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.308 |
| Minimum Note Duration |
0.09868 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.7122 |
| Variability of Note Durations |
0.6286 |
| Amount of Staccato |
0.002299 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
277.7 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2217 |
| Strength of Second Strongest Rhythmic Pulse |
0.2194 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.01 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.441 |
| Rhythmic Variability |
0.03298 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
30.14 |
| Duration in Seconds |
160.4 |
| Note Density |
5.423 |
| Note Density Variability |
2.162 |
| Average Time Between Attacks |
0.3581 |
| Average Time Between Attacks for Each Voice |
0.8925 |
| Variability of Time Between Attacks |
0.2462 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.5388 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.3621 |
| Relative Note Durations of Lowest Line |
1.04 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8264 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.217 |
| Parallel Motion |
0.04839 |
| Average Number of Independent Voices |
3.847 |
| Similar Motion |
0.1016 |
| Contrary Motion |
0.146 |
| Oblique Motion |
0.704 |
| Parallel Fifths |
0.0008065 |
| Parallel Octaves |
0.0008065 |
| Variability of Number of Independent Voices |
1.088 |
| Voice Equality - Number of Notes |
30.39 |
| Voice Equality - Note Duration |
5.827 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.702 |
| Importance of Loudest Voice |
12.5 |