| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2787 |
| Prevalence of Second Most Common Vertical Interval |
0.1575 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.5651 |
| Vertical Unisons |
0.06529 |
| Vertical Minor Seconds |
0.005409 |
| Vertical Thirds |
0.2886 |
| Vertical Tritones |
0.01013 |
| Vertical Perfect Fourths |
0.08525 |
| Vertical Perfect Fifths |
0.1563 |
| Vertical Sixths |
0.1278 |
| Vertical Sevenths |
0.02714 |
| Vertical Octaves |
0.2134 |
| Perfect Vertical Intervals |
0.5202 |
| Vertical Dissonance Ratio |
0.06765 |
| Vertical Minor Third Prevalence |
0.4378 |
| Vertical Major Third Prevalence |
0.3963 |
| Chord Duration |
2.507 |
| Partial Chords |
0.5021 |
| Standard Triads |
0.3259 |
| Diminished and Augmented Triads |
0.02176 |
| Dominant Seventh Chords |
0.005181 |
| Seventh Chords |
0.02202 |
| Non-Standard Chords |
0.15 |
| Complex Chords |
0.006218 |
| Minor Major Triad Ratio |
1.003 |
| Average Number of Simultaneous Pitch Classes |
2.389 |
| Variability of Number of Simultaneous Pitch Classes |
0.7777 |
| Average Number of Simultaneous Pitches |
3.263 |
| Variability of Number of Simultaneous Pitches |
1.324 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
5.0 |
| Variation of Dynamics |
2.457 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
152.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.176 |
| Stepwise Motion |
0.5598 |
| Melodic Thirds |
0.09796 |
| Melodic Perfect Fourths |
0.06107 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0369 |
| Melodic Sixths |
0.004241 |
| Melodic Sevenths |
0.001272 |
| Melodic Octaves |
0.008906 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.852 |
| Melodic Embellishments |
0.01777 |
| Direction of Melodic Motion |
0.4543 |
| Average Length of Melodic Arcs |
1.888 |
| Average Interval Spanned by Melodic Arcs |
4.852 |
| Melodic Pitch Variety |
4.539 |
| Mean Melodic Interval |
1.991 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3838 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5989 |
| Amount of Arpeggiation |
0.3749 |
| Repeated Notes |
0.2299 |
| Importance of Middle Register |
0.736 |
| Importance of High Register |
0.01438 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.86 |
| Mean Pitch Class |
5.131 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09983 |
| Prevalence of Most Common Pitch Class |
0.1925 |
| Relative Prevalence of Top Pitches |
0.8898 |
| Relative Prevalence of Top Pitch Classes |
0.8505 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.359 |
| Pitch Class Variability |
3.464 |
| Pitch Class Variability After Folding |
3.449 |
| Pitch Skewness |
-0.2095 |
| Pitch Class Skewness |
0.1132 |
| Pitch Class Skewness After Folding |
1.255 |
| Pitch Kurtosis |
5.241 |
| Pitch Class Kurtosis |
4.841 |
| Pitch Class Kurtosis After Folding |
6.418 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2496 |
| Note Density per Quarter Note |
1.084 |
| Note Density per Quarter Note per Voice |
0.1807 |
| Note Density per Quarter Note Variability |
0.5694 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003384 |
| Prevalence of Medium Rhythmic Values |
0.5364 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7788 |
| Prevalence of Very Long Rhythmic Values |
0.132 |
| Prevalence of Dotted Notes |
0.1248 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.227 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3151 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8658 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.429 |
| Rhythmic Value Skewness |
1.515 |
| Rhythmic Value Kurtosis |
9.508 |
| Mean Rhythmic Value Run Length |
1.569 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9986 |
| Mean Rhythmic Value Offset |
0.1269 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.056 |
| Complete Rests Fraction |
0.0004352 |
| Partial Rests Fraction |
0.817 |
| Average Rest Fraction Across Voices |
0.391 |
| Longest Complete Rest |
0.9491 |
| Longest Partial Rest |
380.2 |
| Mean Complete Rest Duration |
0.9491 |
| Mean Partial Rest Duration |
26.79 |
| Median Complete Rest Duration |
0.9491 |
| Median Partial Rest Duration |
11.49 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
48.99 |
| Variability Across Voices of Combined Rests |
134.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.566 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2171 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.607 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7831 |
| Rhythmic Variability - Tempo Standardized |
0.05044 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2364.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.671 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
0.7338 |
| Variability of Note Durations |
0.6895 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
286.8 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2871 |
| Strength of Second Strongest Rhythmic Pulse |
0.2426 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.183 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5297 |
| Rhythmic Variability |
0.03565 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
63.8 |
| Duration in Seconds |
474.7 |
| Note Density |
4.98 |
| Note Density Variability |
1.605 |
| Average Time Between Attacks |
0.3893 |
| Average Time Between Attacks for Each Voice |
1.22 |
| Variability of Time Between Attacks |
0.2147 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4207 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.1726 |
| Relative Note Durations of Lowest Line |
1.097 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8849 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
1.789 |
| Parallel Motion |
0.04502 |
| Average Number of Independent Voices |
3.637 |
| Similar Motion |
0.1123 |
| Contrary Motion |
0.1153 |
| Oblique Motion |
0.7274 |
| Parallel Fifths |
0.001517 |
| Parallel Octaves |
0.003035 |
| Variability of Number of Independent Voices |
1.534 |
| Voice Equality - Number of Notes |
69.31 |
| Voice Equality - Note Duration |
29.26 |
| Voice Equality - Dynamics |
2.582 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
1.095 |
| Importance of Loudest Voice |
4.0 |