| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2415 |
| Prevalence of Second Most Common Vertical Interval |
0.1686 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6982 |
| Vertical Unisons |
0.02665 |
| Vertical Minor Seconds |
0.01374 |
| Vertical Thirds |
0.2809 |
| Vertical Tritones |
0.01243 |
| Vertical Perfect Fourths |
0.05267 |
| Vertical Perfect Fifths |
0.1686 |
| Vertical Sixths |
0.1265 |
| Vertical Sevenths |
0.05661 |
| Vertical Octaves |
0.2149 |
| Perfect Vertical Intervals |
0.4629 |
| Vertical Dissonance Ratio |
0.1491 |
| Vertical Minor Third Prevalence |
0.2873 |
| Vertical Major Third Prevalence |
0.232 |
| Chord Duration |
1.608 |
| Partial Chords |
0.6172 |
| Standard Triads |
0.1897 |
| Diminished and Augmented Triads |
0.006897 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1931 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8966 |
| Average Number of Simultaneous Pitch Classes |
2.108 |
| Variability of Number of Simultaneous Pitch Classes |
0.7028 |
| Average Number of Simultaneous Pitches |
2.533 |
| Variability of Number of Simultaneous Pitches |
0.6265 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.24 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
5.132 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2132 |
| Stepwise Motion |
0.7208 |
| Melodic Thirds |
0.1193 |
| Melodic Perfect Fourths |
0.02792 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06091 |
| Melodic Sixths |
0.002538 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007614 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.938 |
| Melodic Embellishments |
0.01008 |
| Direction of Melodic Motion |
0.4676 |
| Average Length of Melodic Arcs |
1.897 |
| Average Interval Spanned by Melodic Arcs |
4.585 |
| Melodic Pitch Variety |
4.868 |
| Mean Melodic Interval |
2.307 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5076 |
| Relative Prevalence of Most Common Melodic Intervals |
0.42 |
| Amount of Arpeggiation |
0.2487 |
| Repeated Notes |
0.06091 |
| Importance of Middle Register |
0.7431 |
| Importance of High Register |
0.1537 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.06 |
| Mean Pitch Class |
5.186 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1058 |
| Prevalence of Most Common Pitch Class |
0.2166 |
| Relative Prevalence of Top Pitches |
0.9762 |
| Relative Prevalence of Top Pitch Classes |
0.8721 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.435 |
| Pitch Class Variability |
3.4 |
| Pitch Class Variability After Folding |
3.401 |
| Pitch Skewness |
-0.1809 |
| Pitch Class Skewness |
0.1645 |
| Pitch Class Skewness After Folding |
0.7954 |
| Pitch Kurtosis |
5.129 |
| Pitch Class Kurtosis |
4.848 |
| Pitch Class Kurtosis After Folding |
6.237 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1033 |
| Note Density per Quarter Note |
1.076 |
| Note Density per Quarter Note per Voice |
0.3586 |
| Note Density per Quarter Note Variability |
0.4842 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6902 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6499 |
| Prevalence of Very Long Rhythmic Values |
0.03275 |
| Prevalence of Dotted Notes |
0.04786 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.365 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3501 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9712 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.592 |
| Rhythmic Value Skewness |
0.6881 |
| Rhythmic Value Kurtosis |
11.74 |
| Mean Rhythmic Value Run Length |
1.829 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.26 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.01895 |
| Partial Rests Fraction |
0.3523 |
| Average Rest Fraction Across Voices |
0.1517 |
| Longest Complete Rest |
6.0 |
| Longest Partial Rest |
30.0 |
| Mean Complete Rest Duration |
3.496 |
| Mean Partial Rest Duration |
4.666 |
| Median Complete Rest Duration |
6.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
3.541 |
| Variability of Partial Rest Durations |
6.243 |
| Variability Across Voices of Combined Rests |
15.52 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4938 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.261 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.892 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7548 |
| Rhythmic Variability - Tempo Standardized |
0.04782 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
397.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5207 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
2.5 |
| Average Note Duration |
0.4928 |
| Variability of Note Durations |
0.3317 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
144.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2259 |
| Strength of Second Strongest Rhythmic Pulse |
0.2258 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4517 |
| Rhythmic Variability |
0.03362 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000002968 |
| Duration in Seconds |
76.87 |
| Note Density |
5.164 |
| Note Density Variability |
1.867 |
| Average Time Between Attacks |
0.3275 |
| Average Time Between Attacks for Each Voice |
0.5415 |
| Variability of Time Between Attacks |
0.1843 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.4656 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.5441 |
| Relative Note Durations of Lowest Line |
1.087 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.6977 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.03922 |
| Average Number of Independent Voices |
2.594 |
| Similar Motion |
0.1317 |
| Contrary Motion |
0.2269 |
| Oblique Motion |
0.6022 |
| Parallel Fifths |
0.008403 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6114 |
| Voice Equality - Number of Notes |
5.132 |
| Voice Equality - Note Duration |
3.234 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
15.0 |