| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2112 |
| Prevalence of Second Most Common Vertical Interval |
0.1687 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7992 |
| Vertical Unisons |
0.03593 |
| Vertical Minor Seconds |
0.005627 |
| Vertical Thirds |
0.3037 |
| Vertical Tritones |
0.01469 |
| Vertical Perfect Fourths |
0.08115 |
| Vertical Perfect Fifths |
0.1687 |
| Vertical Sixths |
0.1525 |
| Vertical Sevenths |
0.03521 |
| Vertical Octaves |
0.1752 |
| Perfect Vertical Intervals |
0.461 |
| Vertical Dissonance Ratio |
0.0903 |
| Vertical Minor Third Prevalence |
0.3942 |
| Vertical Major Third Prevalence |
0.3755 |
| Chord Duration |
1.894 |
| Partial Chords |
0.48 |
| Standard Triads |
0.3575 |
| Diminished and Augmented Triads |
0.02281 |
| Dominant Seventh Chords |
0.002281 |
| Seventh Chords |
0.01596 |
| Non-Standard Chords |
0.1465 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.208 |
| Average Number of Simultaneous Pitch Classes |
2.392 |
| Variability of Number of Simultaneous Pitch Classes |
0.753 |
| Average Number of Simultaneous Pitches |
2.942 |
| Variability of Number of Simultaneous Pitches |
0.8984 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.077 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
115.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2445 |
| Stepwise Motion |
0.7086 |
| Melodic Thirds |
0.1208 |
| Melodic Perfect Fourths |
0.05289 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03393 |
| Melodic Sixths |
0.002994 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01397 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.103 |
| Melodic Embellishments |
0.00994 |
| Direction of Melodic Motion |
0.4449 |
| Average Length of Melodic Arcs |
2.037 |
| Average Interval Spanned by Melodic Arcs |
4.941 |
| Melodic Pitch Variety |
5.31 |
| Mean Melodic Interval |
2.269 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4641 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5269 |
| Amount of Arpeggiation |
0.2355 |
| Repeated Notes |
0.06687 |
| Importance of Middle Register |
0.665 |
| Importance of High Register |
0.000994 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.47 |
| Mean Pitch Class |
5.165 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1024 |
| Prevalence of Most Common Pitch Class |
0.1799 |
| Relative Prevalence of Top Pitches |
0.9029 |
| Relative Prevalence of Top Pitch Classes |
0.9503 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.948 |
| Pitch Class Variability |
3.451 |
| Pitch Class Variability After Folding |
3.49 |
| Pitch Skewness |
0.3682 |
| Pitch Class Skewness |
0.1435 |
| Pitch Class Skewness After Folding |
0.7843 |
| Pitch Kurtosis |
5.265 |
| Pitch Class Kurtosis |
4.852 |
| Pitch Class Kurtosis After Folding |
6.018 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.334 |
| Note Density per Quarter Note |
1.013 |
| Note Density per Quarter Note per Voice |
0.2533 |
| Note Density per Quarter Note Variability |
0.5002 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001988 |
| Prevalence of Medium Rhythmic Values |
0.5805 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6859 |
| Prevalence of Very Long Rhythmic Values |
0.1243 |
| Prevalence of Dotted Notes |
0.1064 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.966 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3121 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8535 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.306 |
| Rhythmic Value Skewness |
1.257 |
| Rhythmic Value Kurtosis |
8.897 |
| Mean Rhythmic Value Run Length |
1.587 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.015 |
| Mean Rhythmic Value Offset |
0.05964 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.175 |
| Complete Rests Fraction |
0.0008334 |
| Partial Rests Fraction |
0.5639 |
| Average Rest Fraction Across Voices |
0.223 |
| Longest Complete Rest |
0.8275 |
| Longest Partial Rest |
261.0 |
| Mean Complete Rest Duration |
0.8275 |
| Mean Partial Rest Duration |
16.71 |
| Median Complete Rest Duration |
0.8275 |
| Median Partial Rest Duration |
4.144 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
44.35 |
| Variability Across Voices of Combined Rests |
146.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4948 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2659 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.861 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7607 |
| Rhythmic Variability - Tempo Standardized |
0.04783 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1006.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.487 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
12.41 |
| Average Note Duration |
0.766 |
| Variability of Note Durations |
0.7204 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
242.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2693 |
| Strength of Second Strongest Rhythmic Pulse |
0.2469 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.091 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5162 |
| Rhythmic Variability |
0.03661 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
21.43 |
| Duration in Seconds |
247.9 |
| Note Density |
4.058 |
| Note Density Variability |
1.165 |
| Average Time Between Attacks |
0.4296 |
| Average Time Between Attacks for Each Voice |
1.162 |
| Variability of Time Between Attacks |
0.2803 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.4448 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.2584 |
| Relative Note Durations of Lowest Line |
0.9845 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7684 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.03626 |
| Average Number of Independent Voices |
3.069 |
| Similar Motion |
0.117 |
| Contrary Motion |
0.1641 |
| Oblique Motion |
0.6827 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001813 |
| Variability of Number of Independent Voices |
0.911 |
| Voice Equality - Number of Notes |
115.7 |
| Voice Equality - Note Duration |
36.49 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
10.0 |