| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2273 |
| Prevalence of Second Most Common Vertical Interval |
0.1931 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8493 |
| Vertical Unisons |
0.03991 |
| Vertical Minor Seconds |
0.009165 |
| Vertical Thirds |
0.3602 |
| Vertical Tritones |
0.008205 |
| Vertical Perfect Fourths |
0.0489 |
| Vertical Perfect Fifths |
0.1741 |
| Vertical Sixths |
0.1285 |
| Vertical Sevenths |
0.02071 |
| Vertical Octaves |
0.1874 |
| Perfect Vertical Intervals |
0.4503 |
| Vertical Dissonance Ratio |
0.06492 |
| Vertical Minor Third Prevalence |
0.3642 |
| Vertical Major Third Prevalence |
0.3497 |
| Chord Duration |
2.866 |
| Partial Chords |
0.6512 |
| Standard Triads |
0.2459 |
| Diminished and Augmented Triads |
0.01828 |
| Dominant Seventh Chords |
0.0007946 |
| Seventh Chords |
0.007946 |
| Non-Standard Chords |
0.09495 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.127 |
| Average Number of Simultaneous Pitch Classes |
2.173 |
| Variability of Number of Simultaneous Pitch Classes |
0.7025 |
| Average Number of Simultaneous Pitches |
2.682 |
| Variability of Number of Simultaneous Pitches |
0.9806 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.509 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
32.57 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.19 |
| Stepwise Motion |
0.6105 |
| Melodic Thirds |
0.1599 |
| Melodic Perfect Fourths |
0.05589 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04901 |
| Melodic Sixths |
0.006879 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006019 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.429 |
| Melodic Embellishments |
0.012 |
| Direction of Melodic Motion |
0.4298 |
| Average Length of Melodic Arcs |
1.815 |
| Average Interval Spanned by Melodic Arcs |
4.666 |
| Melodic Pitch Variety |
4.98 |
| Mean Melodic Interval |
2.297 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4205 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4519 |
| Amount of Arpeggiation |
0.3267 |
| Repeated Notes |
0.1118 |
| Importance of Middle Register |
0.6787 |
| Importance of High Register |
0.008569 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.16 |
| Mean Pitch Class |
5.214 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.0934 |
| Prevalence of Most Common Pitch Class |
0.1971 |
| Relative Prevalence of Top Pitches |
0.8807 |
| Relative Prevalence of Top Pitch Classes |
0.7957 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.699 |
| Pitch Class Variability |
3.399 |
| Pitch Class Variability After Folding |
3.808 |
| Pitch Skewness |
-0.001669 |
| Pitch Class Skewness |
0.1891 |
| Pitch Class Skewness After Folding |
1.427 |
| Pitch Kurtosis |
5.142 |
| Pitch Class Kurtosis |
4.717 |
| Pitch Class Kurtosis After Folding |
5.385 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3128 |
| Note Density per Quarter Note |
0.7859 |
| Note Density per Quarter Note per Voice |
0.1965 |
| Note Density per Quarter Note Variability |
0.448 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005141 |
| Prevalence of Medium Rhythmic Values |
0.4696 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8149 |
| Prevalence of Very Long Rhythmic Values |
0.1594 |
| Prevalence of Dotted Notes |
0.1191 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.52 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3188 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8925 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.52 |
| Rhythmic Value Skewness |
0.6192 |
| Rhythmic Value Kurtosis |
8.401 |
| Mean Rhythmic Value Run Length |
1.605 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9984 |
| Mean Rhythmic Value Offset |
0.03085 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3501 |
| Complete Rests Fraction |
0.003151 |
| Partial Rests Fraction |
0.6401 |
| Average Rest Fraction Across Voices |
0.3041 |
| Longest Complete Rest |
1.875 |
| Longest Partial Rest |
255.0 |
| Mean Complete Rest Duration |
1.56 |
| Mean Partial Rest Duration |
25.09 |
| Median Complete Rest Duration |
1.875 |
| Median Partial Rest Duration |
3.75 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.5458 |
| Variability of Partial Rest Durations |
55.65 |
| Variability Across Voices of Combined Rests |
68.75 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5755 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.211 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.727 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7866 |
| Rhythmic Variability - Tempo Standardized |
0.05079 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1167.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.409 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7817 |
| Variability of Note Durations |
0.5702 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
274.5 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.3438 |
| Strength of Second Strongest Rhythmic Pulse |
0.2489 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.381 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5927 |
| Rhythmic Variability |
0.03887 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
25.65 |
| Duration in Seconds |
327.7 |
| Note Density |
3.561 |
| Note Density Variability |
1.409 |
| Average Time Between Attacks |
0.4867 |
| Average Time Between Attacks for Each Voice |
1.088 |
| Variability of Time Between Attacks |
0.3145 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.3642 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.2262 |
| Relative Note Durations of Lowest Line |
1.043 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8055 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.05818 |
| Average Number of Independent Voices |
2.8 |
| Similar Motion |
0.137 |
| Contrary Motion |
0.1806 |
| Oblique Motion |
0.6242 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.02 |
| Voice Equality - Number of Notes |
32.57 |
| Voice Equality - Note Duration |
15.17 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
10.0 |