| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2223 |
| Prevalence of Second Most Common Vertical Interval |
0.1787 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8035 |
| Vertical Unisons |
0.03137 |
| Vertical Minor Seconds |
0.005798 |
| Vertical Thirds |
0.2998 |
| Vertical Tritones |
0.004557 |
| Vertical Perfect Fourths |
0.103 |
| Vertical Perfect Fifths |
0.1787 |
| Vertical Sixths |
0.1454 |
| Vertical Sevenths |
0.02115 |
| Vertical Octaves |
0.191 |
| Perfect Vertical Intervals |
0.504 |
| Vertical Dissonance Ratio |
0.05352 |
| Vertical Minor Third Prevalence |
0.5364 |
| Vertical Major Third Prevalence |
0.5 |
| Chord Duration |
2.387 |
| Partial Chords |
0.3478 |
| Standard Triads |
0.4952 |
| Diminished and Augmented Triads |
0.01329 |
| Dominant Seventh Chords |
0.001812 |
| Seventh Chords |
0.01993 |
| Non-Standard Chords |
0.1371 |
| Complex Chords |
0.01027 |
| Minor Major Triad Ratio |
1.278 |
| Average Number of Simultaneous Pitch Classes |
2.63 |
| Variability of Number of Simultaneous Pitch Classes |
0.7148 |
| Average Number of Simultaneous Pitches |
3.575 |
| Variability of Number of Simultaneous Pitches |
1.212 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.229 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
131.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1964 |
| Stepwise Motion |
0.5965 |
| Melodic Thirds |
0.1436 |
| Melodic Perfect Fourths |
0.06733 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04062 |
| Melodic Sixths |
0.004452 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005565 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.606 |
| Melodic Embellishments |
0.0183 |
| Direction of Melodic Motion |
0.4637 |
| Average Length of Melodic Arcs |
1.825 |
| Average Interval Spanned by Melodic Arcs |
4.67 |
| Melodic Pitch Variety |
4.634 |
| Mean Melodic Interval |
2.208 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4001 |
| Relative Prevalence of Most Common Melodic Intervals |
0.491 |
| Amount of Arpeggiation |
0.3317 |
| Repeated Notes |
0.1419 |
| Importance of Middle Register |
0.6217 |
| Importance of High Register |
0.004437 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.91 |
| Mean Pitch Class |
4.93 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09651 |
| Prevalence of Most Common Pitch Class |
0.1742 |
| Relative Prevalence of Top Pitches |
0.9195 |
| Relative Prevalence of Top Pitch Classes |
0.9682 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.277 |
| Pitch Class Variability |
3.447 |
| Pitch Class Variability After Folding |
3.381 |
| Pitch Skewness |
0.1603 |
| Pitch Class Skewness |
-0.06131 |
| Pitch Class Skewness After Folding |
0.5193 |
| Pitch Kurtosis |
5.323 |
| Pitch Class Kurtosis |
4.876 |
| Pitch Class Kurtosis After Folding |
6.528 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3738 |
| Note Density per Quarter Note |
1.026 |
| Note Density per Quarter Note per Voice |
0.2052 |
| Note Density per Quarter Note Variability |
0.538 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002219 |
| Prevalence of Medium Rhythmic Values |
0.4631 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8436 |
| Prevalence of Very Long Rhythmic Values |
0.1631 |
| Prevalence of Dotted Notes |
0.127 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.55 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3178 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9651 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.46 |
| Rhythmic Value Skewness |
0.6709 |
| Rhythmic Value Kurtosis |
8.451 |
| Mean Rhythmic Value Run Length |
1.624 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.103 |
| Mean Rhythmic Value Offset |
0.1159 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9997 |
| Complete Rests Fraction |
0.0003978 |
| Partial Rests Fraction |
0.6092 |
| Average Rest Fraction Across Voices |
0.2571 |
| Longest Complete Rest |
0.699 |
| Longest Partial Rest |
204.9 |
| Mean Complete Rest Duration |
0.699 |
| Mean Partial Rest Duration |
16.37 |
| Median Complete Rest Duration |
0.699 |
| Median Partial Rest Duration |
6.402 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
28.04 |
| Variability Across Voices of Combined Rests |
48.12 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6147 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1982 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.102 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8129 |
| Rhythmic Variability - Tempo Standardized |
0.05275 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1803.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.557 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.7028 |
| Variability of Note Durations |
0.56 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
317.6 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3142 |
| Strength of Second Strongest Rhythmic Pulse |
0.2441 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.287 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5582 |
| Rhythmic Variability |
0.03693 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
57.85 |
| Duration in Seconds |
340.7 |
| Note Density |
5.292 |
| Note Density Variability |
1.967 |
| Average Time Between Attacks |
0.3952 |
| Average Time Between Attacks for Each Voice |
0.904 |
| Variability of Time Between Attacks |
0.2282 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.6087 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.1858 |
| Relative Note Durations of Lowest Line |
1.024 |
| Relative Size of Melodic Intervals in Lowest Line |
1.25 |
| Voice Overlap |
0.8009 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
3.202 |
| Parallel Motion |
0.04045 |
| Average Number of Independent Voices |
3.756 |
| Similar Motion |
0.1229 |
| Contrary Motion |
0.1448 |
| Oblique Motion |
0.6919 |
| Parallel Fifths |
0.002129 |
| Parallel Octaves |
0.005854 |
| Variability of Number of Independent Voices |
1.24 |
| Voice Equality - Number of Notes |
49.26 |
| Voice Equality - Note Duration |
9.33 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
2.168 |
| Importance of Loudest Voice |
12.5 |