| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2228 |
| Prevalence of Second Most Common Vertical Interval |
0.1986 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8914 |
| Vertical Unisons |
0.02409 |
| Vertical Minor Seconds |
0.002667 |
| Vertical Thirds |
0.3283 |
| Vertical Tritones |
0.007307 |
| Vertical Perfect Fourths |
0.08281 |
| Vertical Perfect Fifths |
0.1649 |
| Vertical Sixths |
0.1576 |
| Vertical Sevenths |
0.02086 |
| Vertical Octaves |
0.1987 |
| Perfect Vertical Intervals |
0.4705 |
| Vertical Dissonance Ratio |
0.04554 |
| Vertical Minor Third Prevalence |
0.5217 |
| Vertical Major Third Prevalence |
0.3723 |
| Chord Duration |
1.992 |
| Partial Chords |
0.4593 |
| Standard Triads |
0.4208 |
| Diminished and Augmented Triads |
0.01854 |
| Dominant Seventh Chords |
0.001427 |
| Seventh Chords |
0.01569 |
| Non-Standard Chords |
0.1041 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.458 |
| Average Number of Simultaneous Pitch Classes |
2.501 |
| Variability of Number of Simultaneous Pitch Classes |
0.6427 |
| Average Number of Simultaneous Pitches |
3.235 |
| Variability of Number of Simultaneous Pitches |
0.8062 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.599 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
15.84 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2393 |
| Stepwise Motion |
0.6701 |
| Melodic Thirds |
0.132 |
| Melodic Perfect Fourths |
0.06986 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03752 |
| Melodic Sixths |
0.005175 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.001294 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.643 |
| Melodic Embellishments |
0.0103 |
| Direction of Melodic Motion |
0.4972 |
| Average Length of Melodic Arcs |
1.802 |
| Average Interval Spanned by Melodic Arcs |
4.298 |
| Melodic Pitch Variety |
4.722 |
| Mean Melodic Interval |
2.203 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4308 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5556 |
| Amount of Arpeggiation |
0.2549 |
| Repeated Notes |
0.08409 |
| Importance of Middle Register |
0.7889 |
| Importance of High Register |
0.07851 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.44 |
| Mean Pitch Class |
5.162 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09781 |
| Prevalence of Most Common Pitch Class |
0.1982 |
| Relative Prevalence of Top Pitches |
0.9605 |
| Relative Prevalence of Top Pitch Classes |
0.8636 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.133 |
| Pitch Class Variability |
3.452 |
| Pitch Class Variability After Folding |
3.43 |
| Pitch Skewness |
-0.4856 |
| Pitch Class Skewness |
0.1409 |
| Pitch Class Skewness After Folding |
0.7497 |
| Pitch Kurtosis |
5.432 |
| Pitch Class Kurtosis |
4.84 |
| Pitch Class Kurtosis After Folding |
6.213 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1326 |
| Note Density per Quarter Note |
1.054 |
| Note Density per Quarter Note per Voice |
0.2636 |
| Note Density per Quarter Note Variability |
0.4522 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5985 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8108 |
| Prevalence of Very Long Rhythmic Values |
0.1145 |
| Prevalence of Dotted Notes |
0.112 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.027 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4093 |
| Relative Prevalence of Most Common Rhythmic Values |
0.566 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.201 |
| Rhythmic Value Skewness |
1.4 |
| Rhythmic Value Kurtosis |
10.56 |
| Mean Rhythmic Value Run Length |
1.664 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.371 |
| Mean Rhythmic Value Offset |
0.1338 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.211 |
| Complete Rests Fraction |
0.001346 |
| Partial Rests Fraction |
0.4518 |
| Average Rest Fraction Across Voices |
0.1669 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
52.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
10.04 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.6 |
| Variability Across Voices of Combined Rests |
20.33 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6191 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1923 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.22 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8113 |
| Rhythmic Variability - Tempo Standardized |
0.05301 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
777.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9478 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6585 |
| Variability of Note Durations |
0.615 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2792 |
| Strength of Second Strongest Rhythmic Pulse |
0.2572 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.085 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5364 |
| Rhythmic Variability |
0.03647 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.00000000003337 |
| Duration in Seconds |
153.5 |
| Note Density |
5.061 |
| Note Density Variability |
1.668 |
| Average Time Between Attacks |
0.3852 |
| Average Time Between Attacks for Each Voice |
0.7447 |
| Variability of Time Between Attacks |
0.2054 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4062 |
| Relative Range Isolation of Loudest Voice |
0.3245 |
| Relative Range of Highest Line |
0.4062 |
| Relative Note Density of Highest Line |
0.3655 |
| Relative Note Durations of Lowest Line |
1.123 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.834 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.04365 |
| Average Number of Independent Voices |
3.337 |
| Similar Motion |
0.1399 |
| Contrary Motion |
0.2003 |
| Oblique Motion |
0.6162 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.818 |
| Voice Equality - Number of Notes |
15.84 |
| Voice Equality - Note Duration |
4.236 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
10.0 |