| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2138 |
| Prevalence of Second Most Common Vertical Interval |
0.1836 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8589 |
| Vertical Unisons |
0.03085 |
| Vertical Minor Seconds |
0.004059 |
| Vertical Thirds |
0.3058 |
| Vertical Tritones |
0.009784 |
| Vertical Perfect Fourths |
0.09394 |
| Vertical Perfect Fifths |
0.1836 |
| Vertical Sixths |
0.1452 |
| Vertical Sevenths |
0.02404 |
| Vertical Octaves |
0.183 |
| Perfect Vertical Intervals |
0.4914 |
| Vertical Dissonance Ratio |
0.06107 |
| Vertical Minor Third Prevalence |
0.5239 |
| Vertical Major Third Prevalence |
0.4639 |
| Chord Duration |
1.982 |
| Partial Chords |
0.3765 |
| Standard Triads |
0.4637 |
| Diminished and Augmented Triads |
0.02265 |
| Dominant Seventh Chords |
0.002107 |
| Seventh Chords |
0.02265 |
| Non-Standard Chords |
0.1371 |
| Complex Chords |
0.00316 |
| Minor Major Triad Ratio |
1.062 |
| Average Number of Simultaneous Pitch Classes |
2.579 |
| Variability of Number of Simultaneous Pitch Classes |
0.6967 |
| Average Number of Simultaneous Pitches |
3.422 |
| Variability of Number of Simultaneous Pitches |
1.139 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.17 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
136.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2044 |
| Stepwise Motion |
0.6071 |
| Melodic Thirds |
0.1253 |
| Melodic Perfect Fourths |
0.05729 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02779 |
| Melodic Sixths |
0.002993 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007268 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.845 |
| Melodic Embellishments |
0.01451 |
| Direction of Melodic Motion |
0.4489 |
| Average Length of Melodic Arcs |
1.872 |
| Average Interval Spanned by Melodic Arcs |
4.558 |
| Melodic Pitch Variety |
4.611 |
| Mean Melodic Interval |
2.023 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4027 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5074 |
| Amount of Arpeggiation |
0.3326 |
| Repeated Notes |
0.1723 |
| Importance of Middle Register |
0.6421 |
| Importance of High Register |
0.002133 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.09 |
| Mean Pitch Class |
5.126 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09172 |
| Prevalence of Most Common Pitch Class |
0.1783 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.8876 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
7.34 |
| Pitch Class Variability |
3.516 |
| Pitch Class Variability After Folding |
3.257 |
| Pitch Skewness |
0.1742 |
| Pitch Class Skewness |
0.1074 |
| Pitch Class Skewness After Folding |
0.4515 |
| Pitch Kurtosis |
5.277 |
| Pitch Class Kurtosis |
4.812 |
| Pitch Class Kurtosis After Folding |
6.765 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3558 |
| Note Density per Quarter Note |
1.158 |
| Note Density per Quarter Note per Voice |
0.2315 |
| Note Density per Quarter Note Variability |
0.4891 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0008532 |
| Prevalence of Medium Rhythmic Values |
0.5819 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7956 |
| Prevalence of Very Long Rhythmic Values |
0.09002 |
| Prevalence of Dotted Notes |
0.08916 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.995 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3776 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7141 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.165 |
| Rhythmic Value Skewness |
1.379 |
| Rhythmic Value Kurtosis |
10.96 |
| Mean Rhythmic Value Run Length |
1.694 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.185 |
| Mean Rhythmic Value Offset |
0.1026 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.907 |
| Complete Rests Fraction |
0.0004897 |
| Partial Rests Fraction |
0.6909 |
| Average Rest Fraction Across Voices |
0.283 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
256.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
15.08 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
25.74 |
| Variability Across Voices of Combined Rests |
138.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6112 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1939 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.152 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8051 |
| Rhythmic Variability - Tempo Standardized |
0.05255 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2344.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.595 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.6408 |
| Variability of Note Durations |
0.5612 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2771 |
| Strength of Second Strongest Rhythmic Pulse |
0.2481 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.117 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5252 |
| Rhythmic Variability |
0.03605 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004507 |
| Duration in Seconds |
419.0 |
| Note Density |
5.595 |
| Note Density Variability |
1.678 |
| Average Time Between Attacks |
0.3588 |
| Average Time Between Attacks for Each Voice |
0.9037 |
| Variability of Time Between Attacks |
0.1761 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.5745 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.1408 |
| Relative Note Durations of Lowest Line |
1.055 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.7756 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
2.38 |
| Parallel Motion |
0.04901 |
| Average Number of Independent Voices |
3.587 |
| Similar Motion |
0.1234 |
| Contrary Motion |
0.1378 |
| Oblique Motion |
0.6898 |
| Parallel Fifths |
0.0004623 |
| Parallel Octaves |
0.002312 |
| Variability of Number of Independent Voices |
1.188 |
| Voice Equality - Number of Notes |
118.8 |
| Voice Equality - Note Duration |
28.62 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
2.168 |
| Importance of Loudest Voice |
12.5 |