Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2138 |
Prevalence of Second Most Common Vertical Interval |
0.1836 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8589 |
Vertical Unisons |
0.03085 |
Vertical Minor Seconds |
0.004059 |
Vertical Thirds |
0.3058 |
Vertical Tritones |
0.009784 |
Vertical Perfect Fourths |
0.09394 |
Vertical Perfect Fifths |
0.1836 |
Vertical Sixths |
0.1452 |
Vertical Sevenths |
0.02404 |
Vertical Octaves |
0.183 |
Perfect Vertical Intervals |
0.4914 |
Vertical Dissonance Ratio |
0.06107 |
Vertical Minor Third Prevalence |
0.5239 |
Vertical Major Third Prevalence |
0.4639 |
Chord Duration |
1.982 |
Partial Chords |
0.3765 |
Standard Triads |
0.4637 |
Diminished and Augmented Triads |
0.02265 |
Dominant Seventh Chords |
0.002107 |
Seventh Chords |
0.02265 |
Non-Standard Chords |
0.1371 |
Complex Chords |
0.00316 |
Minor Major Triad Ratio |
1.062 |
Average Number of Simultaneous Pitch Classes |
2.579 |
Variability of Number of Simultaneous Pitch Classes |
0.6967 |
Average Number of Simultaneous Pitches |
3.422 |
Variability of Number of Simultaneous Pitches |
1.139 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
8.17 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
136.4 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2044 |
Stepwise Motion |
0.6071 |
Melodic Thirds |
0.1253 |
Melodic Perfect Fourths |
0.05729 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.02779 |
Melodic Sixths |
0.002993 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.007268 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.845 |
Melodic Embellishments |
0.01451 |
Direction of Melodic Motion |
0.4489 |
Average Length of Melodic Arcs |
1.872 |
Average Interval Spanned by Melodic Arcs |
4.558 |
Melodic Pitch Variety |
4.611 |
Mean Melodic Interval |
2.023 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4027 |
Relative Prevalence of Most Common Melodic Intervals |
0.5074 |
Amount of Arpeggiation |
0.3326 |
Repeated Notes |
0.1723 |
Importance of Middle Register |
0.6421 |
Importance of High Register |
0.002133 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
57.09 |
Mean Pitch Class |
5.126 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.09172 |
Prevalence of Most Common Pitch Class |
0.1783 |
Relative Prevalence of Top Pitches |
1.0 |
Relative Prevalence of Top Pitch Classes |
0.8876 |
Interval Between Most Prevalent Pitches |
3.0 |
Interval Between Most Prevalent Pitch Classes |
9.0 |
Pitch Variability |
7.34 |
Pitch Class Variability |
3.516 |
Pitch Class Variability After Folding |
3.257 |
Pitch Skewness |
0.1742 |
Pitch Class Skewness |
0.1074 |
Pitch Class Skewness After Folding |
0.4515 |
Pitch Kurtosis |
5.277 |
Pitch Class Kurtosis |
4.812 |
Pitch Class Kurtosis After Folding |
6.765 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
38.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
30.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
36.0 |
Importance of Bass Register |
0.3558 |
Note Density per Quarter Note |
1.158 |
Note Density per Quarter Note per Voice |
0.2315 |
Note Density per Quarter Note Variability |
0.4891 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
9.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0008532 |
Prevalence of Medium Rhythmic Values |
0.5819 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7956 |
Prevalence of Very Long Rhythmic Values |
0.09002 |
Prevalence of Dotted Notes |
0.08916 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.995 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3776 |
Relative Prevalence of Most Common Rhythmic Values |
0.7141 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.165 |
Rhythmic Value Skewness |
1.379 |
Rhythmic Value Kurtosis |
10.96 |
Mean Rhythmic Value Run Length |
1.694 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.185 |
Mean Rhythmic Value Offset |
0.1026 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.907 |
Complete Rests Fraction |
0.0004897 |
Partial Rests Fraction |
0.6909 |
Average Rest Fraction Across Voices |
0.283 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
256.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
15.08 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
6.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
25.74 |
Variability Across Voices of Combined Rests |
138.3 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6112 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1939 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.152 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8051 |
Rhythmic Variability - Tempo Standardized |
0.05255 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
2344.0 |
Initial Tempo |
290.0 |
Average Variability of Time Between Attacks for Each Voice |
1.595 |
Minimum Note Duration |
0.1034 |
Maximum Note Duration |
6.621 |
Average Note Duration |
0.6408 |
Variability of Note Durations |
0.5612 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
290.0 |
Strongest Rhythmic Pulse |
73.0 |
Second Strongest Rhythmic Pulse |
49.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
Strength of Strongest Rhythmic Pulse |
0.2771 |
Strength of Second Strongest Rhythmic Pulse |
0.2481 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.117 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5252 |
Rhythmic Variability |
0.03605 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0000000004507 |
Duration in Seconds |
419.0 |
Note Density |
5.595 |
Note Density Variability |
1.678 |
Average Time Between Attacks |
0.3588 |
Average Time Between Attacks for Each Voice |
0.9037 |
Variability of Time Between Attacks |
0.1761 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.3889 |
Relative Range Isolation of Loudest Voice |
0.5745 |
Relative Range of Highest Line |
0.3889 |
Relative Note Density of Highest Line |
0.1408 |
Relative Note Durations of Lowest Line |
1.055 |
Relative Size of Melodic Intervals in Lowest Line |
0.625 |
Voice Overlap |
0.7756 |
Voice Separation |
4.5 |
Variability of Voice Separation |
2.38 |
Parallel Motion |
0.04901 |
Average Number of Independent Voices |
3.587 |
Similar Motion |
0.1234 |
Contrary Motion |
0.1378 |
Oblique Motion |
0.6898 |
Parallel Fifths |
0.0004623 |
Parallel Octaves |
0.002312 |
Variability of Number of Independent Voices |
1.188 |
Voice Equality - Number of Notes |
118.8 |
Voice Equality - Note Duration |
28.62 |
Voice Equality - Dynamics |
9.354 |
Voice Equality - Melodic Leaps |
0.5477 |
Voice Equality - Range |
2.168 |
Importance of Loudest Voice |
12.5 |