| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2106 |
| Prevalence of Second Most Common Vertical Interval |
0.1758 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.835 |
| Vertical Unisons |
0.02721 |
| Vertical Minor Seconds |
0.004262 |
| Vertical Thirds |
0.3169 |
| Vertical Tritones |
0.01044 |
| Vertical Perfect Fourths |
0.09545 |
| Vertical Perfect Fifths |
0.1731 |
| Vertical Sixths |
0.1349 |
| Vertical Sevenths |
0.02719 |
| Vertical Octaves |
0.1834 |
| Perfect Vertical Intervals |
0.4791 |
| Vertical Dissonance Ratio |
0.07425 |
| Vertical Minor Third Prevalence |
0.5035 |
| Vertical Major Third Prevalence |
0.4044 |
| Chord Duration |
2.098 |
| Partial Chords |
0.417 |
| Standard Triads |
0.4069 |
| Diminished and Augmented Triads |
0.02053 |
| Dominant Seventh Chords |
0.002281 |
| Seventh Chords |
0.01779 |
| Non-Standard Chords |
0.1583 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.534 |
| Average Number of Simultaneous Pitch Classes |
2.545 |
| Variability of Number of Simultaneous Pitch Classes |
0.664 |
| Average Number of Simultaneous Pitches |
3.189 |
| Variability of Number of Simultaneous Pitches |
0.7329 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.987 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
63.29 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2551 |
| Stepwise Motion |
0.7287 |
| Melodic Thirds |
0.1048 |
| Melodic Perfect Fourths |
0.05361 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04143 |
| Melodic Sixths |
0.006499 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004062 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.304 |
| Melodic Embellishments |
0.02429 |
| Direction of Melodic Motion |
0.4836 |
| Average Length of Melodic Arcs |
1.99 |
| Average Interval Spanned by Melodic Arcs |
4.69 |
| Melodic Pitch Variety |
5.179 |
| Mean Melodic Interval |
2.223 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4736 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5386 |
| Amount of Arpeggiation |
0.2112 |
| Repeated Notes |
0.06093 |
| Importance of Middle Register |
0.7725 |
| Importance of High Register |
0.09879 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.91 |
| Mean Pitch Class |
5.26 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.102 |
| Prevalence of Most Common Pitch Class |
0.1725 |
| Relative Prevalence of Top Pitches |
0.9365 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.201 |
| Pitch Class Variability |
3.411 |
| Pitch Class Variability After Folding |
3.473 |
| Pitch Skewness |
0.1356 |
| Pitch Class Skewness |
0.2286 |
| Pitch Class Skewness After Folding |
0.7604 |
| Pitch Kurtosis |
5.413 |
| Pitch Class Kurtosis |
4.837 |
| Pitch Class Kurtosis After Folding |
6.011 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1287 |
| Note Density per Quarter Note |
1.067 |
| Note Density per Quarter Note per Voice |
0.2669 |
| Note Density per Quarter Note Variability |
0.4725 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004858 |
| Prevalence of Medium Rhythmic Values |
0.5571 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7595 |
| Prevalence of Very Long Rhythmic Values |
0.1004 |
| Prevalence of Dotted Notes |
0.1158 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.011 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3166 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8261 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.215 |
| Rhythmic Value Skewness |
1.369 |
| Rhythmic Value Kurtosis |
10.25 |
| Mean Rhythmic Value Run Length |
1.61 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.162 |
| Mean Rhythmic Value Offset |
0.07773 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8786 |
| Complete Rests Fraction |
0.0007536 |
| Partial Rests Fraction |
0.5403 |
| Average Rest Fraction Across Voices |
0.1698 |
| Longest Complete Rest |
0.8719 |
| Longest Partial Rest |
253.2 |
| Mean Complete Rest Duration |
0.8719 |
| Mean Partial Rest Duration |
9.357 |
| Median Complete Rest Duration |
0.8719 |
| Median Partial Rest Duration |
3.517 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
27.98 |
| Variability Across Voices of Combined Rests |
108.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5421 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2267 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.392 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7688 |
| Rhythmic Variability - Tempo Standardized |
0.04938 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1235.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.697 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.7321 |
| Variability of Note Durations |
0.6306 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
258.1 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.2803 |
| Strength of Second Strongest Rhythmic Pulse |
0.2628 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.066 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.543 |
| Rhythmic Variability |
0.03732 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
28.86 |
| Duration in Seconds |
272.3 |
| Note Density |
4.536 |
| Note Density Variability |
1.325 |
| Average Time Between Attacks |
0.4206 |
| Average Time Between Attacks for Each Voice |
0.8897 |
| Variability of Time Between Attacks |
0.2921 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.2622 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.23 |
| Relative Note Durations of Lowest Line |
1.001 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8583 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.04931 |
| Average Number of Independent Voices |
3.299 |
| Similar Motion |
0.1371 |
| Contrary Motion |
0.1842 |
| Oblique Motion |
0.6294 |
| Parallel Fifths |
0.00145 |
| Parallel Octaves |
0.00145 |
| Variability of Number of Independent Voices |
0.7147 |
| Voice Equality - Number of Notes |
63.29 |
| Voice Equality - Note Duration |
25.63 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
10.0 |