| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2129 |
| Prevalence of Second Most Common Vertical Interval |
0.1753 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8237 |
| Vertical Unisons |
0.02735 |
| Vertical Minor Seconds |
0.005038 |
| Vertical Thirds |
0.3093 |
| Vertical Tritones |
0.01138 |
| Vertical Perfect Fourths |
0.09227 |
| Vertical Perfect Fifths |
0.1753 |
| Vertical Sixths |
0.1422 |
| Vertical Sevenths |
0.03117 |
| Vertical Octaves |
0.1855 |
| Perfect Vertical Intervals |
0.4805 |
| Vertical Dissonance Ratio |
0.07299 |
| Vertical Minor Third Prevalence |
0.3703 |
| Vertical Major Third Prevalence |
0.3414 |
| Chord Duration |
2.024 |
| Partial Chords |
0.539 |
| Standard Triads |
0.318 |
| Diminished and Augmented Triads |
0.01494 |
| Dominant Seventh Chords |
0.002134 |
| Seventh Chords |
0.01281 |
| Non-Standard Chords |
0.1302 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.443 |
| Average Number of Simultaneous Pitch Classes |
2.309 |
| Variability of Number of Simultaneous Pitch Classes |
0.7271 |
| Average Number of Simultaneous Pitches |
2.84 |
| Variability of Number of Simultaneous Pitches |
0.9283 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.168 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
35.39 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1901 |
| Stepwise Motion |
0.5632 |
| Melodic Thirds |
0.1752 |
| Melodic Perfect Fourths |
0.05667 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02267 |
| Melodic Sixths |
0.001744 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005231 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.526 |
| Melodic Embellishments |
0.03215 |
| Direction of Melodic Motion |
0.4767 |
| Average Length of Melodic Arcs |
1.792 |
| Average Interval Spanned by Melodic Arcs |
4.388 |
| Melodic Pitch Variety |
4.443 |
| Mean Melodic Interval |
2.031 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3731 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5093 |
| Amount of Arpeggiation |
0.3784 |
| Repeated Notes |
0.1752 |
| Importance of Middle Register |
0.8054 |
| Importance of High Register |
0.07211 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
62.7 |
| Mean Pitch Class |
5.52 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09383 |
| Prevalence of Most Common Pitch Class |
0.1885 |
| Relative Prevalence of Top Pitches |
0.9907 |
| Relative Prevalence of Top Pitch Classes |
0.8894 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.011 |
| Pitch Class Variability |
3.508 |
| Pitch Class Variability After Folding |
3.092 |
| Pitch Skewness |
-0.429 |
| Pitch Class Skewness |
0.4451 |
| Pitch Class Skewness After Folding |
0.5436 |
| Pitch Kurtosis |
5.141 |
| Pitch Class Kurtosis |
4.848 |
| Pitch Class Kurtosis After Folding |
7.112 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1225 |
| Note Density per Quarter Note |
1.073 |
| Note Density per Quarter Note per Voice |
0.2682 |
| Note Density per Quarter Note Variability |
0.5593 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6264 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7368 |
| Prevalence of Very Long Rhythmic Values |
0.06864 |
| Prevalence of Dotted Notes |
0.1069 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.679 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3632 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7249 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.873 |
| Rhythmic Value Skewness |
1.088 |
| Rhythmic Value Kurtosis |
11.43 |
| Mean Rhythmic Value Run Length |
1.628 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.139 |
| Mean Rhythmic Value Offset |
0.04865 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7444 |
| Complete Rests Fraction |
0.0008216 |
| Partial Rests Fraction |
0.6442 |
| Average Rest Fraction Across Voices |
0.2718 |
| Longest Complete Rest |
0.8816 |
| Longest Partial Rest |
97.79 |
| Mean Complete Rest Duration |
0.8816 |
| Mean Partial Rest Duration |
12.55 |
| Median Complete Rest Duration |
0.8816 |
| Median Partial Rest Duration |
7.112 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.57 |
| Variability Across Voices of Combined Rests |
46.19 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.52 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2427 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.142 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7627 |
| Rhythmic Variability - Tempo Standardized |
0.04869 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1151.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.435 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.6319 |
| Variability of Note Durations |
0.5081 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
261.0 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.2643 |
| Strength of Second Strongest Rhythmic Pulse |
0.2533 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.043 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5176 |
| Rhythmic Variability |
0.03685 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
29.0 |
| Duration in Seconds |
249.7 |
| Note Density |
4.609 |
| Note Density Variability |
1.81 |
| Average Time Between Attacks |
0.3841 |
| Average Time Between Attacks for Each Voice |
0.8296 |
| Variability of Time Between Attacks |
0.1964 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.4574 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.2467 |
| Relative Note Durations of Lowest Line |
0.9966 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7515 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.04597 |
| Average Number of Independent Voices |
2.929 |
| Similar Motion |
0.1135 |
| Contrary Motion |
0.1426 |
| Oblique Motion |
0.6979 |
| Parallel Fifths |
0.001876 |
| Parallel Octaves |
0.001876 |
| Variability of Number of Independent Voices |
0.9476 |
| Voice Equality - Number of Notes |
35.39 |
| Voice Equality - Note Duration |
10.75 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.38 |
| Importance of Loudest Voice |
10.0 |