| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2223 |
| Prevalence of Second Most Common Vertical Interval |
0.1959 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8809 |
| Vertical Unisons |
0.03905 |
| Vertical Minor Seconds |
0.003024 |
| Vertical Thirds |
0.3204 |
| Vertical Tritones |
0.00642 |
| Vertical Perfect Fourths |
0.09395 |
| Vertical Perfect Fifths |
0.1959 |
| Vertical Sixths |
0.1193 |
| Vertical Sevenths |
0.02077 |
| Vertical Octaves |
0.1833 |
| Perfect Vertical Intervals |
0.5121 |
| Vertical Dissonance Ratio |
0.05057 |
| Vertical Minor Third Prevalence |
0.4747 |
| Vertical Major Third Prevalence |
0.5158 |
| Chord Duration |
2.391 |
| Partial Chords |
0.3615 |
| Standard Triads |
0.5054 |
| Diminished and Augmented Triads |
0.004184 |
| Dominant Seventh Chords |
0.001674 |
| Seventh Chords |
0.02008 |
| Non-Standard Chords |
0.113 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7159 |
| Average Number of Simultaneous Pitch Classes |
2.589 |
| Variability of Number of Simultaneous Pitch Classes |
0.6572 |
| Average Number of Simultaneous Pitches |
3.32 |
| Variability of Number of Simultaneous Pitches |
0.7666 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.63 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
75.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1681 |
| Stepwise Motion |
0.5728 |
| Melodic Thirds |
0.1609 |
| Melodic Perfect Fourths |
0.07884 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06034 |
| Melodic Sixths |
0.004023 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005632 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.353 |
| Melodic Embellishments |
0.01201 |
| Direction of Melodic Motion |
0.4503 |
| Average Length of Melodic Arcs |
1.733 |
| Average Interval Spanned by Melodic Arcs |
4.78 |
| Melodic Pitch Variety |
4.931 |
| Mean Melodic Interval |
2.447 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4047 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4155 |
| Amount of Arpeggiation |
0.3443 |
| Repeated Notes |
0.1175 |
| Importance of Middle Register |
0.5749 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
54.3 |
| Mean Pitch Class |
4.874 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1209 |
| Prevalence of Most Common Pitch Class |
0.205 |
| Relative Prevalence of Top Pitches |
0.7417 |
| Relative Prevalence of Top Pitch Classes |
0.7578 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.771 |
| Pitch Class Variability |
3.523 |
| Pitch Class Variability After Folding |
4.118 |
| Pitch Skewness |
-0.07343 |
| Pitch Class Skewness |
-0.1071 |
| Pitch Class Skewness After Folding |
1.506 |
| Pitch Kurtosis |
5.246 |
| Pitch Class Kurtosis |
4.706 |
| Pitch Class Kurtosis After Folding |
4.972 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
36.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.4251 |
| Note Density per Quarter Note |
0.9874 |
| Note Density per Quarter Note per Voice |
0.2468 |
| Note Density per Quarter Note Variability |
0.4145 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4812 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7806 |
| Prevalence of Very Long Rhythmic Values |
0.1649 |
| Prevalence of Dotted Notes |
0.1305 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.438 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.277 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9451 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.495 |
| Rhythmic Value Skewness |
0.5266 |
| Rhythmic Value Kurtosis |
7.874 |
| Mean Rhythmic Value Run Length |
1.597 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.027 |
| Mean Rhythmic Value Offset |
0.1025 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9686 |
| Complete Rests Fraction |
0.0007304 |
| Partial Rests Fraction |
0.3837 |
| Average Rest Fraction Across Voices |
0.1271 |
| Longest Complete Rest |
0.924 |
| Longest Partial Rest |
55.52 |
| Mean Complete Rest Duration |
0.924 |
| Mean Partial Rest Duration |
8.69 |
| Median Complete Rest Duration |
0.924 |
| Median Partial Rest Duration |
3.727 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.64 |
| Variability Across Voices of Combined Rests |
73.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5409 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2334 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.317 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7744 |
| Rhythmic Variability - Tempo Standardized |
0.04949 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1249.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.177 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7934 |
| Variability of Note Durations |
0.6803 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
271.0 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3118 |
| Strength of Second Strongest Rhythmic Pulse |
0.2509 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.243 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5627 |
| Rhythmic Variability |
0.03792 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
25.75 |
| Duration in Seconds |
282.9 |
| Note Density |
4.416 |
| Note Density Variability |
1.19 |
| Average Time Between Attacks |
0.4251 |
| Average Time Between Attacks for Each Voice |
0.9534 |
| Variability of Time Between Attacks |
0.2745 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.2031 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.1954 |
| Relative Note Durations of Lowest Line |
1.023 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7846 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.04389 |
| Average Number of Independent Voices |
3.486 |
| Similar Motion |
0.1317 |
| Contrary Motion |
0.1375 |
| Oblique Motion |
0.6869 |
| Parallel Fifths |
0.0007315 |
| Parallel Octaves |
0.0007315 |
| Variability of Number of Independent Voices |
0.7159 |
| Voice Equality - Number of Notes |
75.6 |
| Voice Equality - Note Duration |
16.41 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
2.872 |
| Importance of Loudest Voice |
10.0 |