| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2542 |
| Prevalence of Second Most Common Vertical Interval |
0.1758 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6914 |
| Vertical Unisons |
0.04748 |
| Vertical Minor Seconds |
0.003267 |
| Vertical Thirds |
0.3046 |
| Vertical Tritones |
0.002465 |
| Vertical Perfect Fourths |
0.06289 |
| Vertical Perfect Fifths |
0.1758 |
| Vertical Sixths |
0.1434 |
| Vertical Sevenths |
0.03112 |
| Vertical Octaves |
0.2068 |
| Perfect Vertical Intervals |
0.4929 |
| Vertical Dissonance Ratio |
0.06281 |
| Vertical Minor Third Prevalence |
0.2829 |
| Vertical Major Third Prevalence |
0.29 |
| Chord Duration |
2.706 |
| Partial Chords |
0.7465 |
| Standard Triads |
0.1779 |
| Diminished and Augmented Triads |
0.004084 |
| Dominant Seventh Chords |
0.00175 |
| Seventh Chords |
0.004084 |
| Non-Standard Chords |
0.07147 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.194 |
| Average Number of Simultaneous Pitch Classes |
2.074 |
| Variability of Number of Simultaneous Pitch Classes |
0.6315 |
| Average Number of Simultaneous Pitches |
2.521 |
| Variability of Number of Simultaneous Pitches |
0.8729 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.521 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
20.05 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1803 |
| Stepwise Motion |
0.5714 |
| Melodic Thirds |
0.09067 |
| Melodic Perfect Fourths |
0.02736 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02951 |
| Melodic Sixths |
0.002146 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008047 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.817 |
| Melodic Embellishments |
0.02998 |
| Direction of Melodic Motion |
0.4297 |
| Average Length of Melodic Arcs |
2.037 |
| Average Interval Spanned by Melodic Arcs |
4.784 |
| Melodic Pitch Variety |
4.147 |
| Mean Melodic Interval |
1.724 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3911 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6927 |
| Amount of Arpeggiation |
0.3991 |
| Repeated Notes |
0.2709 |
| Importance of Middle Register |
0.6718 |
| Importance of High Register |
0.004818 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.76 |
| Mean Pitch Class |
5.078 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.08994 |
| Prevalence of Most Common Pitch Class |
0.1831 |
| Relative Prevalence of Top Pitches |
0.9702 |
| Relative Prevalence of Top Pitch Classes |
0.9854 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.659 |
| Pitch Class Variability |
3.51 |
| Pitch Class Variability After Folding |
3.896 |
| Pitch Skewness |
-0.01824 |
| Pitch Class Skewness |
0.06634 |
| Pitch Class Skewness After Folding |
1.393 |
| Pitch Kurtosis |
5.08 |
| Pitch Class Kurtosis |
4.646 |
| Pitch Class Kurtosis After Folding |
5.279 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3233 |
| Note Density per Quarter Note |
0.9225 |
| Note Density per Quarter Note per Voice |
0.2306 |
| Note Density per Quarter Note Variability |
0.4309 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004283 |
| Prevalence of Medium Rhythmic Values |
0.5846 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7853 |
| Prevalence of Very Long Rhythmic Values |
0.06263 |
| Prevalence of Dotted Notes |
0.09797 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.787 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3699 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7467 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.787 |
| Rhythmic Value Skewness |
1.321 |
| Rhythmic Value Kurtosis |
11.37 |
| Mean Rhythmic Value Run Length |
1.627 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.044 |
| Mean Rhythmic Value Offset |
0.07709 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.267 |
| Complete Rests Fraction |
0.0004826 |
| Partial Rests Fraction |
0.7562 |
| Average Rest Fraction Across Voices |
0.3388 |
| Longest Complete Rest |
0.9772 |
| Longest Partial Rest |
118.2 |
| Mean Complete Rest Duration |
0.9772 |
| Mean Partial Rest Duration |
23.46 |
| Median Complete Rest Duration |
0.9772 |
| Median Partial Rest Duration |
3.942 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
34.48 |
| Variability Across Voices of Combined Rests |
37.23 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5691 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2154 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.642 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7845 |
| Rhythmic Variability - Tempo Standardized |
0.05055 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1868.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.349 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
10.34 |
| Average Note Duration |
0.602 |
| Variability of Note Durations |
0.5494 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
286.6 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2771 |
| Strength of Second Strongest Rhythmic Pulse |
0.2393 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.158 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5164 |
| Rhythmic Variability |
0.03534 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
13.69 |
| Duration in Seconds |
425.2 |
| Note Density |
4.394 |
| Note Density Variability |
1.692 |
| Average Time Between Attacks |
0.3834 |
| Average Time Between Attacks for Each Voice |
0.8799 |
| Variability of Time Between Attacks |
0.2142 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4245 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.1435 |
| Relative Note Durations of Lowest Line |
1.021 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8073 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.02904 |
| Average Number of Independent Voices |
2.643 |
| Similar Motion |
0.09969 |
| Contrary Motion |
0.1272 |
| Oblique Motion |
0.7441 |
| Parallel Fifths |
0.002355 |
| Parallel Octaves |
0.00157 |
| Variability of Number of Independent Voices |
0.9241 |
| Voice Equality - Number of Notes |
20.05 |
| Voice Equality - Note Duration |
7.817 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
10.0 |