| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1924 |
| Prevalence of Second Most Common Vertical Interval |
0.1862 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9678 |
| Vertical Unisons |
0.02785 |
| Vertical Minor Seconds |
0.007247 |
| Vertical Thirds |
0.3282 |
| Vertical Tritones |
0.01203 |
| Vertical Perfect Fourths |
0.08177 |
| Vertical Perfect Fifths |
0.1816 |
| Vertical Sixths |
0.1549 |
| Vertical Sevenths |
0.02889 |
| Vertical Octaves |
0.1584 |
| Perfect Vertical Intervals |
0.4496 |
| Vertical Dissonance Ratio |
0.07223 |
| Vertical Minor Third Prevalence |
0.4191 |
| Vertical Major Third Prevalence |
0.3457 |
| Chord Duration |
2.025 |
| Partial Chords |
0.5244 |
| Standard Triads |
0.3465 |
| Diminished and Augmented Triads |
0.01441 |
| Dominant Seventh Chords |
0.003603 |
| Seventh Chords |
0.01681 |
| Non-Standard Chords |
0.1123 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.531 |
| Average Number of Simultaneous Pitch Classes |
2.335 |
| Variability of Number of Simultaneous Pitch Classes |
0.7116 |
| Average Number of Simultaneous Pitches |
2.784 |
| Variability of Number of Simultaneous Pitches |
0.8844 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
4.731 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
132.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2441 |
| Stepwise Motion |
0.7281 |
| Melodic Thirds |
0.1153 |
| Melodic Perfect Fourths |
0.04119 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.08136 |
| Melodic Sixths |
0.00309 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008239 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.333 |
| Melodic Embellishments |
0.01332 |
| Direction of Melodic Motion |
0.491 |
| Average Length of Melodic Arcs |
2.077 |
| Average Interval Spanned by Melodic Arcs |
5.298 |
| Melodic Pitch Variety |
5.229 |
| Mean Melodic Interval |
2.508 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.484 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5043 |
| Amount of Arpeggiation |
0.2276 |
| Repeated Notes |
0.02266 |
| Importance of Middle Register |
0.79 |
| Importance of High Register |
0.005123 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.67 |
| Mean Pitch Class |
5.537 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1045 |
| Prevalence of Most Common Pitch Class |
0.1721 |
| Relative Prevalence of Top Pitches |
0.9608 |
| Relative Prevalence of Top Pitch Classes |
0.9583 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.746 |
| Pitch Class Variability |
3.539 |
| Pitch Class Variability After Folding |
3.129 |
| Pitch Skewness |
0.01823 |
| Pitch Class Skewness |
0.4551 |
| Pitch Class Skewness After Folding |
0.5579 |
| Pitch Kurtosis |
5.52 |
| Pitch Class Kurtosis |
4.853 |
| Pitch Class Kurtosis After Folding |
7.005 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2049 |
| Note Density per Quarter Note |
1.037 |
| Note Density per Quarter Note per Voice |
0.2593 |
| Note Density per Quarter Note Variability |
0.511 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01025 |
| Prevalence of Medium Rhythmic Values |
0.6148 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7193 |
| Prevalence of Very Long Rhythmic Values |
0.06455 |
| Prevalence of Dotted Notes |
0.1117 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.69 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.334 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8037 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.944 |
| Rhythmic Value Skewness |
1.064 |
| Rhythmic Value Kurtosis |
12.87 |
| Mean Rhythmic Value Run Length |
1.737 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.369 |
| Mean Rhythmic Value Offset |
0.0748 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.958 |
| Complete Rests Fraction |
0.0009351 |
| Partial Rests Fraction |
0.7246 |
| Average Rest Fraction Across Voices |
0.2753 |
| Longest Complete Rest |
0.8799 |
| Longest Partial Rest |
203.2 |
| Mean Complete Rest Duration |
0.8799 |
| Mean Partial Rest Duration |
17.87 |
| Median Complete Rest Duration |
0.8799 |
| Median Partial Rest Duration |
2.325 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
46.08 |
| Variability Across Voices of Combined Rests |
221.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5213 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2341 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.227 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7554 |
| Rhythmic Variability - Tempo Standardized |
0.04833 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
976.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.548 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
18.62 |
| Average Note Duration |
0.6234 |
| Variability of Note Durations |
0.7576 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
273.8 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.511 |
| Strength of Strongest Rhythmic Pulse |
0.2706 |
| Strength of Second Strongest Rhythmic Pulse |
0.2476 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.093 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5181 |
| Rhythmic Variability |
0.03639 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
32.62 |
| Duration in Seconds |
209.3 |
| Note Density |
4.663 |
| Note Density Variability |
1.754 |
| Average Time Between Attacks |
0.3782 |
| Average Time Between Attacks for Each Voice |
1.111 |
| Variability of Time Between Attacks |
0.2643 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.4092 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.2705 |
| Relative Note Durations of Lowest Line |
1.028 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8064 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.04593 |
| Average Number of Independent Voices |
2.86 |
| Similar Motion |
0.1409 |
| Contrary Motion |
0.2244 |
| Oblique Motion |
0.5887 |
| Parallel Fifths |
0.003132 |
| Parallel Octaves |
0.003132 |
| Variability of Number of Independent Voices |
0.8737 |
| Voice Equality - Number of Notes |
132.0 |
| Voice Equality - Note Duration |
49.21 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |