| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2287 |
| Prevalence of Second Most Common Vertical Interval |
0.2006 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8768 |
| Vertical Unisons |
0.04077 |
| Vertical Minor Seconds |
0.001775 |
| Vertical Thirds |
0.3143 |
| Vertical Tritones |
0.006027 |
| Vertical Perfect Fourths |
0.08328 |
| Vertical Perfect Fifths |
0.2006 |
| Vertical Sixths |
0.1263 |
| Vertical Sevenths |
0.02279 |
| Vertical Octaves |
0.188 |
| Perfect Vertical Intervals |
0.5126 |
| Vertical Dissonance Ratio |
0.04914 |
| Vertical Minor Third Prevalence |
0.3866 |
| Vertical Major Third Prevalence |
0.4072 |
| Chord Duration |
2.6 |
| Partial Chords |
0.5127 |
| Standard Triads |
0.3905 |
| Diminished and Augmented Triads |
0.006863 |
| Dominant Seventh Chords |
0.001373 |
| Seventh Chords |
0.009609 |
| Non-Standard Chords |
0.08717 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4442 |
| Average Number of Simultaneous Pitch Classes |
2.341 |
| Variability of Number of Simultaneous Pitch Classes |
0.7051 |
| Average Number of Simultaneous Pitches |
2.922 |
| Variability of Number of Simultaneous Pitches |
0.9355 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.782 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
75.61 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1593 |
| Stepwise Motion |
0.4991 |
| Melodic Thirds |
0.1568 |
| Melodic Perfect Fourths |
0.05227 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0392 |
| Melodic Sixths |
0.003111 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003111 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.36 |
| Melodic Embellishments |
0.01303 |
| Direction of Melodic Motion |
0.455 |
| Average Length of Melodic Arcs |
1.747 |
| Average Interval Spanned by Melodic Arcs |
4.515 |
| Melodic Pitch Variety |
4.26 |
| Mean Melodic Interval |
1.956 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3398 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7253 |
| Amount of Arpeggiation |
0.4456 |
| Repeated Notes |
0.2464 |
| Importance of Middle Register |
0.5323 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
53.49 |
| Mean Pitch Class |
4.942 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.121 |
| Prevalence of Most Common Pitch Class |
0.2035 |
| Relative Prevalence of Top Pitches |
0.6769 |
| Relative Prevalence of Top Pitch Classes |
0.8384 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.176 |
| Pitch Class Variability |
3.506 |
| Pitch Class Variability After Folding |
4.223 |
| Pitch Skewness |
-0.3436 |
| Pitch Class Skewness |
-0.04937 |
| Pitch Class Skewness After Folding |
0.8906 |
| Pitch Kurtosis |
5.035 |
| Pitch Class Kurtosis |
4.714 |
| Pitch Class Kurtosis After Folding |
4.801 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
36.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.4677 |
| Note Density per Quarter Note |
0.9776 |
| Note Density per Quarter Note per Voice |
0.2444 |
| Note Density per Quarter Note Variability |
0.451 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002481 |
| Prevalence of Medium Rhythmic Values |
0.5596 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8226 |
| Prevalence of Very Long Rhythmic Values |
0.09243 |
| Prevalence of Dotted Notes |
0.09243 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.087 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3821 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7581 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.201 |
| Rhythmic Value Skewness |
1.481 |
| Rhythmic Value Kurtosis |
11.04 |
| Mean Rhythmic Value Run Length |
1.674 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.156 |
| Mean Rhythmic Value Offset |
0.04218 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4761 |
| Complete Rests Fraction |
0.003237 |
| Partial Rests Fraction |
0.5681 |
| Average Rest Fraction Across Voices |
0.2431 |
| Longest Complete Rest |
4.45 |
| Longest Partial Rest |
155.7 |
| Mean Complete Rest Duration |
2.669 |
| Mean Partial Rest Duration |
15.88 |
| Median Complete Rest Duration |
4.45 |
| Median Partial Rest Duration |
3.584 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.518 |
| Variability of Partial Rest Durations |
28.68 |
| Variability Across Voices of Combined Rests |
52.98 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6086 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1969 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.091 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8055 |
| Rhythmic Variability - Tempo Standardized |
0.05239 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1612.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.626 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7211 |
| Variability of Note Durations |
0.569 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
261.1 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.3087 |
| Strength of Second Strongest Rhythmic Pulse |
0.2701 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.143 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5788 |
| Rhythmic Variability |
0.03878 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.98 |
| Duration in Seconds |
383.4 |
| Note Density |
4.205 |
| Note Density Variability |
1.608 |
| Average Time Between Attacks |
0.4582 |
| Average Time Between Attacks for Each Voice |
0.9264 |
| Variability of Time Between Attacks |
0.3003 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.3833 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.1514 |
| Relative Note Durations of Lowest Line |
0.966 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8406 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.0541 |
| Average Number of Independent Voices |
3.063 |
| Similar Motion |
0.1252 |
| Contrary Motion |
0.1777 |
| Oblique Motion |
0.643 |
| Parallel Fifths |
0.001546 |
| Parallel Octaves |
0.0007728 |
| Variability of Number of Independent Voices |
0.9325 |
| Voice Equality - Number of Notes |
75.61 |
| Voice Equality - Note Duration |
12.32 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |