| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2122 |
| Prevalence of Second Most Common Vertical Interval |
0.2078 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9791 |
| Vertical Unisons |
0.02818 |
| Vertical Minor Seconds |
0.005857 |
| Vertical Thirds |
0.3036 |
| Vertical Tritones |
0.009829 |
| Vertical Perfect Fourths |
0.07591 |
| Vertical Perfect Fifths |
0.2078 |
| Vertical Sixths |
0.1368 |
| Vertical Sevenths |
0.02678 |
| Vertical Octaves |
0.184 |
| Perfect Vertical Intervals |
0.4959 |
| Vertical Dissonance Ratio |
0.06798 |
| Vertical Minor Third Prevalence |
0.3484 |
| Vertical Major Third Prevalence |
0.3783 |
| Chord Duration |
2.601 |
| Partial Chords |
0.5241 |
| Standard Triads |
0.3552 |
| Diminished and Augmented Triads |
0.01513 |
| Dominant Seventh Chords |
0.0004204 |
| Seventh Chords |
0.01345 |
| Non-Standard Chords |
0.1072 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3413 |
| Average Number of Simultaneous Pitch Classes |
2.327 |
| Variability of Number of Simultaneous Pitch Classes |
0.7243 |
| Average Number of Simultaneous Pitches |
2.834 |
| Variability of Number of Simultaneous Pitches |
0.906 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.027 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
301.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2299 |
| Stepwise Motion |
0.6651 |
| Melodic Thirds |
0.09343 |
| Melodic Perfect Fourths |
0.04764 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0555 |
| Melodic Sixths |
0.004625 |
| Melodic Sevenths |
0.0009251 |
| Melodic Octaves |
0.01018 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.623 |
| Melodic Embellishments |
0.01477 |
| Direction of Melodic Motion |
0.4681 |
| Average Length of Melodic Arcs |
1.742 |
| Average Interval Spanned by Melodic Arcs |
4.38 |
| Melodic Pitch Variety |
4.543 |
| Mean Melodic Interval |
2.213 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4352 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5282 |
| Amount of Arpeggiation |
0.2826 |
| Repeated Notes |
0.1226 |
| Importance of Middle Register |
0.7558 |
| Importance of High Register |
0.009234 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.0 |
| Mean Pitch Class |
4.959 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1223 |
| Prevalence of Most Common Pitch Class |
0.217 |
| Relative Prevalence of Top Pitches |
0.634 |
| Relative Prevalence of Top Pitch Classes |
0.7915 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.528 |
| Pitch Class Variability |
3.653 |
| Pitch Class Variability After Folding |
3.441 |
| Pitch Skewness |
-0.1235 |
| Pitch Class Skewness |
-0.03375 |
| Pitch Class Skewness After Folding |
1.138 |
| Pitch Kurtosis |
5.464 |
| Pitch Class Kurtosis |
4.816 |
| Pitch Class Kurtosis After Folding |
6.546 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.235 |
| Note Density per Quarter Note |
0.7972 |
| Note Density per Quarter Note per Voice |
0.1993 |
| Note Density per Quarter Note Variability |
0.4135 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0009234 |
| Prevalence of Medium Rhythmic Values |
0.4612 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8089 |
| Prevalence of Very Long Rhythmic Values |
0.1496 |
| Prevalence of Dotted Notes |
0.1131 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.488 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3319 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8136 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.455 |
| Rhythmic Value Skewness |
0.5961 |
| Rhythmic Value Kurtosis |
8.446 |
| Mean Rhythmic Value Run Length |
1.798 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.537 |
| Mean Rhythmic Value Offset |
0.172 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.378 |
| Complete Rests Fraction |
0.003498 |
| Partial Rests Fraction |
0.7087 |
| Average Rest Fraction Across Voices |
0.2803 |
| Longest Complete Rest |
4.394 |
| Longest Partial Rest |
492.2 |
| Mean Complete Rest Duration |
3.168 |
| Mean Partial Rest Duration |
21.01 |
| Median Complete Rest Duration |
4.394 |
| Median Partial Rest Duration |
4.394 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.124 |
| Variability of Partial Rest Durations |
64.28 |
| Variability Across Voices of Combined Rests |
221.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5637 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2184 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.582 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7821 |
| Rhythmic Variability - Tempo Standardized |
0.05033 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2166.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.343 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6848 |
| Variability of Note Durations |
0.5982 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
327.4 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
79.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.975 |
| Strength of Strongest Rhythmic Pulse |
0.2406 |
| Strength of Second Strongest Rhythmic Pulse |
0.2366 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.017 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4771 |
| Rhythmic Variability |
0.03318 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
66.31 |
| Duration in Seconds |
515.2 |
| Note Density |
4.204 |
| Note Density Variability |
1.298 |
| Average Time Between Attacks |
0.4155 |
| Average Time Between Attacks for Each Voice |
0.9876 |
| Variability of Time Between Attacks |
0.2585 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.3434 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.1237 |
| Relative Note Durations of Lowest Line |
0.9907 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8029 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.03776 |
| Average Number of Independent Voices |
2.927 |
| Similar Motion |
0.1238 |
| Contrary Motion |
0.1745 |
| Oblique Motion |
0.664 |
| Parallel Fifths |
0.000478 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8746 |
| Voice Equality - Number of Notes |
131.1 |
| Voice Equality - Note Duration |
41.95 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.5 |
| Importance of Loudest Voice |
15.0 |