| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2075 |
| Prevalence of Second Most Common Vertical Interval |
0.1875 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9039 |
| Vertical Unisons |
0.03077 |
| Vertical Minor Seconds |
0.003668 |
| Vertical Thirds |
0.3178 |
| Vertical Tritones |
0.01954 |
| Vertical Perfect Fourths |
0.1015 |
| Vertical Perfect Fifths |
0.1875 |
| Vertical Sixths |
0.126 |
| Vertical Sevenths |
0.02092 |
| Vertical Octaves |
0.1767 |
| Perfect Vertical Intervals |
0.4965 |
| Vertical Dissonance Ratio |
0.06357 |
| Vertical Minor Third Prevalence |
0.4223 |
| Vertical Major Third Prevalence |
0.4867 |
| Chord Duration |
2.425 |
| Partial Chords |
0.3438 |
| Standard Triads |
0.4917 |
| Diminished and Augmented Triads |
0.03333 |
| Dominant Seventh Chords |
0.01042 |
| Seventh Chords |
0.02708 |
| Non-Standard Chords |
0.1375 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5325 |
| Average Number of Simultaneous Pitch Classes |
2.545 |
| Variability of Number of Simultaneous Pitch Classes |
0.7137 |
| Average Number of Simultaneous Pitches |
3.214 |
| Variability of Number of Simultaneous Pitches |
0.9012 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.366 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
22.14 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.189 |
| Stepwise Motion |
0.6624 |
| Melodic Thirds |
0.09766 |
| Melodic Perfect Fourths |
0.0552 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05308 |
| Melodic Sixths |
0.002123 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01062 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.556 |
| Melodic Embellishments |
0.02101 |
| Direction of Melodic Motion |
0.412 |
| Average Length of Melodic Arcs |
1.93 |
| Average Interval Spanned by Melodic Arcs |
4.823 |
| Melodic Pitch Variety |
5.266 |
| Mean Melodic Interval |
2.261 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4735 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3991 |
| Amount of Arpeggiation |
0.2803 |
| Repeated Notes |
0.1189 |
| Importance of Middle Register |
0.4244 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
52.35 |
| Mean Pitch Class |
5.048 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1345 |
| Prevalence of Most Common Pitch Class |
0.1912 |
| Relative Prevalence of Top Pitches |
0.7344 |
| Relative Prevalence of Top Pitch Classes |
0.9341 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.521 |
| Pitch Class Variability |
3.343 |
| Pitch Class Variability After Folding |
4.409 |
| Pitch Skewness |
-0.2445 |
| Pitch Class Skewness |
0.04336 |
| Pitch Class Skewness After Folding |
-1.943 |
| Pitch Kurtosis |
5.625 |
| Pitch Class Kurtosis |
4.837 |
| Pitch Class Kurtosis After Folding |
4.29 |
| Major or Minor |
0.0 |
| First Pitch |
51.0 |
| First Pitch Class |
3.0 |
| Last Pitch |
34.0 |
| Last Pitch Class |
10.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.5756 |
| Note Density per Quarter Note |
0.8864 |
| Note Density per Quarter Note per Voice |
0.2216 |
| Note Density per Quarter Note Variability |
0.4738 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3929 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8235 |
| Prevalence of Very Long Rhythmic Values |
0.1618 |
| Prevalence of Dotted Notes |
0.08613 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.626 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4076 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5309 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.264 |
| Rhythmic Value Skewness |
-0.4954 |
| Rhythmic Value Kurtosis |
7.441 |
| Mean Rhythmic Value Run Length |
1.625 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.064 |
| Mean Rhythmic Value Offset |
0.08403 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8567 |
| Complete Rests Fraction |
0.01674 |
| Partial Rests Fraction |
0.4376 |
| Average Rest Fraction Across Voices |
0.1816 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
2.997 |
| Mean Partial Rest Duration |
6.724 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.737 |
| Variability of Partial Rest Durations |
10.17 |
| Variability Across Voices of Combined Rests |
39.98 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5884 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2429 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.423 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8313 |
| Rhythmic Variability - Tempo Standardized |
0.05169 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
476.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.078 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.7729 |
| Variability of Note Durations |
0.5618 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3211 |
| Strength of Second Strongest Rhythmic Pulse |
0.2507 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.281 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5718 |
| Rhythmic Variability |
0.03715 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003095 |
| Duration in Seconds |
111.9 |
| Note Density |
4.255 |
| Note Density Variability |
1.745 |
| Average Time Between Attacks |
0.4624 |
| Average Time Between Attacks for Each Voice |
0.9106 |
| Variability of Time Between Attacks |
0.3608 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.3239 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.4958 |
| Relative Note Durations of Lowest Line |
1.126 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.792 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.055 |
| Parallel Motion |
0.06048 |
| Average Number of Independent Voices |
3.33 |
| Similar Motion |
0.1512 |
| Contrary Motion |
0.1555 |
| Oblique Motion |
0.6328 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9094 |
| Voice Equality - Number of Notes |
22.14 |
| Voice Equality - Note Duration |
8.329 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |