| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2482 |
| Prevalence of Second Most Common Vertical Interval |
0.1749 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7049 |
| Vertical Unisons |
0.0522 |
| Vertical Minor Seconds |
0.00525 |
| Vertical Thirds |
0.2573 |
| Vertical Tritones |
0.01021 |
| Vertical Perfect Fourths |
0.1117 |
| Vertical Perfect Fifths |
0.1749 |
| Vertical Sixths |
0.1342 |
| Vertical Sevenths |
0.03415 |
| Vertical Octaves |
0.196 |
| Perfect Vertical Intervals |
0.5348 |
| Vertical Dissonance Ratio |
0.0796 |
| Vertical Minor Third Prevalence |
0.5328 |
| Vertical Major Third Prevalence |
0.4467 |
| Chord Duration |
1.819 |
| Partial Chords |
0.355 |
| Standard Triads |
0.4242 |
| Diminished and Augmented Triads |
0.02381 |
| Dominant Seventh Chords |
0.004329 |
| Seventh Chords |
0.02814 |
| Non-Standard Chords |
0.1926 |
| Complex Chords |
0.01299 |
| Minor Major Triad Ratio |
1.649 |
| Average Number of Simultaneous Pitch Classes |
2.658 |
| Variability of Number of Simultaneous Pitch Classes |
0.7464 |
| Average Number of Simultaneous Pitches |
3.529 |
| Variability of Number of Simultaneous Pitches |
0.9184 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.41 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
87.03 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1674 |
| Stepwise Motion |
0.5516 |
| Melodic Thirds |
0.1211 |
| Melodic Perfect Fourths |
0.09118 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02392 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005979 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.857 |
| Melodic Embellishments |
0.02671 |
| Direction of Melodic Motion |
0.4388 |
| Average Length of Melodic Arcs |
1.883 |
| Average Interval Spanned by Melodic Arcs |
4.723 |
| Melodic Pitch Variety |
4.661 |
| Mean Melodic Interval |
2.025 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3842 |
| Relative Prevalence of Most Common Melodic Intervals |
0.537 |
| Amount of Arpeggiation |
0.3572 |
| Repeated Notes |
0.2063 |
| Importance of Middle Register |
0.6677 |
| Importance of High Register |
0.007418 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
0.0 |
| Mean Pitch |
57.55 |
| Mean Pitch Class |
5.093 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1187 |
| Prevalence of Most Common Pitch Class |
0.1899 |
| Relative Prevalence of Top Pitches |
0.7875 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.281 |
| Pitch Class Variability |
3.46 |
| Pitch Class Variability After Folding |
3.02 |
| Pitch Skewness |
0.4151 |
| Pitch Class Skewness |
0.08105 |
| Pitch Class Skewness After Folding |
1.119 |
| Pitch Kurtosis |
5.243 |
| Pitch Class Kurtosis |
4.853 |
| Pitch Class Kurtosis After Folding |
7.724 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3249 |
| Note Density per Quarter Note |
1.378 |
| Note Density per Quarter Note per Voice |
0.2757 |
| Note Density per Quarter Note Variability |
0.5654 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6424 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7389 |
| Prevalence of Very Long Rhythmic Values |
0.06677 |
| Prevalence of Dotted Notes |
0.1083 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.677 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3813 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6848 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.967 |
| Rhythmic Value Skewness |
1.032 |
| Rhythmic Value Kurtosis |
13.11 |
| Mean Rhythmic Value Run Length |
1.66 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.278 |
| Mean Rhythmic Value Offset |
0.1009 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9324 |
| Complete Rests Fraction |
0.002028 |
| Partial Rests Fraction |
0.7096 |
| Average Rest Fraction Across Voices |
0.2343 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
10.42 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.794 |
| Variability Across Voices of Combined Rests |
46.74 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5277 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2387 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.211 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7665 |
| Rhythmic Variability - Tempo Standardized |
0.04898 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
674.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.059 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.5746 |
| Variability of Note Durations |
0.5324 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2477 |
| Strength of Second Strongest Rhythmic Pulse |
0.2299 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.077 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4776 |
| Rhythmic Variability |
0.03428 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.000000000178 |
| Duration in Seconds |
101.2 |
| Note Density |
6.662 |
| Note Density Variability |
1.79 |
| Average Time Between Attacks |
0.3166 |
| Average Time Between Attacks for Each Voice |
0.7253 |
| Variability of Time Between Attacks |
0.1293 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.4695 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.497 |
| Relative Note Durations of Lowest Line |
1.111 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.8309 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
3.202 |
| Parallel Motion |
0.06563 |
| Average Number of Independent Voices |
3.836 |
| Similar Motion |
0.1297 |
| Contrary Motion |
0.1313 |
| Oblique Motion |
0.6734 |
| Parallel Fifths |
0.007812 |
| Parallel Octaves |
0.004687 |
| Variability of Number of Independent Voices |
0.9484 |
| Voice Equality - Number of Notes |
25.35 |
| Voice Equality - Note Duration |
9.671 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
0.8944 |
| Importance of Loudest Voice |
13.75 |