| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2245 |
| Prevalence of Second Most Common Vertical Interval |
0.165 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.735 |
| Vertical Unisons |
0.02899 |
| Vertical Minor Seconds |
0.003423 |
| Vertical Thirds |
0.3099 |
| Vertical Tritones |
0.01367 |
| Vertical Perfect Fourths |
0.08532 |
| Vertical Perfect Fifths |
0.1605 |
| Vertical Sixths |
0.1413 |
| Vertical Sevenths |
0.03694 |
| Vertical Octaves |
0.1956 |
| Perfect Vertical Intervals |
0.4704 |
| Vertical Dissonance Ratio |
0.08519 |
| Vertical Minor Third Prevalence |
0.4289 |
| Vertical Major Third Prevalence |
0.425 |
| Chord Duration |
1.769 |
| Partial Chords |
0.4233 |
| Standard Triads |
0.3558 |
| Diminished and Augmented Triads |
0.0275 |
| Dominant Seventh Chords |
0.005833 |
| Seventh Chords |
0.01917 |
| Non-Standard Chords |
0.2017 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4982 |
| Average Number of Simultaneous Pitch Classes |
2.521 |
| Variability of Number of Simultaneous Pitch Classes |
0.6786 |
| Average Number of Simultaneous Pitches |
3.23 |
| Variability of Number of Simultaneous Pitches |
0.7898 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.307 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
26.88 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2218 |
| Stepwise Motion |
0.6882 |
| Melodic Thirds |
0.1478 |
| Melodic Perfect Fourths |
0.03763 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04301 |
| Melodic Sixths |
0.002688 |
| Melodic Sevenths |
0.002688 |
| Melodic Octaves |
0.0121 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.444 |
| Melodic Embellishments |
0.01604 |
| Direction of Melodic Motion |
0.4475 |
| Average Length of Melodic Arcs |
1.909 |
| Average Interval Spanned by Melodic Arcs |
4.734 |
| Melodic Pitch Variety |
5.108 |
| Mean Melodic Interval |
2.343 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4664 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4755 |
| Amount of Arpeggiation |
0.2715 |
| Repeated Notes |
0.06586 |
| Importance of Middle Register |
0.758 |
| Importance of High Register |
0.1564 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.24 |
| Mean Pitch Class |
4.876 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1056 |
| Prevalence of Most Common Pitch Class |
0.1765 |
| Relative Prevalence of Top Pitches |
0.8608 |
| Relative Prevalence of Top Pitch Classes |
0.9924 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.421 |
| Pitch Class Variability |
3.489 |
| Pitch Class Variability After Folding |
3.253 |
| Pitch Skewness |
-0.1086 |
| Pitch Class Skewness |
-0.1069 |
| Pitch Class Skewness After Folding |
1.195 |
| Pitch Kurtosis |
5.339 |
| Pitch Class Kurtosis |
4.992 |
| Pitch Class Kurtosis After Folding |
6.991 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.08556 |
| Note Density per Quarter Note |
1.167 |
| Note Density per Quarter Note per Voice |
0.2917 |
| Note Density per Quarter Note Variability |
0.5429 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005348 |
| Prevalence of Medium Rhythmic Values |
0.6016 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7473 |
| Prevalence of Very Long Rhythmic Values |
0.07219 |
| Prevalence of Dotted Notes |
0.09759 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.778 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3489 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7318 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.956 |
| Rhythmic Value Skewness |
1.193 |
| Rhythmic Value Kurtosis |
11.68 |
| Mean Rhythmic Value Run Length |
1.568 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.04 |
| Mean Rhythmic Value Offset |
0.09091 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9327 |
| Complete Rests Fraction |
0.001547 |
| Partial Rests Fraction |
0.4821 |
| Average Rest Fraction Across Voices |
0.163 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
76.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.966 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.29 |
| Variability Across Voices of Combined Rests |
38.82 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.538 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2335 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.304 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7715 |
| Rhythmic Variability - Tempo Standardized |
0.04929 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
748.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.258 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.742 |
| Variability of Note Durations |
0.653 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.357 |
| Strength of Second Strongest Rhythmic Pulse |
0.3445 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.036 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7016 |
| Rhythmic Variability |
0.04205 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000001309 |
| Duration in Seconds |
165.8 |
| Note Density |
4.512 |
| Note Density Variability |
1.819 |
| Average Time Between Attacks |
0.4302 |
| Average Time Between Attacks for Each Voice |
0.8758 |
| Variability of Time Between Attacks |
0.2443 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.5442 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.3904 |
| Relative Note Durations of Lowest Line |
1.069 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.758 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.04751 |
| Average Number of Independent Voices |
3.353 |
| Similar Motion |
0.1344 |
| Contrary Motion |
0.2028 |
| Oblique Motion |
0.6153 |
| Parallel Fifths |
0.003476 |
| Parallel Octaves |
0.001159 |
| Variability of Number of Independent Voices |
0.7808 |
| Voice Equality - Number of Notes |
26.88 |
| Voice Equality - Note Duration |
10.04 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.082 |
| Importance of Loudest Voice |
10.0 |