| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2383 |
| Prevalence of Second Most Common Vertical Interval |
0.1896 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7957 |
| Vertical Unisons |
0.0209 |
| Vertical Minor Seconds |
0.002336 |
| Vertical Thirds |
0.2931 |
| Vertical Tritones |
0.006416 |
| Vertical Perfect Fourths |
0.09919 |
| Vertical Perfect Fifths |
0.1896 |
| Vertical Sixths |
0.1461 |
| Vertical Sevenths |
0.01612 |
| Vertical Octaves |
0.2174 |
| Perfect Vertical Intervals |
0.5271 |
| Vertical Dissonance Ratio |
0.03494 |
| Vertical Minor Third Prevalence |
0.3735 |
| Vertical Major Third Prevalence |
0.265 |
| Chord Duration |
3.089 |
| Partial Chords |
0.6106 |
| Standard Triads |
0.3274 |
| Diminished and Augmented Triads |
0.01141 |
| Dominant Seventh Chords |
0.0007133 |
| Seventh Chords |
0.00214 |
| Non-Standard Chords |
0.05991 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.564 |
| Average Number of Simultaneous Pitch Classes |
2.173 |
| Variability of Number of Simultaneous Pitch Classes |
0.6877 |
| Average Number of Simultaneous Pitches |
2.766 |
| Variability of Number of Simultaneous Pitches |
0.965 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.572 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
15.02 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1782 |
| Stepwise Motion |
0.5936 |
| Melodic Thirds |
0.08501 |
| Melodic Perfect Fourths |
0.08128 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04996 |
| Melodic Sixths |
0.004474 |
| Melodic Sevenths |
0.0007457 |
| Melodic Octaves |
0.005966 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.353 |
| Melodic Embellishments |
0.007413 |
| Direction of Melodic Motion |
0.4423 |
| Average Length of Melodic Arcs |
2.046 |
| Average Interval Spanned by Melodic Arcs |
5.375 |
| Melodic Pitch Variety |
4.759 |
| Mean Melodic Interval |
2.164 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4154 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4309 |
| Amount of Arpeggiation |
0.3207 |
| Repeated Notes |
0.179 |
| Importance of Middle Register |
0.6842 |
| Importance of High Register |
0.005189 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.47 |
| Mean Pitch Class |
5.3 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1231 |
| Prevalence of Most Common Pitch Class |
0.232 |
| Relative Prevalence of Top Pitches |
0.8072 |
| Relative Prevalence of Top Pitch Classes |
0.7668 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.307 |
| Pitch Class Variability |
3.636 |
| Pitch Class Variability After Folding |
2.818 |
| Pitch Skewness |
-0.4666 |
| Pitch Class Skewness |
0.2477 |
| Pitch Class Skewness After Folding |
0.1854 |
| Pitch Kurtosis |
5.257 |
| Pitch Class Kurtosis |
4.67 |
| Pitch Class Kurtosis After Folding |
8.253 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3106 |
| Note Density per Quarter Note |
0.8083 |
| Note Density per Quarter Note per Voice |
0.2021 |
| Note Density per Quarter Note Variability |
0.4832 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5041 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9703 |
| Prevalence of Very Long Rhythmic Values |
0.1275 |
| Prevalence of Dotted Notes |
0.05041 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.469 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4744 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7391 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.086 |
| Rhythmic Value Skewness |
2.113 |
| Rhythmic Value Kurtosis |
9.096 |
| Mean Rhythmic Value Run Length |
1.944 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.602 |
| Mean Rhythmic Value Offset |
0.02965 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4348 |
| Complete Rests Fraction |
0.0006367 |
| Partial Rests Fraction |
0.669 |
| Average Rest Fraction Across Voices |
0.2858 |
| Longest Complete Rest |
1.063 |
| Longest Partial Rest |
67.49 |
| Mean Complete Rest Duration |
1.063 |
| Mean Partial Rest Duration |
13.07 |
| Median Complete Rest Duration |
1.063 |
| Median Partial Rest Duration |
8.436 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.97 |
| Variability Across Voices of Combined Rests |
67.76 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8978 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.05311 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
16.9 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9509 |
| Rhythmic Variability - Tempo Standardized |
0.07093 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1349.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.408 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6915 |
| Variability of Note Durations |
0.4405 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
317.3 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
154.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3756 |
| Strength of Second Strongest Rhythmic Pulse |
0.2895 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.297 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6651 |
| Rhythmic Variability |
0.04321 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
59.73 |
| Duration in Seconds |
324.5 |
| Note Density |
4.157 |
| Note Density Variability |
1.219 |
| Average Time Between Attacks |
0.5001 |
| Average Time Between Attacks for Each Voice |
0.9548 |
| Variability of Time Between Attacks |
0.2517 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.3908 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.1957 |
| Relative Note Durations of Lowest Line |
1.009 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8073 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.06805 |
| Average Number of Independent Voices |
2.813 |
| Similar Motion |
0.2012 |
| Contrary Motion |
0.2308 |
| Oblique Motion |
0.5 |
| Parallel Fifths |
0.004931 |
| Parallel Octaves |
0.0009862 |
| Variability of Number of Independent Voices |
0.9539 |
| Voice Equality - Number of Notes |
15.02 |
| Voice Equality - Note Duration |
13.17 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |