| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2301 |
| Prevalence of Second Most Common Vertical Interval |
0.1688 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7336 |
| Vertical Unisons |
0.04063 |
| Vertical Minor Seconds |
0.005441 |
| Vertical Thirds |
0.2975 |
| Vertical Tritones |
0.007017 |
| Vertical Perfect Fourths |
0.1021 |
| Vertical Perfect Fifths |
0.1688 |
| Vertical Sixths |
0.1477 |
| Vertical Sevenths |
0.02492 |
| Vertical Octaves |
0.1895 |
| Perfect Vertical Intervals |
0.501 |
| Vertical Dissonance Ratio |
0.05693 |
| Vertical Minor Third Prevalence |
0.5143 |
| Vertical Major Third Prevalence |
0.4329 |
| Chord Duration |
2.553 |
| Partial Chords |
0.4083 |
| Standard Triads |
0.4339 |
| Diminished and Augmented Triads |
0.02041 |
| Dominant Seventh Chords |
0.002592 |
| Seventh Chords |
0.02203 |
| Non-Standard Chords |
0.1358 |
| Complex Chords |
0.001296 |
| Minor Major Triad Ratio |
1.309 |
| Average Number of Simultaneous Pitch Classes |
2.516 |
| Variability of Number of Simultaneous Pitch Classes |
0.7157 |
| Average Number of Simultaneous Pitches |
3.306 |
| Variability of Number of Simultaneous Pitches |
1.092 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.074 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
86.55 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1733 |
| Stepwise Motion |
0.5614 |
| Melodic Thirds |
0.143 |
| Melodic Perfect Fourths |
0.06898 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03589 |
| Melodic Sixths |
0.004487 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004487 |
| Melodic Large Intervals |
0.0005609 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.048 |
| Melodic Embellishments |
0.02292 |
| Direction of Melodic Motion |
0.4664 |
| Average Length of Melodic Arcs |
1.765 |
| Average Interval Spanned by Melodic Arcs |
4.511 |
| Melodic Pitch Variety |
4.612 |
| Mean Melodic Interval |
2.112 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3881 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4668 |
| Amount of Arpeggiation |
0.3651 |
| Repeated Notes |
0.1812 |
| Importance of Middle Register |
0.787 |
| Importance of High Register |
0.09782 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.48 |
| Mean Pitch Class |
5.336 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.0995 |
| Prevalence of Most Common Pitch Class |
0.1833 |
| Relative Prevalence of Top Pitches |
0.9831 |
| Relative Prevalence of Top Pitch Classes |
0.9756 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.133 |
| Pitch Class Variability |
3.533 |
| Pitch Class Variability After Folding |
3.021 |
| Pitch Skewness |
-0.3889 |
| Pitch Class Skewness |
0.2853 |
| Pitch Class Skewness After Folding |
0.4413 |
| Pitch Kurtosis |
5.176 |
| Pitch Class Kurtosis |
4.829 |
| Pitch Class Kurtosis After Folding |
7.4 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1151 |
| Note Density per Quarter Note |
1.067 |
| Note Density per Quarter Note per Voice |
0.2134 |
| Note Density per Quarter Note Variability |
0.5086 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003354 |
| Prevalence of Medium Rhythmic Values |
0.5439 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8491 |
| Prevalence of Very Long Rhythmic Values |
0.1219 |
| Prevalence of Dotted Notes |
0.08999 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.224 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.393 |
| Relative Prevalence of Most Common Rhythmic Values |
0.724 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.221 |
| Rhythmic Value Skewness |
1.654 |
| Rhythmic Value Kurtosis |
9.389 |
| Mean Rhythmic Value Run Length |
1.71 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.269 |
| Mean Rhythmic Value Offset |
0.0626 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6923 |
| Complete Rests Fraction |
0.000552 |
| Partial Rests Fraction |
0.7481 |
| Average Rest Fraction Across Voices |
0.305 |
| Longest Complete Rest |
0.9256 |
| Longest Partial Rest |
261.4 |
| Mean Complete Rest Duration |
0.9256 |
| Mean Partial Rest Duration |
15.69 |
| Median Complete Rest Duration |
0.9256 |
| Median Partial Rest Duration |
5.6 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
31.27 |
| Variability Across Voices of Combined Rests |
155.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6666 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1655 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.028 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8321 |
| Rhythmic Variability - Tempo Standardized |
0.05549 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1789.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.708 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.723 |
| Variability of Note Durations |
0.5674 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
276.0 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.3294 |
| Strength of Second Strongest Rhythmic Pulse |
0.2706 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.217 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6 |
| Rhythmic Variability |
0.03987 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
41.48 |
| Duration in Seconds |
371.7 |
| Note Density |
4.813 |
| Note Density Variability |
1.649 |
| Average Time Between Attacks |
0.4218 |
| Average Time Between Attacks for Each Voice |
1.075 |
| Variability of Time Between Attacks |
0.2135 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.3739 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.2012 |
| Relative Note Durations of Lowest Line |
1.015 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.8698 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.986 |
| Parallel Motion |
0.05355 |
| Average Number of Independent Voices |
3.504 |
| Similar Motion |
0.1258 |
| Contrary Motion |
0.16 |
| Oblique Motion |
0.6606 |
| Parallel Fifths |
0.004359 |
| Parallel Octaves |
0.003113 |
| Variability of Number of Independent Voices |
1.169 |
| Voice Equality - Number of Notes |
116.0 |
| Voice Equality - Note Duration |
34.47 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.095 |
| Importance of Loudest Voice |
12.5 |