| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2055 |
| Prevalence of Second Most Common Vertical Interval |
0.2013 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9793 |
| Vertical Unisons |
0.02085 |
| Vertical Minor Seconds |
0.001097 |
| Vertical Thirds |
0.3244 |
| Vertical Tritones |
0.007596 |
| Vertical Perfect Fourths |
0.08116 |
| Vertical Perfect Fifths |
0.2013 |
| Vertical Sixths |
0.1494 |
| Vertical Sevenths |
0.02176 |
| Vertical Octaves |
0.1847 |
| Perfect Vertical Intervals |
0.4879 |
| Vertical Dissonance Ratio |
0.03988 |
| Vertical Minor Third Prevalence |
0.5799 |
| Vertical Major Third Prevalence |
0.4531 |
| Chord Duration |
2.412 |
| Partial Chords |
0.2676 |
| Standard Triads |
0.6139 |
| Diminished and Augmented Triads |
0.01808 |
| Dominant Seventh Chords |
0.005425 |
| Seventh Chords |
0.01447 |
| Non-Standard Chords |
0.104 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.358 |
| Average Number of Simultaneous Pitch Classes |
2.694 |
| Variability of Number of Simultaneous Pitch Classes |
0.5954 |
| Average Number of Simultaneous Pitches |
3.523 |
| Variability of Number of Simultaneous Pitches |
0.7261 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.965 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
22.01 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2039 |
| Stepwise Motion |
0.6116 |
| Melodic Thirds |
0.123 |
| Melodic Perfect Fourths |
0.07909 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06678 |
| Melodic Sixths |
0.003515 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0123 |
| Melodic Large Intervals |
0.001757 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.5 |
| Melodic Embellishments |
0.01745 |
| Direction of Melodic Motion |
0.4755 |
| Average Length of Melodic Arcs |
1.732 |
| Average Interval Spanned by Melodic Arcs |
4.746 |
| Melodic Pitch Variety |
5.03 |
| Mean Melodic Interval |
2.49 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4077 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5 |
| Amount of Arpeggiation |
0.3058 |
| Repeated Notes |
0.1019 |
| Importance of Middle Register |
0.7714 |
| Importance of High Register |
0.02443 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.73 |
| Mean Pitch Class |
5.182 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1169 |
| Prevalence of Most Common Pitch Class |
0.1955 |
| Relative Prevalence of Top Pitches |
0.8507 |
| Relative Prevalence of Top Pitch Classes |
0.9732 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.338 |
| Pitch Class Variability |
3.32 |
| Pitch Class Variability After Folding |
4.03 |
| Pitch Skewness |
-0.6685 |
| Pitch Class Skewness |
0.164 |
| Pitch Class Skewness After Folding |
1.628 |
| Pitch Kurtosis |
5.384 |
| Pitch Class Kurtosis |
4.775 |
| Pitch Class Kurtosis After Folding |
4.961 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2042 |
| Note Density per Quarter Note |
0.9931 |
| Note Density per Quarter Note per Voice |
0.2483 |
| Note Density per Quarter Note Variability |
0.5475 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00349 |
| Prevalence of Medium Rhythmic Values |
0.5253 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8447 |
| Prevalence of Very Long Rhythmic Values |
0.1937 |
| Prevalence of Dotted Notes |
0.1466 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.522 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.37 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5708 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.588 |
| Rhythmic Value Skewness |
1.764 |
| Rhythmic Value Kurtosis |
7.763 |
| Mean Rhythmic Value Run Length |
1.54 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.171 |
| Mean Rhythmic Value Offset |
0.1257 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8096 |
| Complete Rests Fraction |
0.001719 |
| Partial Rests Fraction |
0.2582 |
| Average Rest Fraction Across Voices |
0.09444 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.031 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.682 |
| Variability Across Voices of Combined Rests |
19.82 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6148 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2066 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.976 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8214 |
| Rhythmic Variability - Tempo Standardized |
0.05274 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
573.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7969 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.7599 |
| Variability of Note Durations |
0.6418 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2657 |
| Strength of Second Strongest Rhythmic Pulse |
0.259 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.026 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5247 |
| Rhythmic Variability |
0.03591 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000002219 |
| Duration in Seconds |
120.2 |
| Note Density |
4.767 |
| Note Density Variability |
2.388 |
| Average Time Between Attacks |
0.4641 |
| Average Time Between Attacks for Each Voice |
0.8238 |
| Variability of Time Between Attacks |
0.3566 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.6443 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.4747 |
| Relative Note Durations of Lowest Line |
1.006 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7661 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.05939 |
| Average Number of Independent Voices |
3.628 |
| Similar Motion |
0.1575 |
| Contrary Motion |
0.2431 |
| Oblique Motion |
0.5401 |
| Parallel Fifths |
0.002762 |
| Parallel Octaves |
0.001381 |
| Variability of Number of Independent Voices |
0.7102 |
| Voice Equality - Number of Notes |
22.01 |
| Voice Equality - Note Duration |
4.13 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.8165 |
| Importance of Loudest Voice |
10.0 |