| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2248 |
| Prevalence of Second Most Common Vertical Interval |
0.1821 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8099 |
| Vertical Unisons |
0.03909 |
| Vertical Minor Seconds |
0.003393 |
| Vertical Thirds |
0.3155 |
| Vertical Tritones |
0.01008 |
| Vertical Perfect Fourths |
0.08134 |
| Vertical Perfect Fifths |
0.1821 |
| Vertical Sixths |
0.126 |
| Vertical Sevenths |
0.03193 |
| Vertical Octaves |
0.1857 |
| Perfect Vertical Intervals |
0.4882 |
| Vertical Dissonance Ratio |
0.07563 |
| Vertical Minor Third Prevalence |
0.4632 |
| Vertical Major Third Prevalence |
0.477 |
| Chord Duration |
2.022 |
| Partial Chords |
0.3992 |
| Standard Triads |
0.4101 |
| Diminished and Augmented Triads |
0.02481 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02636 |
| Non-Standard Chords |
0.1643 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4986 |
| Average Number of Simultaneous Pitch Classes |
2.575 |
| Variability of Number of Simultaneous Pitch Classes |
0.6786 |
| Average Number of Simultaneous Pitches |
3.275 |
| Variability of Number of Simultaneous Pitches |
0.7837 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.637 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
28.08 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1959 |
| Stepwise Motion |
0.6226 |
| Melodic Thirds |
0.1248 |
| Melodic Perfect Fourths |
0.05806 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04064 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01306 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.071 |
| Melodic Embellishments |
0.01587 |
| Direction of Melodic Motion |
0.473 |
| Average Length of Melodic Arcs |
1.839 |
| Average Interval Spanned by Melodic Arcs |
4.643 |
| Melodic Pitch Variety |
4.599 |
| Mean Melodic Interval |
2.196 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4267 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4592 |
| Amount of Arpeggiation |
0.3193 |
| Repeated Notes |
0.1408 |
| Importance of Middle Register |
0.3896 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
51.35 |
| Mean Pitch Class |
5.434 |
| Most Common Pitch |
46.0 |
| Most Common Pitch Class |
10.0 |
| Prevalence of Most Common Pitch |
0.1097 |
| Prevalence of Most Common Pitch Class |
0.2136 |
| Relative Prevalence of Top Pitches |
0.9868 |
| Relative Prevalence of Top Pitch Classes |
0.8176 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.761 |
| Pitch Class Variability |
3.371 |
| Pitch Class Variability After Folding |
4.15 |
| Pitch Skewness |
-0.03202 |
| Pitch Class Skewness |
0.3865 |
| Pitch Class Skewness After Folding |
-1.576 |
| Pitch Kurtosis |
5.455 |
| Pitch Class Kurtosis |
4.775 |
| Pitch Class Kurtosis After Folding |
4.703 |
| Major or Minor |
0.0 |
| First Pitch |
58.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
34.0 |
| Last Pitch Class |
10.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.6104 |
| Note Density per Quarter Note |
1.018 |
| Note Density per Quarter Note per Voice |
0.2544 |
| Note Density per Quarter Note Variability |
0.42 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005772 |
| Prevalence of Medium Rhythmic Values |
0.404 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.798 |
| Prevalence of Very Long Rhythmic Values |
0.1241 |
| Prevalence of Dotted Notes |
0.127 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.352 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4012 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5036 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.033 |
| Rhythmic Value Skewness |
-0.9563 |
| Rhythmic Value Kurtosis |
8.312 |
| Mean Rhythmic Value Run Length |
1.597 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.229 |
| Mean Rhythmic Value Offset |
0.03608 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3714 |
| Complete Rests Fraction |
0.001456 |
| Partial Rests Fraction |
0.4067 |
| Average Rest Fraction Across Voices |
0.1388 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.196 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.627 |
| Variability Across Voices of Combined Rests |
21.99 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5517 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2247 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.455 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7764 |
| Rhythmic Variability - Tempo Standardized |
0.04957 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
693.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6954 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
3.31 |
| Average Note Duration |
0.7004 |
| Variability of Note Durations |
0.4566 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.3028 |
| Strength of Second Strongest Rhythmic Pulse |
0.2309 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.312 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5337 |
| Rhythmic Variability |
0.03553 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003139 |
| Duration in Seconds |
140.9 |
| Note Density |
4.919 |
| Note Density Variability |
1.678 |
| Average Time Between Attacks |
0.3802 |
| Average Time Between Attacks for Each Voice |
0.7971 |
| Variability of Time Between Attacks |
0.2163 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.4226 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.3463 |
| Relative Note Durations of Lowest Line |
1.212 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8557 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.04421 |
| Average Number of Independent Voices |
3.45 |
| Similar Motion |
0.1144 |
| Contrary Motion |
0.1625 |
| Oblique Motion |
0.6788 |
| Parallel Fifths |
0.002601 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7634 |
| Voice Equality - Number of Notes |
28.08 |
| Voice Equality - Note Duration |
4.55 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5 |
| Importance of Loudest Voice |
11.67 |