Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2023 |
Prevalence of Second Most Common Vertical Interval |
0.1636 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8089 |
Vertical Unisons |
0.02113 |
Vertical Minor Seconds |
0.007489 |
Vertical Thirds |
0.286 |
Vertical Tritones |
0.01447 |
Vertical Perfect Fourths |
0.1036 |
Vertical Perfect Fifths |
0.1636 |
Vertical Sixths |
0.1629 |
Vertical Sevenths |
0.03627 |
Vertical Octaves |
0.1811 |
Perfect Vertical Intervals |
0.4695 |
Vertical Dissonance Ratio |
0.08889 |
Vertical Minor Third Prevalence |
0.4368 |
Vertical Major Third Prevalence |
0.3562 |
Chord Duration |
1.831 |
Partial Chords |
0.436 |
Standard Triads |
0.3833 |
Diminished and Augmented Triads |
0.02861 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.01732 |
Non-Standard Chords |
0.1634 |
Complex Chords |
0.002259 |
Minor Major Triad Ratio |
1.637 |
Average Number of Simultaneous Pitch Classes |
2.457 |
Variability of Number of Simultaneous Pitch Classes |
0.7678 |
Average Number of Simultaneous Pitches |
3.153 |
Variability of Number of Simultaneous Pitches |
1.174 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
6.787 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
66.92 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2424 |
Stepwise Motion |
0.7339 |
Melodic Thirds |
0.1131 |
Melodic Perfect Fourths |
0.0413 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03521 |
Melodic Sixths |
0.001354 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01083 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.275 |
Melodic Embellishments |
0.007422 |
Direction of Melodic Motion |
0.4465 |
Average Length of Melodic Arcs |
2.009 |
Average Interval Spanned by Melodic Arcs |
4.688 |
Melodic Pitch Variety |
5.201 |
Mean Melodic Interval |
2.194 |
Number of Common Melodic Intervals |
2.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4915 |
Relative Prevalence of Most Common Melodic Intervals |
0.4931 |
Amount of Arpeggiation |
0.2234 |
Repeated Notes |
0.06432 |
Importance of Middle Register |
0.6808 |
Importance of High Register |
0.006073 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
57.8 |
Mean Pitch Class |
5.495 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.09379 |
Prevalence of Most Common Pitch Class |
0.1707 |
Relative Prevalence of Top Pitches |
0.9496 |
Relative Prevalence of Top Pitch Classes |
0.913 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.169 |
Pitch Class Variability |
3.59 |
Pitch Class Variability After Folding |
3.096 |
Pitch Skewness |
-0.2708 |
Pitch Class Skewness |
0.4134 |
Pitch Class Skewness After Folding |
0.4675 |
Pitch Kurtosis |
5.328 |
Pitch Class Kurtosis |
4.825 |
Pitch Class Kurtosis After Folding |
7.098 |
Major or Minor |
0.0 |
First Pitch |
52.0 |
First Pitch Class |
4.0 |
Last Pitch |
40.0 |
Last Pitch Class |
4.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
1.0 |
Number of Common Pitch Classes |
0.0 |
Range |
34.0 |
Importance of Bass Register |
0.3131 |
Note Density per Quarter Note |
0.9953 |
Note Density per Quarter Note per Voice |
0.1991 |
Note Density per Quarter Note Variability |
0.4368 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.5452 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7213 |
Prevalence of Very Long Rhythmic Values |
0.1235 |
Prevalence of Dotted Notes |
0.1221 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.117 |
Most Common Rhythmic Value |
1.0 |
Prevalence of Most Common Rhythmic Value |
0.2787 |
Relative Prevalence of Most Common Rhythmic Values |
0.9564 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.43 |
Rhythmic Value Skewness |
1.38 |
Rhythmic Value Kurtosis |
9.32 |
Mean Rhythmic Value Run Length |
1.457 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
0.8219 |
Mean Rhythmic Value Offset |
0.1404 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.38 |
Complete Rests Fraction |
0.000666 |
Partial Rests Fraction |
0.7972 |
Average Rest Fraction Across Voices |
0.3515 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
384.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
22.76 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
6.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
62.11 |
Variability Across Voices of Combined Rests |
334.6 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5067 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.25 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.027 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7567 |
Rhythmic Variability - Tempo Standardized |
0.04823 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1482.0 |
Initial Tempo |
290.0 |
Average Variability of Time Between Attacks for Each Voice |
4.384 |
Minimum Note Duration |
0.2069 |
Maximum Note Duration |
6.621 |
Average Note Duration |
0.674 |
Variability of Note Durations |
0.664 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
5.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
6.0 |
Mean Tempo |
290.0 |
Strongest Rhythmic Pulse |
73.0 |
Second Strongest Rhythmic Pulse |
49.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
Strength of Strongest Rhythmic Pulse |
0.2486 |
Strength of Second Strongest Rhythmic Pulse |
0.24 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.036 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.4886 |
Rhythmic Variability |
0.03425 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.3333 |
Tempo Variability |
0.0000000003192 |
Duration in Seconds |
308.1 |
Note Density |
4.811 |
Note Density Variability |
1.397 |
Average Time Between Attacks |
0.3615 |
Average Time Between Attacks for Each Voice |
1.318 |
Variability of Time Between Attacks |
0.2056 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.5 |
Relative Range Isolation of Loudest Voice |
0.6763 |
Relative Range of Highest Line |
0.5 |
Relative Note Density of Highest Line |
0.226 |
Relative Note Durations of Lowest Line |
0.9985 |
Relative Size of Melodic Intervals in Lowest Line |
1.429 |
Voice Overlap |
0.7746 |
Voice Separation |
4.25 |
Variability of Voice Separation |
2.217 |
Parallel Motion |
0.04694 |
Average Number of Independent Voices |
3.245 |
Similar Motion |
0.1123 |
Contrary Motion |
0.1414 |
Oblique Motion |
0.6993 |
Parallel Fifths |
0.001188 |
Parallel Octaves |
0.001188 |
Variability of Number of Independent Voices |
1.192 |
Voice Equality - Number of Notes |
145.9 |
Voice Equality - Note Duration |
69.23 |
Voice Equality - Dynamics |
9.354 |
Voice Equality - Melodic Leaps |
0.5477 |
Voice Equality - Range |
3.782 |
Importance of Loudest Voice |
12.5 |