| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2825 |
| Prevalence of Second Most Common Vertical Interval |
0.1722 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6096 |
| Vertical Unisons |
0.05737 |
| Vertical Minor Seconds |
0.00394 |
| Vertical Thirds |
0.2513 |
| Vertical Tritones |
0.007115 |
| Vertical Perfect Fourths |
0.1005 |
| Vertical Perfect Fifths |
0.1722 |
| Vertical Sixths |
0.1361 |
| Vertical Sevenths |
0.02521 |
| Vertical Octaves |
0.2251 |
| Perfect Vertical Intervals |
0.5552 |
| Vertical Dissonance Ratio |
0.0609 |
| Vertical Minor Third Prevalence |
0.4379 |
| Vertical Major Third Prevalence |
0.4232 |
| Chord Duration |
1.681 |
| Partial Chords |
0.4497 |
| Standard Triads |
0.3747 |
| Diminished and Augmented Triads |
0.01823 |
| Dominant Seventh Chords |
0.0009116 |
| Seventh Chords |
0.0155 |
| Non-Standard Chords |
0.1601 |
| Complex Chords |
0.005166 |
| Minor Major Triad Ratio |
0.6075 |
| Average Number of Simultaneous Pitch Classes |
2.44 |
| Variability of Number of Simultaneous Pitch Classes |
0.7513 |
| Average Number of Simultaneous Pitches |
3.412 |
| Variability of Number of Simultaneous Pitches |
1.315 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
5.0 |
| Variation of Dynamics |
2.422 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
73.37 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1907 |
| Stepwise Motion |
0.5645 |
| Melodic Thirds |
0.1077 |
| Melodic Perfect Fourths |
0.05967 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05418 |
| Melodic Sixths |
0.002743 |
| Melodic Sevenths |
0.0006859 |
| Melodic Octaves |
0.01097 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.019 |
| Melodic Embellishments |
0.01025 |
| Direction of Melodic Motion |
0.467 |
| Average Length of Melodic Arcs |
1.776 |
| Average Interval Spanned by Melodic Arcs |
4.702 |
| Melodic Pitch Variety |
4.792 |
| Mean Melodic Interval |
2.136 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3738 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5339 |
| Amount of Arpeggiation |
0.3731 |
| Repeated Notes |
0.1996 |
| Importance of Middle Register |
0.7029 |
| Importance of High Register |
0.01844 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.37 |
| Mean Pitch Class |
5.145 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09631 |
| Prevalence of Most Common Pitch Class |
0.1974 |
| Relative Prevalence of Top Pitches |
0.9007 |
| Relative Prevalence of Top Pitch Classes |
0.8443 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.645 |
| Pitch Class Variability |
3.498 |
| Pitch Class Variability After Folding |
3.206 |
| Pitch Skewness |
-0.0587 |
| Pitch Class Skewness |
0.1248 |
| Pitch Class Skewness After Folding |
1.129 |
| Pitch Kurtosis |
5.27 |
| Pitch Class Kurtosis |
4.808 |
| Pitch Class Kurtosis After Folding |
7.106 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
35.0 |
| Importance of Bass Register |
0.2787 |
| Note Density per Quarter Note |
1.195 |
| Note Density per Quarter Note per Voice |
0.1992 |
| Note Density per Quarter Note Variability |
0.6501 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5697 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7145 |
| Prevalence of Very Long Rhythmic Values |
0.1059 |
| Prevalence of Dotted Notes |
0.2302 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.986 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2842 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7716 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.31 |
| Rhythmic Value Skewness |
1.281 |
| Rhythmic Value Kurtosis |
10.71 |
| Mean Rhythmic Value Run Length |
1.531 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.028 |
| Mean Rhythmic Value Offset |
0.2008 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.339 |
| Complete Rests Fraction |
0.0008949 |
| Partial Rests Fraction |
0.8181 |
| Average Rest Fraction Across Voices |
0.3786 |
| Longest Complete Rest |
1.096 |
| Longest Partial Rest |
274.1 |
| Mean Complete Rest Duration |
1.096 |
| Mean Partial Rest Duration |
20.46 |
| Median Complete Rest Duration |
1.096 |
| Median Partial Rest Duration |
10.61 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
44.49 |
| Variability Across Voices of Combined Rests |
109.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
6.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4638 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1875 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.473 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6513 |
| Rhythmic Variability - Tempo Standardized |
0.04248 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1464.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.599 |
| Minimum Note Duration |
0.1724 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
0.7299 |
| Variability of Note Durations |
0.7485 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
259.7 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.2793 |
| Strength of Second Strongest Rhythmic Pulse |
0.2251 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.241 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5044 |
| Rhythmic Variability |
0.034 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
28.97 |
| Duration in Seconds |
286.6 |
| Note Density |
5.108 |
| Note Density Variability |
2.026 |
| Average Time Between Attacks |
0.3822 |
| Average Time Between Attacks for Each Voice |
1.163 |
| Variability of Time Between Attacks |
0.2539 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4571 |
| Relative Range Isolation of Loudest Voice |
0.28 |
| Relative Range of Highest Line |
0.4571 |
| Relative Note Density of Highest Line |
0.2787 |
| Relative Note Durations of Lowest Line |
1.112 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8975 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
1.789 |
| Parallel Motion |
0.03134 |
| Average Number of Independent Voices |
3.757 |
| Similar Motion |
0.1157 |
| Contrary Motion |
0.1291 |
| Oblique Motion |
0.7239 |
| Parallel Fifths |
0.001493 |
| Parallel Octaves |
0.001493 |
| Variability of Number of Independent Voices |
1.518 |
| Voice Equality - Number of Notes |
34.02 |
| Voice Equality - Note Duration |
25.65 |
| Voice Equality - Dynamics |
2.582 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.602 |
| Importance of Loudest Voice |
4.0 |