| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2315 |
| Prevalence of Second Most Common Vertical Interval |
0.1889 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8163 |
| Vertical Unisons |
0.02579 |
| Vertical Minor Seconds |
0.00627 |
| Vertical Thirds |
0.3277 |
| Vertical Tritones |
0.006229 |
| Vertical Perfect Fourths |
0.09144 |
| Vertical Perfect Fifths |
0.1526 |
| Vertical Sixths |
0.1546 |
| Vertical Sevenths |
0.01674 |
| Vertical Octaves |
0.2057 |
| Perfect Vertical Intervals |
0.4755 |
| Vertical Dissonance Ratio |
0.04407 |
| Vertical Minor Third Prevalence |
0.6864 |
| Vertical Major Third Prevalence |
0.6133 |
| Chord Duration |
2.515 |
| Partial Chords |
0.2333 |
| Standard Triads |
0.6168 |
| Diminished and Augmented Triads |
0.00981 |
| Dominant Seventh Chords |
0.002146 |
| Seventh Chords |
0.02728 |
| Non-Standard Chords |
0.1226 |
| Complex Chords |
0.007051 |
| Minor Major Triad Ratio |
1.466 |
| Average Number of Simultaneous Pitch Classes |
2.822 |
| Variability of Number of Simultaneous Pitch Classes |
0.6071 |
| Average Number of Simultaneous Pitches |
4.158 |
| Variability of Number of Simultaneous Pitches |
1.251 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.776 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
185.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1621 |
| Stepwise Motion |
0.5054 |
| Melodic Thirds |
0.1712 |
| Melodic Perfect Fourths |
0.06525 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04821 |
| Melodic Sixths |
0.005403 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003325 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.728 |
| Melodic Embellishments |
0.01658 |
| Direction of Melodic Motion |
0.4641 |
| Average Length of Melodic Arcs |
1.716 |
| Average Interval Spanned by Melodic Arcs |
4.643 |
| Melodic Pitch Variety |
4.411 |
| Mean Melodic Interval |
2.172 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3433 |
| Relative Prevalence of Most Common Melodic Intervals |
0.586 |
| Amount of Arpeggiation |
0.4239 |
| Repeated Notes |
0.2012 |
| Importance of Middle Register |
0.6095 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.92 |
| Mean Pitch Class |
5.678 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09245 |
| Prevalence of Most Common Pitch Class |
0.221 |
| Relative Prevalence of Top Pitches |
0.9641 |
| Relative Prevalence of Top Pitch Classes |
0.8443 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
8.624 |
| Pitch Class Variability |
3.384 |
| Pitch Class Variability After Folding |
2.978 |
| Pitch Skewness |
-0.1813 |
| Pitch Class Skewness |
0.6009 |
| Pitch Class Skewness After Folding |
0.4648 |
| Pitch Kurtosis |
5.071 |
| Pitch Class Kurtosis |
5.048 |
| Pitch Class Kurtosis After Folding |
7.41 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.3905 |
| Note Density per Quarter Note |
1.452 |
| Note Density per Quarter Note per Voice |
0.242 |
| Note Density per Quarter Note Variability |
0.6559 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006633 |
| Prevalence of Medium Rhythmic Values |
0.5763 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8648 |
| Prevalence of Very Long Rhythmic Values |
0.07504 |
| Prevalence of Dotted Notes |
0.08872 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.968 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4411 |
| Relative Prevalence of Most Common Rhythmic Values |
0.656 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.902 |
| Rhythmic Value Skewness |
1.527 |
| Rhythmic Value Kurtosis |
12.13 |
| Mean Rhythmic Value Run Length |
1.772 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.45 |
| Mean Rhythmic Value Offset |
0.03648 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5139 |
| Complete Rests Fraction |
0.0003805 |
| Partial Rests Fraction |
0.7142 |
| Average Rest Fraction Across Voices |
0.2794 |
| Longest Complete Rest |
0.632 |
| Longest Partial Rest |
69.47 |
| Mean Complete Rest Duration |
0.632 |
| Mean Partial Rest Duration |
12.27 |
| Median Complete Rest Duration |
0.632 |
| Median Partial Rest Duration |
7.648 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.91 |
| Variability Across Voices of Combined Rests |
64.33 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6674 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1688 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.954 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8362 |
| Rhythmic Variability - Tempo Standardized |
0.05545 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2412.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.374 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.6385 |
| Variability of Note Durations |
0.429 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
289.2 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2994 |
| Strength of Second Strongest Rhythmic Pulse |
0.254 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.179 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5534 |
| Rhythmic Variability |
0.03726 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
58.37 |
| Duration in Seconds |
356.2 |
| Note Density |
6.772 |
| Note Density Variability |
1.826 |
| Average Time Between Attacks |
0.3851 |
| Average Time Between Attacks for Each Voice |
0.8838 |
| Variability of Time Between Attacks |
0.1789 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.06467 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.1667 |
| Relative Note Durations of Lowest Line |
1.095 |
| Relative Size of Melodic Intervals in Lowest Line |
1.091 |
| Voice Overlap |
0.9225 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.581 |
| Parallel Motion |
0.06443 |
| Average Number of Independent Voices |
4.366 |
| Similar Motion |
0.1577 |
| Contrary Motion |
0.1937 |
| Oblique Motion |
0.5841 |
| Parallel Fifths |
0.001696 |
| Parallel Octaves |
0.005511 |
| Variability of Number of Independent Voices |
1.329 |
| Voice Equality - Number of Notes |
44.64 |
| Voice Equality - Note Duration |
13.8 |
| Voice Equality - Dynamics |
8.612 |
| Voice Equality - Melodic Leaps |
0.4082 |
| Voice Equality - Range |
1.329 |
| Importance of Loudest Voice |
11.0 |