| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2168 |
| Prevalence of Second Most Common Vertical Interval |
0.1767 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8153 |
| Vertical Unisons |
0.03499 |
| Vertical Minor Seconds |
0.005391 |
| Vertical Thirds |
0.3157 |
| Vertical Tritones |
0.009603 |
| Vertical Perfect Fourths |
0.08324 |
| Vertical Perfect Fifths |
0.1767 |
| Vertical Sixths |
0.1404 |
| Vertical Sevenths |
0.02906 |
| Vertical Octaves |
0.1818 |
| Perfect Vertical Intervals |
0.4768 |
| Vertical Dissonance Ratio |
0.072 |
| Vertical Minor Third Prevalence |
0.3768 |
| Vertical Major Third Prevalence |
0.4264 |
| Chord Duration |
2.301 |
| Partial Chords |
0.5016 |
| Standard Triads |
0.3646 |
| Diminished and Augmented Triads |
0.01118 |
| Dominant Seventh Chords |
0.001597 |
| Seventh Chords |
0.02157 |
| Non-Standard Chords |
0.1122 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4678 |
| Average Number of Simultaneous Pitch Classes |
2.405 |
| Variability of Number of Simultaneous Pitch Classes |
0.7013 |
| Average Number of Simultaneous Pitches |
2.977 |
| Variability of Number of Simultaneous Pitches |
0.9216 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.744 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
65.44 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2187 |
| Stepwise Motion |
0.6313 |
| Melodic Thirds |
0.09178 |
| Melodic Perfect Fourths |
0.05188 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02953 |
| Melodic Sixths |
0.006385 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007981 |
| Melodic Large Intervals |
0.0007981 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.805 |
| Melodic Embellishments |
0.01989 |
| Direction of Melodic Motion |
0.4518 |
| Average Length of Melodic Arcs |
1.998 |
| Average Interval Spanned by Melodic Arcs |
4.798 |
| Melodic Pitch Variety |
4.409 |
| Mean Melodic Interval |
1.981 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4126 |
| Relative Prevalence of Most Common Melodic Intervals |
0.53 |
| Amount of Arpeggiation |
0.3105 |
| Repeated Notes |
0.1804 |
| Importance of Middle Register |
0.6333 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.31 |
| Mean Pitch Class |
5.298 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.08831 |
| Prevalence of Most Common Pitch Class |
0.1822 |
| Relative Prevalence of Top Pitches |
0.955 |
| Relative Prevalence of Top Pitch Classes |
0.8952 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.282 |
| Pitch Class Variability |
3.476 |
| Pitch Class Variability After Folding |
4.329 |
| Pitch Skewness |
-0.0934 |
| Pitch Class Skewness |
0.2575 |
| Pitch Class Skewness After Folding |
1.322 |
| Pitch Kurtosis |
5.193 |
| Pitch Class Kurtosis |
4.743 |
| Pitch Class Kurtosis After Folding |
4.438 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3667 |
| Note Density per Quarter Note |
0.9155 |
| Note Density per Quarter Note per Voice |
0.2289 |
| Note Density per Quarter Note Variability |
0.4489 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009547 |
| Prevalence of Medium Rhythmic Values |
0.4861 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7733 |
| Prevalence of Very Long Rhythmic Values |
0.1257 |
| Prevalence of Dotted Notes |
0.105 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.282 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3286 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7893 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.337 |
| Rhythmic Value Skewness |
0.3625 |
| Rhythmic Value Kurtosis |
8.973 |
| Mean Rhythmic Value Run Length |
1.554 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9634 |
| Mean Rhythmic Value Offset |
0.105 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9039 |
| Complete Rests Fraction |
0.0005027 |
| Partial Rests Fraction |
0.5518 |
| Average Rest Fraction Across Voices |
0.2255 |
| Longest Complete Rest |
0.6902 |
| Longest Partial Rest |
84.87 |
| Mean Complete Rest Duration |
0.6902 |
| Mean Partial Rest Duration |
12.26 |
| Median Complete Rest Duration |
0.6902 |
| Median Partial Rest Duration |
4.243 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.67 |
| Variability Across Voices of Combined Rests |
76.32 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5397 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2439 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.213 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7836 |
| Rhythmic Variability - Tempo Standardized |
0.04919 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1257.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.359 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6646 |
| Variability of Note Durations |
0.5483 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
313.2 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
| Strength of Strongest Rhythmic Pulse |
0.281 |
| Strength of Second Strongest Rhythmic Pulse |
0.2397 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.173 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5207 |
| Rhythmic Variability |
0.03507 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
56.29 |
| Duration in Seconds |
269.6 |
| Note Density |
4.662 |
| Note Density Variability |
1.473 |
| Average Time Between Attacks |
0.3877 |
| Average Time Between Attacks for Each Voice |
0.855 |
| Variability of Time Between Attacks |
0.2269 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.359 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.2037 |
| Relative Note Durations of Lowest Line |
1.006 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8671 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.03593 |
| Average Number of Independent Voices |
3.103 |
| Similar Motion |
0.1131 |
| Contrary Motion |
0.1472 |
| Oblique Motion |
0.7038 |
| Parallel Fifths |
0.003506 |
| Parallel Octaves |
0.0008764 |
| Variability of Number of Independent Voices |
0.9255 |
| Voice Equality - Number of Notes |
65.44 |
| Voice Equality - Note Duration |
14.99 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.944 |
| Importance of Loudest Voice |
10.0 |