| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1845 |
| Prevalence of Second Most Common Vertical Interval |
0.1817 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9848 |
| Vertical Unisons |
0.01538 |
| Vertical Minor Seconds |
0.007166 |
| Vertical Thirds |
0.3048 |
| Vertical Tritones |
0.01937 |
| Vertical Perfect Fourths |
0.09296 |
| Vertical Perfect Fifths |
0.1794 |
| Vertical Sixths |
0.1508 |
| Vertical Sevenths |
0.04192 |
| Vertical Octaves |
0.1691 |
| Perfect Vertical Intervals |
0.4568 |
| Vertical Dissonance Ratio |
0.09601 |
| Vertical Minor Third Prevalence |
0.4297 |
| Vertical Major Third Prevalence |
0.3613 |
| Chord Duration |
1.938 |
| Partial Chords |
0.4714 |
| Standard Triads |
0.3265 |
| Diminished and Augmented Triads |
0.02449 |
| Dominant Seventh Chords |
0.006122 |
| Seventh Chords |
0.02449 |
| Non-Standard Chords |
0.1776 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.462 |
| Average Number of Simultaneous Pitch Classes |
2.508 |
| Variability of Number of Simultaneous Pitch Classes |
0.6525 |
| Average Number of Simultaneous Pitches |
3.094 |
| Variability of Number of Simultaneous Pitches |
0.7494 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.43 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
8.261 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2235 |
| Stepwise Motion |
0.6744 |
| Melodic Thirds |
0.1118 |
| Melodic Perfect Fourths |
0.02697 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0289 |
| Melodic Sixths |
0.003854 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00578 |
| Melodic Large Intervals |
0.001927 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.412 |
| Melodic Embellishments |
0.03442 |
| Direction of Melodic Motion |
0.456 |
| Average Length of Melodic Arcs |
1.987 |
| Average Interval Spanned by Melodic Arcs |
4.511 |
| Melodic Pitch Variety |
4.485 |
| Mean Melodic Interval |
1.958 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4509 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4957 |
| Amount of Arpeggiation |
0.2929 |
| Repeated Notes |
0.1464 |
| Importance of Middle Register |
0.6807 |
| Importance of High Register |
0.003824 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.09 |
| Mean Pitch Class |
5.444 |
| Most Common Pitch |
52.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09751 |
| Prevalence of Most Common Pitch Class |
0.1912 |
| Relative Prevalence of Top Pitches |
0.9608 |
| Relative Prevalence of Top Pitch Classes |
0.89 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.308 |
| Pitch Class Variability |
3.511 |
| Pitch Class Variability After Folding |
3.018 |
| Pitch Skewness |
-0.1805 |
| Pitch Class Skewness |
0.379 |
| Pitch Class Skewness After Folding |
0.5473 |
| Pitch Kurtosis |
5.196 |
| Pitch Class Kurtosis |
4.889 |
| Pitch Class Kurtosis After Folding |
7.227 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3155 |
| Note Density per Quarter Note |
1.02 |
| Note Density per Quarter Note per Voice |
0.2549 |
| Note Density per Quarter Note Variability |
0.4246 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4933 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7954 |
| Prevalence of Very Long Rhythmic Values |
0.08795 |
| Prevalence of Dotted Notes |
0.1166 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.055 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.348 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8297 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.9 |
| Rhythmic Value Skewness |
0.08753 |
| Rhythmic Value Kurtosis |
10.27 |
| Mean Rhythmic Value Run Length |
1.557 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9788 |
| Mean Rhythmic Value Offset |
0.03059 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3488 |
| Complete Rests Fraction |
0.001933 |
| Partial Rests Fraction |
0.6335 |
| Average Rest Fraction Across Voices |
0.2134 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
72.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.733 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.31 |
| Variability Across Voices of Combined Rests |
16.44 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5727 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2307 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.483 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8034 |
| Rhythmic Variability - Tempo Standardized |
0.05085 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
523.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.043 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6429 |
| Variability of Note Durations |
0.4311 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2719 |
| Strength of Second Strongest Rhythmic Pulse |
0.2533 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.073 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5251 |
| Rhythmic Variability |
0.03579 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000003685 |
| Duration in Seconds |
106.9 |
| Note Density |
4.894 |
| Note Density Variability |
1.276 |
| Average Time Between Attacks |
0.3719 |
| Average Time Between Attacks for Each Voice |
0.7753 |
| Variability of Time Between Attacks |
0.1698 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4646 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.5124 |
| Relative Note Durations of Lowest Line |
1.052 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7839 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.04796 |
| Average Number of Independent Voices |
3.152 |
| Similar Motion |
0.1012 |
| Contrary Motion |
0.1741 |
| Oblique Motion |
0.6767 |
| Parallel Fifths |
0.003552 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7631 |
| Voice Equality - Number of Notes |
8.261 |
| Voice Equality - Note Duration |
3.425 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |