| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2191 |
| Prevalence of Second Most Common Vertical Interval |
0.1582 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7223 |
| Vertical Unisons |
0.03887 |
| Vertical Minor Seconds |
0.004951 |
| Vertical Thirds |
0.3015 |
| Vertical Tritones |
0.01189 |
| Vertical Perfect Fourths |
0.09854 |
| Vertical Perfect Fifths |
0.1582 |
| Vertical Sixths |
0.1507 |
| Vertical Sevenths |
0.02569 |
| Vertical Octaves |
0.1802 |
| Perfect Vertical Intervals |
0.4759 |
| Vertical Dissonance Ratio |
0.07753 |
| Vertical Minor Third Prevalence |
0.5683 |
| Vertical Major Third Prevalence |
0.5642 |
| Chord Duration |
1.996 |
| Partial Chords |
0.2596 |
| Standard Triads |
0.5106 |
| Diminished and Augmented Triads |
0.02695 |
| Dominant Seventh Chords |
0.007092 |
| Seventh Chords |
0.02837 |
| Non-Standard Chords |
0.2014 |
| Complex Chords |
0.007092 |
| Minor Major Triad Ratio |
0.6071 |
| Average Number of Simultaneous Pitch Classes |
2.784 |
| Variability of Number of Simultaneous Pitch Classes |
0.6874 |
| Average Number of Simultaneous Pitches |
3.799 |
| Variability of Number of Simultaneous Pitches |
0.9887 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.144 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
221.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1893 |
| Stepwise Motion |
0.6597 |
| Melodic Thirds |
0.1411 |
| Melodic Perfect Fourths |
0.07002 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05142 |
| Melodic Sixths |
0.006565 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004376 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.58 |
| Melodic Embellishments |
0.02283 |
| Direction of Melodic Motion |
0.4678 |
| Average Length of Melodic Arcs |
1.867 |
| Average Interval Spanned by Melodic Arcs |
4.805 |
| Melodic Pitch Variety |
5.298 |
| Mean Melodic Interval |
2.428 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4705 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4023 |
| Amount of Arpeggiation |
0.2637 |
| Repeated Notes |
0.06674 |
| Importance of Middle Register |
0.6272 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
56.38 |
| Mean Pitch Class |
5.279 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09783 |
| Prevalence of Most Common Pitch Class |
0.175 |
| Relative Prevalence of Top Pitches |
0.9667 |
| Relative Prevalence of Top Pitch Classes |
0.9317 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
10.0 |
| Pitch Variability |
8.155 |
| Pitch Class Variability |
3.585 |
| Pitch Class Variability After Folding |
4.152 |
| Pitch Skewness |
-0.489 |
| Pitch Class Skewness |
0.2337 |
| Pitch Class Skewness After Folding |
1.001 |
| Pitch Kurtosis |
4.927 |
| Pitch Class Kurtosis |
4.649 |
| Pitch Class Kurtosis After Folding |
4.737 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3728 |
| Note Density per Quarter Note |
1.255 |
| Note Density per Quarter Note per Voice |
0.251 |
| Note Density per Quarter Note Variability |
0.5031 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5609 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7272 |
| Prevalence of Very Long Rhythmic Values |
0.1196 |
| Prevalence of Dotted Notes |
0.1435 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.098 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.288 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9472 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.498 |
| Rhythmic Value Skewness |
1.318 |
| Rhythmic Value Kurtosis |
10.04 |
| Mean Rhythmic Value Run Length |
1.557 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.017 |
| Mean Rhythmic Value Offset |
0.1261 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.073 |
| Complete Rests Fraction |
0.001106 |
| Partial Rests Fraction |
0.646 |
| Average Rest Fraction Across Voices |
0.1981 |
| Longest Complete Rest |
0.8105 |
| Longest Partial Rest |
119.9 |
| Mean Complete Rest Duration |
0.8105 |
| Mean Partial Rest Duration |
11.53 |
| Median Complete Rest Duration |
0.8105 |
| Median Partial Rest Duration |
3.269 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.47 |
| Variability Across Voices of Combined Rests |
83.06 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5227 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2426 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.154 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7653 |
| Rhythmic Variability - Tempo Standardized |
0.04879 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
920.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.564 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
0.774 |
| Variability of Note Durations |
0.7822 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.1 |
| Strongest Rhythmic Pulse |
62.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.476 |
| Strength of Strongest Rhythmic Pulse |
0.2709 |
| Strength of Second Strongest Rhythmic Pulse |
0.2578 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.051 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5287 |
| Rhythmic Variability |
0.03702 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
32.32 |
| Duration in Seconds |
177.0 |
| Note Density |
5.197 |
| Note Density Variability |
2.126 |
| Average Time Between Attacks |
0.4124 |
| Average Time Between Attacks for Each Voice |
1.108 |
| Variability of Time Between Attacks |
0.2674 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.2972 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.3533 |
| Relative Note Durations of Lowest Line |
1.044 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9196 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.633 |
| Parallel Motion |
0.05395 |
| Average Number of Independent Voices |
4.036 |
| Similar Motion |
0.1247 |
| Contrary Motion |
0.1712 |
| Oblique Motion |
0.6502 |
| Parallel Fifths |
0.004651 |
| Parallel Octaves |
0.00186 |
| Variability of Number of Independent Voices |
0.9446 |
| Voice Equality - Number of Notes |
76.68 |
| Voice Equality - Note Duration |
20.06 |
| Voice Equality - Dynamics |
8.216 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.95 |
| Importance of Loudest Voice |
7.5 |