| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2216 |
| Prevalence of Second Most Common Vertical Interval |
0.1929 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8706 |
| Vertical Unisons |
0.02993 |
| Vertical Minor Seconds |
0.00331 |
| Vertical Thirds |
0.2859 |
| Vertical Tritones |
0.009958 |
| Vertical Perfect Fourths |
0.1158 |
| Vertical Perfect Fifths |
0.1929 |
| Vertical Sixths |
0.1313 |
| Vertical Sevenths |
0.02322 |
| Vertical Octaves |
0.1916 |
| Perfect Vertical Intervals |
0.5302 |
| Vertical Dissonance Ratio |
0.05553 |
| Vertical Minor Third Prevalence |
0.6789 |
| Vertical Major Third Prevalence |
0.6882 |
| Chord Duration |
2.503 |
| Partial Chords |
0.15 |
| Standard Triads |
0.6224 |
| Diminished and Augmented Triads |
0.01842 |
| Dominant Seventh Chords |
0.003947 |
| Seventh Chords |
0.05263 |
| Non-Standard Chords |
0.175 |
| Complex Chords |
0.005263 |
| Minor Major Triad Ratio |
1.048 |
| Average Number of Simultaneous Pitch Classes |
2.976 |
| Variability of Number of Simultaneous Pitch Classes |
0.5351 |
| Average Number of Simultaneous Pitches |
4.292 |
| Variability of Number of Simultaneous Pitches |
0.7584 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.359 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
80.58 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1884 |
| Stepwise Motion |
0.6065 |
| Melodic Thirds |
0.1583 |
| Melodic Perfect Fourths |
0.07469 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06466 |
| Melodic Sixths |
0.004459 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007804 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.582 |
| Melodic Embellishments |
0.02439 |
| Direction of Melodic Motion |
0.4708 |
| Average Length of Melodic Arcs |
1.799 |
| Average Interval Spanned by Melodic Arcs |
4.912 |
| Melodic Pitch Variety |
4.895 |
| Mean Melodic Interval |
2.52 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4181 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4507 |
| Amount of Arpeggiation |
0.3144 |
| Repeated Notes |
0.08361 |
| Importance of Middle Register |
0.7583 |
| Importance of High Register |
0.06319 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
60.97 |
| Mean Pitch Class |
5.076 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09202 |
| Prevalence of Most Common Pitch Class |
0.1807 |
| Relative Prevalence of Top Pitches |
0.8675 |
| Relative Prevalence of Top Pitch Classes |
0.8712 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.546 |
| Pitch Class Variability |
3.531 |
| Pitch Class Variability After Folding |
4.054 |
| Pitch Skewness |
-0.1944 |
| Pitch Class Skewness |
0.065 |
| Pitch Class Skewness After Folding |
0.8228 |
| Pitch Kurtosis |
5.166 |
| Pitch Class Kurtosis |
4.664 |
| Pitch Class Kurtosis After Folding |
4.973 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1785 |
| Note Density per Quarter Note |
1.185 |
| Note Density per Quarter Note per Voice |
0.2371 |
| Note Density per Quarter Note Variability |
0.625 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4922 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8237 |
| Prevalence of Very Long Rhythmic Values |
0.1785 |
| Prevalence of Dotted Notes |
0.1463 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.601 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.316 |
| Relative Prevalence of Most Common Rhythmic Values |
0.807 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.725 |
| Rhythmic Value Skewness |
0.6615 |
| Rhythmic Value Kurtosis |
7.975 |
| Mean Rhythmic Value Run Length |
1.501 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9131 |
| Mean Rhythmic Value Offset |
0.2262 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.589 |
| Complete Rests Fraction |
0.001184 |
| Partial Rests Fraction |
0.3658 |
| Average Rest Fraction Across Voices |
0.09426 |
| Longest Complete Rest |
0.9008 |
| Longest Partial Rest |
30.68 |
| Mean Complete Rest Duration |
0.9008 |
| Mean Partial Rest Duration |
5.977 |
| Median Complete Rest Duration |
0.9008 |
| Median Partial Rest Duration |
3.835 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.356 |
| Variability Across Voices of Combined Rests |
9.779 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5862 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2071 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.83 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7934 |
| Rhythmic Variability - Tempo Standardized |
0.05142 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
902.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9432 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.8301 |
| Variability of Note Durations |
0.7983 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
279.1 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.269 |
| Strength of Second Strongest Rhythmic Pulse |
0.2526 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.065 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5215 |
| Rhythmic Variability |
0.03569 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
27.04 |
| Duration in Seconds |
165.3 |
| Note Density |
5.455 |
| Note Density Variability |
2.293 |
| Average Time Between Attacks |
0.4187 |
| Average Time Between Attacks for Each Voice |
0.9126 |
| Variability of Time Between Attacks |
0.2944 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.375 |
| Relative Range Isolation of Loudest Voice |
0.09278 |
| Relative Range of Highest Line |
0.375 |
| Relative Note Density of Highest Line |
0.3936 |
| Relative Note Durations of Lowest Line |
0.9875 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9091 |
| Voice Overlap |
0.9302 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.708 |
| Parallel Motion |
0.03259 |
| Average Number of Independent Voices |
4.542 |
| Similar Motion |
0.1269 |
| Contrary Motion |
0.1715 |
| Oblique Motion |
0.669 |
| Parallel Fifths |
0.001715 |
| Parallel Octaves |
0.001715 |
| Variability of Number of Independent Voices |
0.6812 |
| Voice Equality - Number of Notes |
30.27 |
| Voice Equality - Note Duration |
2.125 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
3.082 |
| Importance of Loudest Voice |
12.5 |