| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.1998 |
| Prevalence of Second Most Common Vertical Interval |
0.1967 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9843 |
| Vertical Unisons |
0.02003 |
| Vertical Minor Seconds |
0.008187 |
| Vertical Thirds |
0.3965 |
| Vertical Tritones |
0.0194 |
| Vertical Perfect Fourths |
0.04438 |
| Vertical Perfect Fifths |
0.1719 |
| Vertical Sixths |
0.121 |
| Vertical Sevenths |
0.03796 |
| Vertical Octaves |
0.1546 |
| Perfect Vertical Intervals |
0.391 |
| Vertical Dissonance Ratio |
0.1007 |
| Vertical Minor Third Prevalence |
0.3527 |
| Vertical Major Third Prevalence |
0.3951 |
| Chord Duration |
1.755 |
| Partial Chords |
0.5116 |
| Standard Triads |
0.3162 |
| Diminished and Augmented Triads |
0.03085 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1722 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8636 |
| Average Number of Simultaneous Pitch Classes |
2.292 |
| Variability of Number of Simultaneous Pitch Classes |
0.6858 |
| Average Number of Simultaneous Pitches |
2.625 |
| Variability of Number of Simultaneous Pitches |
0.592 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.079 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
9.644 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.236 |
| Stepwise Motion |
0.7371 |
| Melodic Thirds |
0.09524 |
| Melodic Perfect Fourths |
0.03313 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03313 |
| Melodic Sixths |
0.00207 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004141 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.9167 |
| Melodic Embellishments |
0.01235 |
| Direction of Melodic Motion |
0.4645 |
| Average Length of Melodic Arcs |
2.081 |
| Average Interval Spanned by Melodic Arcs |
4.614 |
| Melodic Pitch Variety |
4.863 |
| Mean Melodic Interval |
2.037 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.501 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4711 |
| Amount of Arpeggiation |
0.2277 |
| Repeated Notes |
0.09524 |
| Importance of Middle Register |
0.7305 |
| Importance of High Register |
0.01852 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.35 |
| Mean Pitch Class |
5.235 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09877 |
| Prevalence of Most Common Pitch Class |
0.1708 |
| Relative Prevalence of Top Pitches |
0.875 |
| Relative Prevalence of Top Pitch Classes |
0.9518 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.695 |
| Pitch Class Variability |
3.496 |
| Pitch Class Variability After Folding |
3.318 |
| Pitch Skewness |
-0.5006 |
| Pitch Class Skewness |
0.2013 |
| Pitch Class Skewness After Folding |
0.5916 |
| Pitch Kurtosis |
5.056 |
| Pitch Class Kurtosis |
4.933 |
| Pitch Class Kurtosis After Folding |
6.613 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.251 |
| Note Density per Quarter Note |
1.082 |
| Note Density per Quarter Note per Voice |
0.3608 |
| Note Density per Quarter Note Variability |
0.4789 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6543 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6605 |
| Prevalence of Very Long Rhythmic Values |
0.03086 |
| Prevalence of Dotted Notes |
0.04733 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.449 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3395 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9273 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.627 |
| Rhythmic Value Skewness |
0.827 |
| Rhythmic Value Kurtosis |
12.1 |
| Mean Rhythmic Value Run Length |
1.841 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.223 |
| Mean Rhythmic Value Offset |
0.01646 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2563 |
| Complete Rests Fraction |
0.002209 |
| Partial Rests Fraction |
0.2695 |
| Average Rest Fraction Across Voices |
0.1106 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.386 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.99 |
| Variability Across Voices of Combined Rests |
15.14 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4973 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2715 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.831 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7688 |
| Rhythmic Variability - Tempo Standardized |
0.04798 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
486.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4468 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
3.31 |
| Average Note Duration |
0.51 |
| Variability of Note Durations |
0.3601 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
49.0 |
| Second Strongest Rhythmic Pulse |
73.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2312 |
| Strength of Second Strongest Rhythmic Pulse |
0.2217 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.043 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4528 |
| Rhythmic Variability |
0.03358 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000001962 |
| Duration in Seconds |
92.9 |
| Note Density |
5.232 |
| Note Density Variability |
1.777 |
| Average Time Between Attacks |
0.3471 |
| Average Time Between Attacks for Each Voice |
0.5437 |
| Variability of Time Between Attacks |
0.2046 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.6887 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.4259 |
| Relative Note Durations of Lowest Line |
0.978 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.3004 |
| Voice Separation |
9.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.04773 |
| Average Number of Independent Voices |
2.674 |
| Similar Motion |
0.1384 |
| Contrary Motion |
0.2172 |
| Oblique Motion |
0.5967 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5795 |
| Voice Equality - Number of Notes |
9.644 |
| Voice Equality - Note Duration |
3.133 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
15.0 |