| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.229 |
| Prevalence of Second Most Common Vertical Interval |
0.1911 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8345 |
| Vertical Unisons |
0.01735 |
| Vertical Minor Seconds |
0.000609 |
| Vertical Thirds |
0.3403 |
| Vertical Tritones |
0.01666 |
| Vertical Perfect Fourths |
0.102 |
| Vertical Perfect Fifths |
0.1624 |
| Vertical Sixths |
0.1419 |
| Vertical Sevenths |
0.003537 |
| Vertical Octaves |
0.2117 |
| Perfect Vertical Intervals |
0.4934 |
| Vertical Dissonance Ratio |
0.02495 |
| Vertical Minor Third Prevalence |
0.4869 |
| Vertical Major Third Prevalence |
0.3668 |
| Chord Duration |
2.741 |
| Partial Chords |
0.5577 |
| Standard Triads |
0.3942 |
| Diminished and Augmented Triads |
0.02885 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.04808 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9759 |
| Average Number of Simultaneous Pitch Classes |
2.31 |
| Variability of Number of Simultaneous Pitch Classes |
0.6303 |
| Average Number of Simultaneous Pitches |
3.002 |
| Variability of Number of Simultaneous Pitches |
1.008 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.788 |
| Variation of Dynamics In Each Voice |
1.794 |
| Average Note to Note Change in Dynamics |
2.142 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1208 |
| Stepwise Motion |
0.5094 |
| Melodic Thirds |
0.1151 |
| Melodic Perfect Fourths |
0.07358 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02264 |
| Melodic Sixths |
0.001887 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003774 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.542 |
| Melodic Embellishments |
0.003745 |
| Direction of Melodic Motion |
0.4623 |
| Average Length of Melodic Arcs |
1.816 |
| Average Interval Spanned by Melodic Arcs |
4.618 |
| Melodic Pitch Variety |
4.251 |
| Mean Melodic Interval |
1.877 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3887 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7039 |
| Amount of Arpeggiation |
0.4151 |
| Repeated Notes |
0.2736 |
| Importance of Middle Register |
0.7491 |
| Importance of High Register |
0.03745 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.55 |
| Mean Pitch Class |
5.243 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1255 |
| Prevalence of Most Common Pitch Class |
0.2154 |
| Relative Prevalence of Top Pitches |
0.7761 |
| Relative Prevalence of Top Pitch Classes |
0.9391 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.263 |
| Pitch Class Variability |
3.308 |
| Pitch Class Variability After Folding |
4.126 |
| Pitch Skewness |
0.03094 |
| Pitch Class Skewness |
0.2208 |
| Pitch Class Skewness After Folding |
1.737 |
| Pitch Kurtosis |
5.411 |
| Pitch Class Kurtosis |
4.786 |
| Pitch Class Kurtosis After Folding |
4.753 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2135 |
| Note Density per Quarter Note |
1.166 |
| Note Density per Quarter Note per Voice |
0.2915 |
| Note Density per Quarter Note Variability |
0.5573 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6798 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9251 |
| Prevalence of Very Long Rhythmic Values |
0.02247 |
| Prevalence of Dotted Notes |
0.07865 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.599 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.6049 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3994 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.315 |
| Rhythmic Value Skewness |
1.367 |
| Rhythmic Value Kurtosis |
24.0 |
| Mean Rhythmic Value Run Length |
1.701 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.729 |
| Mean Rhythmic Value Offset |
0.02996 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3452 |
| Complete Rests Fraction |
0.000002274 |
| Partial Rests Fraction |
0.4978 |
| Average Rest Fraction Across Voices |
0.2336 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
12.59 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
12.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.554 |
| Variability Across Voices of Combined Rests |
12.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7491 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1455 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.148 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8946 |
| Rhythmic Variability - Tempo Standardized |
0.06058 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
534.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6545 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.493 |
| Variability of Note Durations |
0.2913 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.35 |
| Strength of Strongest Rhythmic Pulse |
0.2362 |
| Strength of Second Strongest Rhythmic Pulse |
0.2307 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.024 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4669 |
| Rhythmic Variability |
0.03525 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
85.88 |
| Note Density |
6.218 |
| Note Density Variability |
2.267 |
| Average Time Between Attacks |
0.4002 |
| Average Time Between Attacks for Each Voice |
0.6091 |
| Variability of Time Between Attacks |
0.1502 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.4516 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.5169 |
| Relative Note Durations of Lowest Line |
0.9968 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7697 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.09492 |
| Average Number of Independent Voices |
3.066 |
| Similar Motion |
0.2693 |
| Contrary Motion |
0.2693 |
| Oblique Motion |
0.3664 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9846 |
| Voice Equality - Number of Notes |
6.952 |
| Voice Equality - Note Duration |
2.382 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
0.0 |