| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2228 |
| Prevalence of Second Most Common Vertical Interval |
0.1842 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8267 |
| Vertical Unisons |
0.0465 |
| Vertical Minor Seconds |
0.002837 |
| Vertical Thirds |
0.3169 |
| Vertical Tritones |
0.0135 |
| Vertical Perfect Fourths |
0.07463 |
| Vertical Perfect Fifths |
0.1842 |
| Vertical Sixths |
0.1323 |
| Vertical Sevenths |
0.02806 |
| Vertical Octaves |
0.1763 |
| Perfect Vertical Intervals |
0.4816 |
| Vertical Dissonance Ratio |
0.07435 |
| Vertical Minor Third Prevalence |
0.4099 |
| Vertical Major Third Prevalence |
0.3516 |
| Chord Duration |
2.129 |
| Partial Chords |
0.5342 |
| Standard Triads |
0.328 |
| Diminished and Augmented Triads |
0.02291 |
| Dominant Seventh Chords |
0.003701 |
| Seventh Chords |
0.01304 |
| Non-Standard Chords |
0.1248 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8086 |
| Average Number of Simultaneous Pitch Classes |
2.336 |
| Variability of Number of Simultaneous Pitch Classes |
0.6982 |
| Average Number of Simultaneous Pitches |
2.866 |
| Variability of Number of Simultaneous Pitches |
0.8456 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.416 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
47.48 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1971 |
| Stepwise Motion |
0.6533 |
| Melodic Thirds |
0.1581 |
| Melodic Perfect Fourths |
0.06103 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03502 |
| Melodic Sixths |
0.002501 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01501 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.292 |
| Melodic Embellishments |
0.02796 |
| Direction of Melodic Motion |
0.4381 |
| Average Length of Melodic Arcs |
1.881 |
| Average Interval Spanned by Melodic Arcs |
4.834 |
| Melodic Pitch Variety |
5.321 |
| Mean Melodic Interval |
2.384 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4562 |
| Relative Prevalence of Most Common Melodic Intervals |
0.432 |
| Amount of Arpeggiation |
0.2831 |
| Repeated Notes |
0.07504 |
| Importance of Middle Register |
0.8043 |
| Importance of High Register |
0.07688 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.59 |
| Mean Pitch Class |
5.149 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1293 |
| Prevalence of Most Common Pitch Class |
0.2062 |
| Relative Prevalence of Top Pitches |
0.7297 |
| Relative Prevalence of Top Pitch Classes |
0.8741 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.752 |
| Pitch Class Variability |
3.38 |
| Pitch Class Variability After Folding |
3.198 |
| Pitch Skewness |
0.06033 |
| Pitch Class Skewness |
0.1325 |
| Pitch Class Skewness After Folding |
0.4876 |
| Pitch Kurtosis |
5.418 |
| Pitch Class Kurtosis |
4.923 |
| Pitch Class Kurtosis After Folding |
6.822 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1188 |
| Note Density per Quarter Note |
0.9444 |
| Note Density per Quarter Note per Voice |
0.2361 |
| Note Density per Quarter Note Variability |
0.466 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0009985 |
| Prevalence of Medium Rhythmic Values |
0.4958 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8133 |
| Prevalence of Very Long Rhythmic Values |
0.1343 |
| Prevalence of Dotted Notes |
0.1737 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.175 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.309 |
| Relative Prevalence of Most Common Rhythmic Values |
0.874 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.05 |
| Rhythmic Value Skewness |
0.2565 |
| Rhythmic Value Kurtosis |
8.73 |
| Mean Rhythmic Value Run Length |
1.651 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.179 |
| Mean Rhythmic Value Offset |
0.04826 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4863 |
| Complete Rests Fraction |
0.00238 |
| Partial Rests Fraction |
0.6223 |
| Average Rest Fraction Across Voices |
0.2417 |
| Longest Complete Rest |
4.089 |
| Longest Partial Rest |
98.13 |
| Mean Complete Rest Duration |
2.524 |
| Mean Partial Rest Duration |
14.04 |
| Median Complete Rest Duration |
4.089 |
| Median Partial Rest Duration |
9.684 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.212 |
| Variability of Partial Rest Durations |
15.51 |
| Variability Across Voices of Combined Rests |
115.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5348 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2208 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.422 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7557 |
| Rhythmic Variability - Tempo Standardized |
0.0483 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2003.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.359 |
| Minimum Note Duration |
0.09868 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6546 |
| Variability of Note Durations |
0.4627 |
| Amount of Staccato |
0.0009985 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
296.4 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
| Strength of Strongest Rhythmic Pulse |
0.2745 |
| Strength of Second Strongest Rhythmic Pulse |
0.228 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.204 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5025 |
| Rhythmic Variability |
0.03437 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
29.52 |
| Duration in Seconds |
432.3 |
| Note Density |
4.633 |
| Note Density Variability |
1.799 |
| Average Time Between Attacks |
0.3897 |
| Average Time Between Attacks for Each Voice |
0.8608 |
| Variability of Time Between Attacks |
0.2315 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.343 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.1418 |
| Relative Note Durations of Lowest Line |
1.05 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9126 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.512 |
| Parallel Motion |
0.05208 |
| Average Number of Independent Voices |
3.024 |
| Similar Motion |
0.1146 |
| Contrary Motion |
0.2101 |
| Oblique Motion |
0.6233 |
| Parallel Fifths |
0.0005787 |
| Parallel Octaves |
0.001736 |
| Variability of Number of Independent Voices |
0.8723 |
| Voice Equality - Number of Notes |
47.48 |
| Voice Equality - Note Duration |
23.57 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
11.67 |