| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2166 |
| Prevalence of Second Most Common Vertical Interval |
0.2029 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9365 |
| Vertical Unisons |
0.02125 |
| Vertical Minor Seconds |
0.003882 |
| Vertical Thirds |
0.3512 |
| Vertical Tritones |
0.0176 |
| Vertical Perfect Fourths |
0.08034 |
| Vertical Perfect Fifths |
0.1574 |
| Vertical Sixths |
0.1385 |
| Vertical Sevenths |
0.02864 |
| Vertical Octaves |
0.1816 |
| Perfect Vertical Intervals |
0.4406 |
| Vertical Dissonance Ratio |
0.07498 |
| Vertical Minor Third Prevalence |
0.3994 |
| Vertical Major Third Prevalence |
0.4698 |
| Chord Duration |
1.899 |
| Partial Chords |
0.4962 |
| Standard Triads |
0.3338 |
| Diminished and Augmented Triads |
0.04308 |
| Dominant Seventh Chords |
0.001538 |
| Seventh Chords |
0.01385 |
| Non-Standard Chords |
0.1562 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3152 |
| Average Number of Simultaneous Pitch Classes |
2.442 |
| Variability of Number of Simultaneous Pitch Classes |
0.6734 |
| Average Number of Simultaneous Pitches |
3.061 |
| Variability of Number of Simultaneous Pitches |
0.8458 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.075 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
32.23 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2192 |
| Stepwise Motion |
0.6455 |
| Melodic Thirds |
0.161 |
| Melodic Perfect Fourths |
0.05277 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02706 |
| Melodic Sixths |
0.008119 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005413 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.975 |
| Melodic Embellishments |
0.01615 |
| Direction of Melodic Motion |
0.4752 |
| Average Length of Melodic Arcs |
1.65 |
| Average Interval Spanned by Melodic Arcs |
3.95 |
| Melodic Pitch Variety |
4.747 |
| Mean Melodic Interval |
2.192 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4263 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5143 |
| Amount of Arpeggiation |
0.2936 |
| Repeated Notes |
0.1001 |
| Importance of Middle Register |
0.7604 |
| Importance of High Register |
0.002692 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.15 |
| Mean Pitch Class |
4.915 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1184 |
| Prevalence of Most Common Pitch Class |
0.1898 |
| Relative Prevalence of Top Pitches |
0.8182 |
| Relative Prevalence of Top Pitch Classes |
0.9716 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.86 |
| Pitch Class Variability |
3.419 |
| Pitch Class Variability After Folding |
4.203 |
| Pitch Skewness |
-0.1672 |
| Pitch Class Skewness |
-0.07439 |
| Pitch Class Skewness After Folding |
1.033 |
| Pitch Kurtosis |
5.506 |
| Pitch Class Kurtosis |
4.831 |
| Pitch Class Kurtosis After Folding |
4.763 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2369 |
| Note Density per Quarter Note |
1.066 |
| Note Density per Quarter Note per Voice |
0.2665 |
| Note Density per Quarter Note Variability |
0.4623 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002692 |
| Prevalence of Medium Rhythmic Values |
0.568 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7537 |
| Prevalence of Very Long Rhythmic Values |
0.08345 |
| Prevalence of Dotted Notes |
0.1036 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.904 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3217 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8326 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.066 |
| Rhythmic Value Skewness |
1.314 |
| Rhythmic Value Kurtosis |
10.65 |
| Mean Rhythmic Value Run Length |
1.655 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.161 |
| Mean Rhythmic Value Offset |
0.03769 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3867 |
| Complete Rests Fraction |
0.001423 |
| Partial Rests Fraction |
0.5724 |
| Average Rest Fraction Across Voices |
0.2159 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.555 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.5 |
| Variability Across Voices of Combined Rests |
43.95 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5438 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2292 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.372 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7731 |
| Rhythmic Variability - Tempo Standardized |
0.04957 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
743.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9252 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
3.31 |
| Average Note Duration |
0.6087 |
| Variability of Note Durations |
0.4674 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2519 |
| Strength of Second Strongest Rhythmic Pulse |
0.2408 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.046 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4927 |
| Rhythmic Variability |
0.03459 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000003427 |
| Duration in Seconds |
144.2 |
| Note Density |
5.152 |
| Note Density Variability |
1.581 |
| Average Time Between Attacks |
0.3651 |
| Average Time Between Attacks for Each Voice |
0.7514 |
| Variability of Time Between Attacks |
0.2284 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.1934 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.3553 |
| Relative Note Durations of Lowest Line |
1.105 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9071 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.05807 |
| Average Number of Independent Voices |
3.141 |
| Similar Motion |
0.1431 |
| Contrary Motion |
0.1586 |
| Oblique Motion |
0.6402 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8712 |
| Voice Equality - Number of Notes |
32.23 |
| Voice Equality - Note Duration |
9.093 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
10.0 |